CDs/DVDs
joe.muggs
It may be mean to say, but it seems sadness agrees with Tim Hecker. The Canadian has been a mainstay of the global experimental music world almost since the turn of the millennium, sitting somewhere between neo-classical, shoegaze, ambient and abstract noise. His tracks are always delicate, always poised, sometimes veering a little into harsh distortion though rarely if ever enough to scare the horses; and they seem to be at their best when they're at their sparsest and most desolate.There's certainly plenty of sparseness and desolation in his ninth album, a series of collaborations with Read more ...
Barney Harsent
Mudhoney are a constant in a changing world. When they first burst into our consciousness 30 years ago, few would have put their mortgage on the band’s longevity. They were an urgent burst of punk-fuelled grunge: sprawling, exciting and comfortably dumb.They were the grunge blueprint and, in part, the reason for their staying power may well be the fact that they’ve never stayed too far from it. Digital Garbage is no exception, showing Mudhoney to be a band as comfortable in their sound as they are uncomfortable in the world around them. This discomfort is highlighted throughout and Read more ...
graham.rickson
Animation fans have rarely had it so good, though it’s nothing short of criminal that the mean-spirited, infantile Peter Rabbit took more money than the sublime Paddington 2, and that Nora Twomey’s The Breadwinner wasn’t a popular success when released earlier this year. Redress the balance, and buy this disc today. Based on the first novel in Deborah Ellis’s Afghanistan-set series, it’s a remarkable film, at times so real, so acutely observed, that you forget it’s animated at all – as with My Life as a Courgette, you’re left incredulous that this riveting assemblage of pixels and pencil Read more ...
joe.muggs
Knowing a deceased artist's archives are available for re-release is a double-edged sword. Will there be a shoddy flood of any and every old bit of tat a la Jimi Hendrix? Will there be half-arsed, half-finished and even fake songs bodged together by trashy but popular modern dance remixers like Michael Jackson? Will the vaults just stay infuriatingly locked? With the impossibly prolific, but often self-indulgent Prince, it is doubly worrying: who has the rights? What will the quality control filter be like?Well, thank all that is holy, on the evidence of this release they're taking the right Read more ...
Katie Colombus
Christine has become Chris. The singer has struck out part of her name to gain a part of her identity – a gesture that quivers around words like transgender, sexuality, androgyny, queer. Actually, singer – real name Héloïse Letissier (previously Christine And The Queens, now Chris) – is simply presenting the next chapter of her story, following on from her slightly naiver-sounding teen-focussed debut album of Chaleur Humaine.Chris’ first album was formed when, after being depressed and heart-broken in Paris she was taken in by a group of London drag-queens from Madame Jojos who helped form Read more ...
Tom Birchenough
Swiss director Marcel Gisler’s film tells a story that is hardly new – but neither, sadly, is it old, as in about a thing of the past. That professional football continues to be homophobic, a world in which it is virtually impossible for a star player to come out as gay while continuing to play at the top of the game, is no secret. Two decades on from the suicide of Justin Fashanu, the destructive consequences are all too well known; recent fictional reminders, such as John Donnelly’s The Pass (made into an accomplished film by Ben A Williams two years ago), suggest that little has changed. Read more ...
Thomas H. Green
Bananas is Malcolm Middleton’s first solo album to be built around guitar, bass, drums and all that stuff since 2009’s gorgeous Waxing Gibbous. Like any great artist, he soon became bored with pursuing the classic formulation that made his name (post-Arab Strap). He’s spent the last few years trying new ideas instead. His last album, Summer of ’13, was his take on electropop, there’s his Human Don’t Be Angry experimental albums and a collaboration with the artist David Shrigley. On Bananas, however, those who’ve been pining for his classic sound are rewarded.Middleton is a wordsmith, striking Read more ...
Kieron Tyler
Although he’s regularly performed it live, hearing the studio version of Glen Matlock’s take on Scott Walker’s “Montague Terrace (in Blue)” is a jolt. Back in September 1967, when Matlock was 11 years old, the song was first heard on Walker’s debut solo album. Now, this elegy to a pair of cocooned lovers appears on Matlock’s solo album Good To Go as a straight yet rock-infused reconfiguration. It’s impossible not to wonder whether Matlock had Richard Hawley in mind when he set out to capture his own interpretation on tape.Glen Matlock will always be defined by his less-than two-year tenure in Read more ...
joe.muggs
Implausible times call for implausible music, and it doesn't come much more unlikely than this. Hawkwind, the die-hard troupers of gnarly cosmic squatter drug-rock, have re-recorded highlights from their catalogue, arranged and produced by Mike Batt. Yes, Mike “Wombles” Batt. Mike “Elkie Brooks” Batt. Mike “Katie Melua” Batt. Mike “Bright Eyes” Batt. And yes, he's removed all of the dirt, grease, diesel fumes, sticky bong residue and guitar distortion from the band's sound – this is a full-on showbiz spectacular, ballroom dance rhythms, big band brass, orchestral swoops and all. And yet Read more ...
Thomas H. Green
Life has sped up so, so much in the 82 years since My Man Godfrey appeared. The narrative pacing of many Hollywood films from that era seems painfully slow to modern viewers. My Man Godfrey, on the other hand, watched here in the company of a 15-year-old, has not lost a jot of its wild pacing, or indeed its zany vitality and arch commentary on economic disparity (the latter especially welcome as society increasingly gears itself towards ensuring the rich become more so while the rest of us flail).It was a big hit at the time, nominated for six Oscars, including all the acting ones (although Read more ...
Barney Harsent
2017 was a year in which Paul Weller reminded us all why he’s a force to be reckoned with. An impressive foray into the world of soundtracks (the score to Johnny Harris’s Jawbone) was followed by A Kind Revolution, which was, for the most part, a very impressive collection. This year sees yet another album from an artist who is clearly mining a rich seam of form. True Meanings is a surprising album. Let’s get one thing out of the way at the start: it’s very, very good – that’s not the surprise. Given his recent run, you’d expect this to be the case. No, the surprise is in the timbre Read more ...
mark.kidel
For nearly half a century, Loudon Wainwright III has trodden a path on the margins of American popular music. He is as much a wry and sometimes puerile humourist as he is the writer of touching songs about love. This new collection of unreleased material provides both an entry point for those unfamiliar with his work and a treasure trove for devotees.There is material recorded in the studio, on his laptop and at concerts – even a bootleg from a fan. The two CDs come with a nicely designed booklet with mementoes and drawings, all of which testify to the child-like qualities that provide Read more ...