CDs/DVDs
Lisa-Marie Ferla
It would be easy to write off The Jezabels’ third album as style over substance. The gaudy, synth-heavy gloom-pop of Synthia seeks to catch you off guard with its sexualised sighs, sinewy rhythms and liquid melodies. It’s only on repeated listens that its wider themes emerge: gender roles and identity; desire and disgust and, in “Smile”, a devastating put-down of the everyday street-harasser.It begins with “Stand and Deliver” – an immersive, seven-and-a-half-minute synthesised dream sequence during which frontwoman Hayley Mary transforms from wide-eyed ingenue into high priestess of electro- Read more ...
Guy Oddy
If these decisions were made on the back of quality and creativity rather than marketing muscle, Barry Adamson wouldn’t just be taking care of the next Bond theme tune, he’d be scoring the whole film. Unfortunately, media and record company politics will ensure that we get another substandard cruise singer instead, and it’ll be everyone’s loss. Adamson’s soulful lounge jazz with grit and filmless soundtracks often suggest the legendary Lee Hazelwood fronting post-jazzers Get The Blessing with plenty of dark comedy, and Know Where To Run shows that after a 30-year solo career, there’s plenty Read more ...
Thomas H. Green
In the latter half of the 1980s, Wendy James’s band Transvision Vamp created quite a stir. Their music, including a chart-topping second album, was fizzing, bright-coloured, punky power pop and James was a pouting, hissy-fit of a frontwoman, emanating urgent wannabe-famous sexuality. She disappeared from view in the Nineties, turning up again in the new millennium, first with a band, Racine, and then solo.The second and final Racine album and James’s 2010 solo effort, I Came Here to Blow Minds, boast an unexpectedly effective gnarled, druggy punk. These were followed by a 2012 double A-side Read more ...
Kieron Tyler
For its 6 April 1985 issue, the NME chose The Long Ryders as its cover stars. The colour picture of the band was emblazoned “A Shotgun Wedding of Country and Punk.” The Los Angeles outfit attracted attention as part of a wave of California bands overtly drawing from the past. Local peers included The Bangles, The Dream Syndicate and The Three O’Clock.Competition was tough. Bands from elsewhere in the States were also voguish during the pivotal years of 1983 to 1986: Green on Red, Let’s Active, R E.M. and The Replacements amongst them. The directly punk-rooted Black Flag and Hüsker Dü were on Read more ...
Kieron Tyler
Canadian singer-songwriter Basia Bulat’s first three albums were recognisably folky. Her main instrument was the autoharp. Good Advice is different. With its more upfront songwriting and verve, her fourth album is a giant leap. It is also Bulat’s best to date.Good Advice abandons her previous approach to embrace an R ‘n’ B-influenced pop with gospel-inclined melodies (the only element nodding back to her former self). The instrumental framing is totally new: booming drums, bubbling bass, shuffling percussion, keyboards, odd stabs of sax and a supporting chorale. Her voice is more powerful Read more ...
Russ Coffey
Kula Shaker first tasted success in 1996, with the monster hit K. While the album was a commercial success, their Eastern-hippy image meant some of the guys - especially singer Crispin Mills - found it hard to be taken seriously. In 1999, Mills put the band on hold while he tried his hand at other projects. Some years later Kula Shaker was reformed. They have been slowly chugging along, millimetres under the radar, ever since. K2.0 aims to be a a straight return to the old, 'classic', formula: sitars communing with guitars whilst karmic words float over the top. The Read more ...
graham.rickson
The jokes come thick and fast in this debut feature from the team behind the BBC’s Horrible Histories. Released theatrically to little fanfare last autumn, Richard Bracewell’s Bill is a delight – a joyously funny film which wears its erudition lightly. An examination of Shakespeare’s lost early years, it follows the young writer’s unwitting embroilment in a fiendish Spanish plot to assassinate Queen Elizabeth. Matthew Baynton’s Shakespeare is a likeable doofus, kicked out of his boy band Mortal Coil (yes, they do shuffle off) after one too many extended lute solos. He decides to become a Read more ...
peter.quinn
With everything they touch seemingly transforming into artistic gold, shapeshifting US collective Snarky Puppy are currently on a roll. Following their 2014 Grammy win for Family Dinner Volume One, they’ve since chalked up ‘Best Jazz Group’ in the 2015 Downbeat Readers Poll, plus a Grammy nomination in the ‘Best Contemporary Instrumental Album’ category for last year’s Sylva. This purple patch looks set to continue with the arrival of Family Dinner Volume Two.Serving up another appetizing smorgasbord of songs that range from the hyperventilated funk of “I Remember” (take a bow, LA duo Knower Read more ...
Guy Oddy
A lot of water has gone under the bridge since Elton John famously jumped onstage at a 1973 Stooges gig in Atlanta dressed as a gorilla and almost gave the drug-addled Iggy Pop a heart attack. While the Godfather of Punk is still playing the wildman when he hits the stage, it’s fair to say that the ennobled Elton has slowed down somewhat.Elton John has, of course, long embraced sobriety, family life and Disney soundtrack appearances and anyone hoping for a David Bowie-like radical reinvention of his easy-on-the ear shtick is going to be disappointed. Wonderful Crazy Night is Elton’s 32nd Read more ...
Tom Birchenough
The opening scene of Ramin Bahrani’s 99 Homes plunges us into the darker depths of American society, post-2008 financial crisis. We’re in the world of home repossessions, and the blood spattered around the bathroom of one property by an ex-owner who wouldn’t go quietly speaks chillingly for what is in store.Bahrani’s title hints at wider issues, principally the 99/1 wealth distribution inequality that was a slogan of the Occupy movement, and his film shows how that process is consolidated in practice. We first encounter single father Dennis Nash (Andrew Garfield) as he attends a court hearing Read more ...
mark.kidel
Sidestepper have been ploughing the rich ground of "electro-cumbia" for some years now. Their appealing contribution to the world dance scene is the fruit of a collaboration between Richard Blair, with his taste for drum‘n’bass and dub, and a number of Colombian talents who’ve grown up with a heady mix of Afro-Caribbean polyrhythms and traditional tribal melodies.Made in the laid-back barrios of Bogota, the new album juxtaposes tracks rooted in the irresistible and intricate local beats, driven by delicately played hand drums and other percussion, with slightly more mainstream pop and rock Read more ...
Kieron Tyler
Of all the idiosyncratic artists coming through the door opened by punk, Adrian Sherwood remains one of the most singular. Reggae had been given a new platform and Sherwood, though he has never done anything remotely musically akin to punk rock, comfortably found a place alongside boundary-crossing post-punk individualists like The Pop Group and Public Image Ltd. The former’s Mark Stewart and the latter’s Jah Wobble went on to record with Sherwood’s On-U Sound label.Although Sherwood would deconstruct and then reassemble hip-hop with Tackhead and similarly explore various forms of electronic Read more ...