CDs/DVDs
Barney Harsent
The first thing that hits you is the voice. Simultaneously full and fragile; assured, but with a distinctive, backnote graze that runs along it like barbs on a feather shaft, it sounds, at times, as if it’s ghosting itself. As well as lending textural gravitas to pretty much anything Meg Baird chooses to sing, it’s the perfect instrument for this collection of self-penned songs that appear, on first listen, to be haunted by the past.Indeed, as we begin, you could be forgiven for thinking that “Counterfeiters” and “I Don’t Mind” were in fact the opening of a new album by Baird's former band, Read more ...
Nick Hasted
This is an unusually humane horror film, made more chilling by its warmth towards its characters. After a brief prologue of inexplicable, bone-snapping terror, it lets us live quietly for some time with 19-year-old heroine Jay (Maika Monroe, perfectly natural and poised for stardom), till her naive visions of a date with a sexy city boy end with her drugged, bound, and cursed to be followed by an implacable, shape-shifting thing only she can see.Writer-director David Robert Mitchell was inspired by a recurring nightmare, and his monster moves and morphs like a bad dream. Whether taking the Read more ...
Guy Oddy
Trembling Bells appear to be resolutely stuck in 1969 – a time when hippiedom’s tastes turned from groovy Paisley Pattern to dreary brown corduroy. However, it would seem to be a 1969 with no Vietnam war, no civil rights struggle in the USA and no civil unrest in Northern Ireland: in fact, one where the outside world doesn’t seem to intrude at all. Therefore, instead of songs powered by idealism, hope and wild abandonment, Trembling Bells have produced a painfully retro album that wallows in escapism and a longing for an idealised past rooted in the fag-end of the hippy dream.While the debt Read more ...
Kieron Tyler
Various Artists: Dust on the Nettles – A Journey Through the British Underground Folk Scene 1967–72It’s one of the most significant musical rediscoveries of recent years and, on its own, makes Dust on the Nettles indispensible. “The Seagulls Scream” by Christine Quayle is track 10 on the first disc of this box set of psychedelically inclined British folk or folk-inspired music. Quayle intones desolately of “a human in bed [who] is singing his prayers in his head, his mind is dead.” Eleswhere in the disconsolate lyric, a child asks his mother for love but “beneath his skin, his body is Read more ...
joe.muggs
Here's a funny one: used as an adjective, “lifestyle” has lately become a popular pejorative term for music (see, most recently, the kerfuffle over Jamie xx's debut solo album). It's taken the place of “coffee table”, which was the Nineties phrase of choice to deride trip-hop and other styles that were considered too smooth or sedentary to meet required criteria of rebelliousness or authenticity or whatever.This tends, of course, to be a thin veil for inevitably middle-class commentators' neuroses and noble savage view of musicians – and it never involves any examination of who listens to the Read more ...
Matthew Wright
Robert Glasper has recently been making a name, and winning Grammys with his electronic fusion outfit, the Robert Glasper Experiment. After years of Casey Benjamin’s croaking vocoder on the Black Radio albums, the pealing acoustic notes of Glasper’s conventional trio are almost a surprise. Also novel by Glasper’s standards is the source material: there’s only one standard, “Stella By Starlight”. Many of the rest of are, as the title suggests, covers. While the sound of Glasper’s trio is fairly traditional, with his choice of tracks he’s clearly reaching out far beyond the jazz comfort zone: Read more ...
Kieron Tyler
Pinpointing exactly what makes Force Majeure so disquieting is difficult, and a second viewing on DVD confirms this. Overall, the elements of the film are unified so smoothly that focusing on any one of them doesn’t indicate the unexpectedly powerful effect of Ruben Östlund’s dissection of the collapse of male character.The impact could be a result of the director and writer's avowed reversal of the filmic hero trope. It could be Johannes Kuhnke’s intense depiction of father Tomas’s denial and subsequent breakdown in the wake of his transgression. Or it could be that such a sensitive theme Read more ...
Jasper Rees
Since her gorgeous self-titled debut album in 1979, Rickie Lee Jones has been all round the houses. Her music has plotted a sinuous path through jazz, blues, pop, soul and straight up-and-down rock. Her fortunes have soared and dipped, and the lovers apostrophised in the songs have come and gone, starting with Tom Waits, subject of “We Belong Together”. Last year she sailed past her 60th birthday without having released any new material since her 50th. The Other Side of Desire comes out on a record label of the same name, and was crowd-funded.It wouldn’t be a Rickie Lee Jones album if it didn Read more ...
mark.kidel
The songs of Richard Thompson have always been tinged with a hint of bitterness and anger, passions that are tempered by guitar paying of near-miraculous fluency. His new album, produced with brilliance and tact by Wilco’s Jeff Tweedy, is no exception. The standards are as high as ever, and the self-penned material, with the exception of “Guitar Heroes”, a somewhat tedious homage to masters of the instrument, is characterized by Thompson’s usual mix of poetry and irony.As with much of Thompson’s previous work, he ranges from the tropes of folk-rock – jaunty yet slightly melancholy tunes Read more ...
graham.rickson
If you’ve ever cycled down a potholed inner city street, dodging white vans and errant pedestrians, you’ll howl with envy at the cycling safety shorts collected in this BFI compilation. What did these riders have to worry about? 1947’s Pedal Cyclists shows a suited wag combing his hair whilst riding, and the same year’s Stringing Along illustrates what will happen if you patch your brakes up with, er, string. The surprise is the dearth of traffic, apart from the occasional slow moving bus. Leave a bicycle unattended in any major city and it’ll probably vanish within minutes; in these films, Read more ...
Lisa-Marie Ferla
Do you remember Alisha’s Attic? The '90s sister-duo’s debut was the first album I bought, and it was full of pretty pop songs soaked in vinegar and malice. Wolf Alice, a grunge-pop four-piece from north London, remind me of Alisha’s Attic, at least on those songs fronted by angelic-voiced co-founder Ellie Rowsell - or more specifically, they remind me of Alisha’s Attic if the latter's Shelly and Karen were fronting My Bloody Valentine.My Love is Cool is a debut five years in the making but its protagonists – Rowsell and guitarist Joff Oddie, who takes lead vocals on meandering late-album Read more ...
Kieron Tyler
Peter Zinovieff: Electronic Calendar – The EMS TapesRoxy Music’s June 1972 debut appearance on The Old Grey Whistle Test found them miming to “Ladytron” from their debut album, released that week. A prime focus for the camera was Eno, in a fake leopard-skin jacket and shiny gold gloves. Twiddling knobs and waggling a joystick, he stood at what was obviously an instrument but not a conventional one. There was no keyboard and the noises generated bubbled and swooped. This was an EMS synthesiser.The EMS synthesiser was British and a favourite of Hawkwind, Pink Floyd, Paul McCartney, The Read more ...