CDs/DVDs
joe.muggs
Charles Webster is one of those connecting figures who make the idea of “the underground” seem quite convincing. Originally from the Peak District but coming of musical age in Nottingham, he was inspired by Chicago house and Detroit techno music from their very genesis in the mid 1980s, and went on to make some of the finest British house music ever. Along with Notts locals like the legendary DiY Soundsystem (prime movers of the week long Castlemorton Free Festival) and Martin “AtJazz” Iveson, he pioneered an ultra sophisticated and soulful sound that forged connections with odd Read more ...
graham.rickson
Václav Marhoul’s The Painted Bird (Nabarvené ptáče in Czech) comes with a lot of baggage, a critics’ screening at the 2019 Venice Festival punctuated by mass walkouts but finishing with a ten-minute standing ovation. Then there’s the supposedly autobiographical source novel by Jerzy Kosiński (best known for Hal Ashby’s Being There), now generally accepted to be a work of fiction. The Painted Bird doesn’t make for easy viewing. It’s long, gruelling and violent, but, as a Czech friend pointed out to me, the world it describes was, and still is, “rough and harsh”, and that getting bogged down in Read more ...
Guy Oddy
Almost 30 years since Stephen Mallinder jumped ship from Cabaret Voltaire, it still seems strange to accept that the band is now the solo concern of Richard H Kirk, the final remaining original member of Sheffield’s path-beating electronica experimentalists. This isn’t to suggest, for one minute, that the quality of the Cabs’ work has taken a dip since Mal’s departure. It’s just become a totally instrumental concern with any vocals, such as they are, provided purely by mangled spoken word samples. In fact, if anything Shadow of Fear is a return to the proto-acid house magnificence of the band Read more ...
Russ Coffey
After all we've been through this year, thank God some things never seem to change. Like the music of metal monoliths, AC/DC. Forty-seven years after the boys started jamming together in a Melbourne suburb, they're still at it, pumping out their iconic amped-up, head-banging blues. Power Up, their 17th studio LP, is loud, ludicrous and, above all, uplifting. It's also a miracle it was made at all. After 2014's Rock or Bust, odds were the band would never play together again: the problems started when drummer Phil Rudd got busted for drugs and attempted homicide Read more ...
Katie Colombus
For her fifth studio album, Paloma Faith decided to boldly ctrl-alt-delete the first version, and re-do it in lockdown.The new-new one is a little bath bomb of an album – it fizzes with funky pop, 80s sheen and emotional nuance than speaks of her long term relationship and being a mother to teenies (she’s currently pregnant with no. 2).If you need any further explanation about her headspace in re-versioning Infinite Things and generally how it’s been going in lockdown, fast forward to “Me Time” which practically yells about “I need some me time, figuring out who I want to be time, saying what Read more ...
Thomas H. Green
Lordy, how much marijuana did we smoke in the 1990s? When people arrived home from the endless dance, jack-frazzled, 6.00 AM or later, pupils the size of 7” singles, legs twitching to invisible percussion, the time arrived for doobies, chillums, bongs, an eternal blissed NOW in foggy, curtained living rooms. The accompanying music was my generation’s unlikely conceptual fusion of prog rock and easy listening. Music journalists gave it proper names, like "trip hop" and "chill out", but it was really just wibbling, spliffed ear massage. And Austrian duo [Peter] Kruder & [Richard] Read more ...
mark.kidel
Just as British pub and punk rock of the mid-to late 1970's ushered in an era of music that referenced the history of pop and thrived on irony, much of the French New Wave, nearly 20 years earlier, looked back as much as forward, an avant-garde anchored like none other before in a sense of cinema history.Breathless (A bout de souffle), Jean-Luc Godard’s first feature, established the genre. The film broke the rules of conventional cinema narrative, in a manner that changed the seventh art forever: jump-cuts, non-sequiturs in the dialogue as well as in the unfolding story. The ripples from Read more ...
Thomas H. Green
Little Mix, currently at another profile peak with their TV talent show The Search, are one of the most successful female groups ever, their tours amongst the highest earning of recent times. Like a CGI-shiny Instagram-age Spice Girls, now newly signed to RCA after years on Simon Cowell's Syco label, they offer teeth-rattling sugar-pop with a girl power motif, although Confetti, as its title suggests, is even more of a frothy frolic than usual.The producer-songwriters on Little Mix’s sixth album are the cream of contemporary chart-pop back-roomers. They include MNEK, who first earned his Read more ...
graham.rickson
Much has been made of The Ladykillers having being directed by a Scot (Alexander Mackendrick) from a screenplay written by an American (William Rose). This last great Ealing comedy shares its dark tone and leading actor with Robert Hamer’s sublime Kind Hearts and Coronets, but in many respects it stands alone. The Ladykillers is sharp and unsentimental, a brilliant London noir. There’s not a bum note: script, design, casting and pacing are close to perfection, the whole thing wrapped up in just 97 minutes.Rose and MacKendrick’s conceit was to have a genteel old lady defeating a criminal gang Read more ...
mark.kidel
Wherever we might live, the contagious energy and urgency of rock reflect the mood of our times: it’s hardly surprising that musicians from all over our super-connected world should re-invent their traditions in a way that absorbs rock’s decibels and immediacy. Balothizer are one of the latest bands that use their roots as a launching pad for something that combines psych, punk and metal music. In this case the tradition is Cretan: the mantinades, syrtoi and ritzika of an island proud of very distinctive musical style are usually played on lute and the lyra – an upright bowed string Read more ...
Lisa-Marie Ferla
We’re eight months into a global pandemic, and Kylie Minogue is serenading us from her kitchen. “We’re a million miles apart in a thousand ways,” she sings, feather-light vocals floating over a driving disco beat. “Can we all be as one again?”At least on first listen, Kylie’s 15th studio release - 12 tracks of giddy, gleaming, disco-pop escapism, appropriately titled DISCO - doesn’t fit the now-established mould of the lockdown album. The clue is in the sleeve notes where, for the first time, you’ll see an engineering credit on every track in the name of Minogue: the singer taught herself Read more ...
Guy Oddy
The last time that these ears were grabbed by a new Shirley Bassey tune was when she went toe to toe with Propellerheads for the mighty “History Repeating” single in 1997. But it’s actually only been six years since her last album, which isn’t bad for a solo artist who’s well into her eighties and has some 70 long-players to her name. I Owe It All to You, however, has been labelled her “grand finale album” and is therefore likely to be her last. Given her still powerful lungs though, Dame Shirley is not going out with a whimper but with a mighty roar. Admittedly she’s firmly back in her Read more ...