CDs/DVDs
Tom Birchenough
With its combination of a Tom Waits lament and visuals tracking over art works by Viennese modernists like Klimt and Schiele, the opening of Nicolas Roeg’s 1980 Bad Timing stays in the memory – its mood remains just there. The territory is defined gradually: variations on obsession, sexual but not exclusively. One line in the script suggests “lineaments of gratified desire”, though the elements of gratification here remain dubious for all concerned.Bad Timing came at the end of Roeg’s glorious 1970s, after Performance, Walkabout and Don’t Look Now. He came on a variation of the script through Read more ...
mark.kidel
Zun Zun Egui, who emerged from Bristol’s indie-boho scene a few years ago, are one of those bands who come closest to the essence of their potential when playing in an intimate and sweaty small venue. Recording their frenzy for posterity has never been easy. This their second album treads a similar path to their first, Katang: it’s good but rarely evokes the incandescent fury and derangement of their performances.Front-man Kushal Gaya is originally from Mauritius, and his musical roots – midway between Asia and East Africa – continue to colour the band’s mix of non-Western polyrhythms and Read more ...
Russ Coffey
The more I listen to Steve Rothery the more convinced I am he possesses one of the fattest, juiciest guitar tones around. Rothery really should be seen as one of the more interesting stylists of his generation. The reality, however, is that he remains dreadfully underrated: his own Wikipedia page even faint-praises him as once winning an award for Yorkshire and Humberside’s best guitarist. Ghosts of Pripyat, Rothery's first solo album, may not remedy this. Fans, though, will love it. Assembled through crowdfunding site Kickstarter, and now finally on general release, this has Read more ...
graham.rickson
Boyhood is an intimate film on an epic scale. Twelve years zoom past in 189 minutes, as we follow Mason Evans Jr.'s journey from primary school pupil to university student. That the film exists at all seems miraculous; you admire the producers’ nerve in funding such an open-ended project, and director Richard Linklater’s luck in securing a loyal cast willing to commit for 12 years. Especially the two young leads; Linklater’s daughter Lorelei as Mason’s sister Samantha must have been a known quantity, but watching six-year-old Ellar Coltrane mature into such an engaging, confident screen Read more ...
Kieron Tyler
Whether intentional or not, the third album by French chart-topping duo The dø is effectively a renewal of “Sweet Dreams”-era Eurythmics. The synth bubble-‘n’-pulse and vocal lines nodding towards the choral and gospel inescapably evoke what Annie Lennox and Dave Stewart fashioned in the mid-Eighties. Shake Shook Shaken’s third track “Miracles (Back in Time)” suggests so much of Eurythmics’ “Here Comes the Rain Again” that it’s possible Dan Levy and the Finland-born but France-dwelling Olivia Merilahti are actually paying tribute to Eurythmics.Shake Shook Shaken – with its bizarre sleeve Read more ...
Matthew Wright
Renegades of Jazz is the alter ego of German DJ David Hanke, whose blending of breakbeats, a distorted big band, rap vocals and electronica to create something billed to bring jazz back to the dancefloor would already be an unusual combination even before the addition of John Milton’s biblical epic Paradise Lost. The result is a brooding and initially rather puzzling release that after several listens reveals itself as addictive and original.The Miltonic connection seems at first to be interpreted very loosely, as a general theme, rather than specific set of references, some of which, such as Read more ...
Kieron Tyler
Tyrannosaurus Rex: My People Were Fair and had Sky in Their Hair, Prophets, Seers & Sages: Angels of the Ages, Unicorn“I was just reflecting and talking about things most people thought or wanted to hear about at the time.” Marc Bolan’s comment about why Tyrannosaurus Rex became popular so quickly is heard in a brief BBC interview included as one of the extras on this new edition of My People Were Fair and had Sky in Their Hair, the summer 1968 debut album.Bolan himself, as the liner notes to the related reissue of Prophets, Seers & Sages: Angels of the Ages state, was astutely Read more ...
Lisa-Marie Ferla
Meghan Trainor may not yet be a household name, but you’ll be familiar with her feelgood hit of last summer. “All About That Bass” is many things: insistent, catchy, possibly anti-feminist body-shaming – but it also sparked a little debate on my Twitter feed in the hour or so leading up to the Bells on New Year’s Eve. If “bass” is, as is clearly implied from the accompanying technicoloured video, a radio-friendly term for a sizeable arse, then what on earth is “treble”?Before you start to wonder whether Title delves deep into such existential questions, I’d better make it clear: what the Read more ...
Tom Birchenough
A Bolivian upper-crust family comes to gradual pieces in Juan Carlos Valdivia’s 2009 Southern District (Zona Sur), which won best director and script prize in the World Cinema section at Sundance the following year. Delayed in its UK DVD release, this thought-through film proves worth waiting for.Its title refers to the name of one of the better districts of the country’s capital La Paz, and Valdivia tells a slow-burn story of the break-up of a traditional world, with convincing portrayals of somewhat superficial lead characters, their existence thrown into uneasy counterpoint through their Read more ...
Guy Oddy
To say that the music industry’s response to the ongoing world financial crisis has been pitiful is an understatement. There’s been no “Ghost Town”, no “Step down Margaret” and no “Holiday in Cambodia”. However, Napalm Death have come to remedy this situation with a heavy album for heavy times. Apex Predator – Easy Meat takes on the 1% in no uncertain terms and it’s safe to say that no future Tory Prime Minister will be drawing on it when he or she gets invited onto Radio 4’s Desert Island Discs.For those unfamiliar with these mighty Midlanders, Napalm Death’s muscular metal is characterised Read more ...
mark.kidel
If humanity first emerged in Africa, so did music, that’s for sure. The continent provides an endless reservoir of sounds and rhythms that have fed into blues, gospel, rock and jazz and influenced musical culture the world over. Not surprising perhaps that a work as primal and rich in possibility as Terry Riley’s In C should work miraculously well when played and recorded in Bamako, one of Africa’s most vibrant musical cities. The piece is structured around repeated groups of notes and rhythms, taken up by different instruments – strings, percussion, and in this case vocals – which Read more ...
Nick Hasted
Still best-known in Britain for scripting Alain Resnais’ Last Year in Marienbad (1961), Alain Robbe-Grillet’s films as sole auteur develop that landmark work’s slippery reality. Like the novels with which he first made his name, Trans-Europ-Express (1966) draws attention to and fractures its own construction, as Robbe-Grillet, his producer, his wife Catherine as a canny continuity assistant and the film’s star, Jean-Louis Trintignant, all board the titular train. Robbe-Grillet cooks up a potboiler plot with his collaborators about a trench-coated cocaine smuggler’s tense trips between Paris Read more ...