CDs/DVDs
joe.muggs
On his second album, Swedish star DJ Kornél Kovács has achieved the impossible and made “tropical house” interesting. Somehow, he's taken every cliché of that slow, lilting pop dance sound Drake and lifestyle influencers Instagramming from pristine beaches and tweaked them to find unexpected strangeness and depths. All the tinkling marimbas, autotuned crooning (from pop duo Rebecca & Fiona), loping Latin/dancehall rhythms and pristine cleanliness you'll know from a million radio hits are here, but there's also an insidiously hallucinatory approach to the fine detail.Tiny little bleeps and Read more ...
Lisa-Marie Ferla
Look behind the lyrics of some of P!nk’s biggest hits, and you’ll see that those powerhouse vocals and big pop-rock choruses have always been used to distract from a certain vulnerability. But even by that standard, eighth album Hurts 2B Human might be her most plainspoken yet, with frank songs that tackle therapy, anxiety and motherhood nestled amongst the pop juggernauts you’d expect from an album that counts Max Martin, Shellback and Greg Kurstin amongst its cast of contributors.“Hustle” - co-written with Dan Reynolds of Imagine Dragons and producer Jorgen Odegard - gets the party started Read more ...
Guy Oddy
Bad Religion have been making politically aware, high-speed, melodic punk rock for throwing yourself around with glorious abandon for nigh on 40 years now. As anyone who saw them at last year's Download Festival will be aware, however, their longevity does not mean that they have become stale or jaded in any way. Greg Graffin, Brett Gurewitz and their fellow rabble-rousers may be long in the tooth but they still sound like young men going full-tilt with a sound that suggests a more tuneful Dead Kennedys or a more political Husker Du. Their long-playing ode to President Tiny Hands, alternative Read more ...
Thomas H. Green
Pet Shop Boys are never shy of producing stylishly conceived fan mementos. Coming not long after Faber & Faber’s hardback collection of Neil Tennant’s lyrics, this four-disc set is just such a slice of lovingly rendered memorabilia. After well over three decades in the game – but one since they had a Top 20 hit song – the duo retain a devoted following, ever eager to invest in whatever they’re up to. In the spirit of full disclosure, I am one such, and this review – of a film of a concert I’ve already reviewed on theartsdesk – should be read in that light. After all, who else is buying it Read more ...
Tom Birchenough
Robert Guediguian has spoken of the influence of Chekhov on The House by the Sea (Le Villa), and the shadow of the Russian dramatist, particularly The Cherry Orchard, can certainly be felt in the French director’s latest film, his 20th in a career that stretches back now some four decades. It’s there in ways that are thematic and structural equally, from its sense that a particular environment, a precious place that has defined the lives of the film’s protagonists in the past, is changing, to an unstudied story development defined by the loosely theatrical, almost “fly-on-the-wall” way in Read more ...
Asya Draganova
In the End, the final album by Limerick band the Cranberries arrives three decades after they first formed and just over a year after Dolores O’Riordan’s unexpected death. As a full-stop to their career, it therefore also marks something of a legacy for the singer as well as the band.As might be expected, Dolores’ angelic and powerful voice delivers raw emotion and energy throughout their swansong - the unchanging signature of the Cranberries’ sound. The melodic tracks from In the End embrace the simplicity of familiar chord progressions, maintaining their alternative rock and pop sound with Read more ...
Russ Coffey
Indie-rock sure ain't what it used to be. These days boys-with-guitars sound no less manufactured than actual boy bands. And, of all these generic outfits, few appear to have less musical substance than Welsh four-piece Catfish and the Bottlemen.The Balance, the Llandudno bands' third LP, is pure indie-by-numbers. It's full of chugging guitars with angsty vocals sung in a regional accent. Occasionally everything goes quiet before bursting into a massive chorus. It's as the band has sat down and tried to recreate the essence of Kasabian and Arctic Monkeys.The problem is Read more ...
Guy Oddy
There aren’t many musicians to catch the ear of a substantial community of music lovers that includes both metalheads and world music fans, as well as having been invited to play the White House – especially when playing only instrumental tunes on acoustic guitars. Given that Rodrigo Sanchez and Gabriela Quintero hail from Mexico, however, it’s no surprise that their appearance in Washington DC was at the invitation of Barack Obama and not President Tiny Hands.Mettavolution is be Rodrigo y Gabriela’s sixth studio album and their first since 2014’s 9 Dead Alive, but it certainly doesn’t betray Read more ...
Lisa-Marie Ferla
How to put a full-stop on an over 50 year recording career? For multiple Music Hall of Fame-rs The O’Jays, the answer includes a party track penned by Bruno Mars, a reworked 60s single and a final chance to ruminate on the state of the world. The appropriately-named The Last Word packs a lot into a mere nine songs, and while the result is a bit of a mixed bag, it’s great to see one of the leading lights of the Philadelphia sound call time on a storied career on their own terms.The Last Word finds the trio - founding members Walter Williams and Eddie Levert plus Eric Grant, who joined in 1995 Read more ...
Thomas H. Green
When poetic London MC Loyle Carner first appeared a couple years ago he was hailed for his fresh take on UK hip hop. Compared to the street-centric machismo of much grime music, he offered a welcome insight into a more sensitive 21st century masculinity that was a hit with both arts media sorts and the public. His second album, named for a Stevie Smith poem, contains two songs titled after virtuoso chefs (“Ottolenghi” and “Carluccio”), and one dedicated to his mother. It will do nothing to dent this reputation for emotional articulacy.Carner doesn’t so much spit verses as let them flow out of Read more ...
mark.kidel
Billy Wilder’s co-writing collaboration with IAL Diamond encompassed comedy masterpieces such as Some Like it Hot, The Apartment, Irma La Douce, The Private Life of Sherlock Holmes and several others, and One, Two, Three (1961) is just as polished a quick-fire performance of story-telling and dialogue. A Cold War satire, the film pokes fun at the Soviets and the Americans, the extremes of capitalist opportunism and the idiocy of communist dogma, ridiculing both with zest and Olympian detachment.James Cagney, in one of his last roles, plays the boss of the West German division of Coca-Cola Read more ...
Tom Birchenough
Akira Kurosawa’s 1950 early masterpiece Rashomon was a revelation for post-war western screen audiences, winning the Golden Lion at the Venice Film Festival that year and becoming a standard-bearer for the new generation of Japanese film. Its lead actor, Toshiro Mifune, would become known as “Japanese cinema’s biggest export after Godzilla”, a pioneering star – the first recognisable such figure from outside Europe and the US – whose charisma crossed national boundaries. His work with Kurosawa has been described as the greatest actor-director collaboration of all time in cinema, best known Read more ...