CDs/DVDs
Thomas H. Green
Brothers Howard and Guy Lawrence, who are Disclosure, have always made clear they’ve no especial passion for club music. They are, they say, first and foremost musicians and their affinity with dance culture stops there. Despite this they’ve become the biggest act to appear from the deep house boom, and the best of their 2013 debut album Settle harked back to the slick, soulful energy of original Chicago house. They were a breath of fresh air as EDM blossomed crassly around them. Now, however, they reveal their true colours. Caracal is one wet lettuce.Apart from a single track – the likeable Read more ...
Kieron Tyler
Although The Tribe is disquieting, seeing it at home rather than experiencing the full immersion of a cinema screening raises questions of what gives it its impact. theartsdesk’s review coinciding with the theatrical release pinpointed what makes director Miroslav Slaboshpitskiy’s strange Ukrainian film tick: from its use of sign language to its commentary on Ukraine. But are there individual stylistic elements which leap out as signifiers of its singularity?Time will tell whether or not Slaboshpitskiy can follow his first full-length feature with another film as striking, and whether working Read more ...
Guy Oddy
Kevin Martin is a busy man. Last year, there was The Bug’s floor-shaking Angels and Devils album and “Boa”/”Cold” collaboration with Dylan Carlson of drone titans Earth. In 2015, after a spectacular headline performance at the Supersonic Festival, he’s back with the King Midas Sound collective and more collaboration: with Austrian ambient wizard Fennesz.King Midas Sound’s 2009 debut album, Waiting For You was a laidback digi-dub masterpiece that often suggested the spirit of Tricky’s finest moments, with it’s mash-up of electronic reggae sounds and creeping industrial textures, underlying the Read more ...
Kieron Tyler
Pere Ubu: Elitism for the People 1975–1978Pere Ubu’s early records still sound great. The ethos of the Cleveland, Ohio band had nothing to do with prevailing trends when they formed in 1975, and had nothing to with the punk, new wave or what was later termed post-punk which opened many doors for and ears to them shortly afterwards. The timelessness stems from being singular, an aspect of which resulted in them issuing four singles on their own label between December 1975 and August 1978. Yet Pere Ubu were not isolated: their precursor band Rocket From the Tombs was co-billed with Read more ...
Lisa-Marie Ferla
Complaining about pop music sounding manufactured is something that, in these postmodern monoculture days, “serious” music fans are all supposed to be past by now. Certainly, since its US release last month, those who are paid to know better have been practically frothing at the mouth over the long-awaited third album by a third-placed 2007 Canadian Pop Idol contestant whose irresistible “Call Me Maybe” was the soundtrack to your summer a few years back. But while E•MO•TION crackles and fizzes in places with moments of pure pop joy, there are big chunks of this record that sound as though Read more ...
Barney Harsent
Growing up is a pain in the arse. Actually that’s not true, my arse has remained relatively unaffected by advancing years. In the last few months, however, I’ve managed to put my back out getting up off the sofa and inexplicably hurt my knee while trying to stand after retying a shoelace. I’ve also developed an acute fear of cholesterol, without really understanding what it is.On the basis of the two tracks I’d already heard on Rattle That Lock, I’d assumed that David Gilmour had managed to avoid such bodily rebellion and was dancing his way through the days. Both the title track and single “ Read more ...
Graham Fuller
When filming Vivre sa vie in 1962, Jean-Luc Godard made his wife and star Anna Karina wear a wig resembling Louise Brooks’s black-lacquered art-deco bob. Karina’s Nana was less immaculately coiffed than Brooks’s Lulu in G.W. Pabst's Pandora’s Box (1929), however, and her hair didn’t taper into pincers, like those that lay against Lulu’s cheeks. Nana is more vulnerable than her iconic antecedent – her glum stares at the camera replacing the devastating smiles Lulu bestows promiscuously.Godard’s fourth feature (and third with Karina) ostensibly traces Nana’s downward spiral as an aspiring 22- Read more ...
Thomas H. Green
The oft-used phrase “Hackney drum & bass band Rudimental” is misleading. It sets the listener off on the wrong foot. Anyone up for a “Hackney drum and bass band” would likely want something with serious bite - big, bad and boomin’. I know I would. This is not what Rudimental are, as anyone who’s heard their chart-topping hits and debut album will attest. Their second album journeys even further away from such a description.In Autumn 2011 a shrewd trio of young Hackney DJ-musicians approached the successful producer Amir Amor, a man who already owned a Hoxton production house and had Read more ...
Tim Cumming
I was prepared to be fondly underwhelmed by Keith Richards' first album in 23 years: 15 loose-limbed tracks laid down with drummer Steve Jordan from 2011 on, with studio guests and old Xpensive Wino friends casually sitting in on keys, brass, strings, vocals. There's Bobby Keys with his last recorded blows of brass on “Blues in the Morning” and “Amnesia”; Norah Jones breathing sweetly over “Illusion”; Larry Campbell on fiddle and pedal steel on "Just a Gift" and "Robbed Blind".But mainly it's Keith, handling all the guitars and a fair amount of piano, carrying lovelorn ballads and songs of Read more ...
Kieron Tyler
The off-the-wall premise of The New Girlfriend could have been one adapted by Pedro Almodóvar. After married woman Claire’s close childhood friend dies, she gives an undertaking to look after the widowed father David and the couple’s daughter, to whom she is godmother. While keeping her promise, she accidentally discovers he is a secret transvestite – David says his wife knew of this. Claire helps him into the outside world in his female persona (which she names Virginia), learns the reasons for the cross-dressing, falls for him in his female guise and, in the process, discovers she isn’t Read more ...
Matthew Wright
Jazz pianist Bill Evans was a titanic figure in jazz performance until addiction and death took him in 1980, his blend of strength and sensitivity unparalleled, while his collaborations with Miles Davis and Charles Mingus, among others, left epochal records. Yet Evans is covered much less frequently than his contemporaries, so this release by London jazz pianist Bruno Heinen and Danish guitarist Kristian Borring is a timely reminder of what we’ve been missing.Heinen is best known for the intriguing album Tierkreis, which re-worked a 1974 piece of the same name written for 12 music boxes by Read more ...
Kieron Tyler
Various Artists: The London American Label Year by Year – 1966The arguments for 1966 as the year popular music irrevocably changed are sound. Rock began emerging from pop as its serious offspring. Earnest expression, as opposed to fluffiness or accessibility, would become the objective for many. With the 1967 release of Sgt Pepper’s, the album was set in stone as a different medium to the single. The foundations were laid when The Beatles began recording “Strawberry Fields Forever” in November 1966.A chaotic, kaleidoscopic 1966 single like The Yarbirds’s “Happenings Ten Years Time Ago” Read more ...