Film
sheila.johnston
Cuban boxers have always punched above their weight in the world arena: the little island has clocked up no fewer than 63 Olympic medals - 32 of them gold - in the last 40 years. Enjoying extraordinary access to the mysteries of the Havana Boxing Academy, this emotional documentary follows the fortunes of three ten-year-old lads over eight months as they submit to a punishing regimen of training for the National Boxing Championship. But, as with the best sports films, Sons of Cuba is about more than winning or losing. It's about more, even, than boxing itself.The day starts at 4am for Read more ...
Veronica Lee
Teenagers David and Emily are inseparable friends, who live year-round on a crummy seaside caravan park on the East Anglian coast. They play games of chase among the caravans, scare sheep in surrounding fields and steal from the sweet shop on site. The friends, although the same age, are at different stages of their development; he still looks boyish, she is already flirting with Steve, the much older security guard on site. But the pair are equally emotionally inarticulate and struggling to understand their nascent lust; as the increasingly dark story unfolds, we understand that The Read more ...
alexandra.coghlan
Business is booming for Australia's cinemas. 2008 was a record-breaking year at the box office, and international festivals run annually in the major cities. Yet, despite successes as diverse as Lantana, Wolf Creek, Muriel's Wedding and Priscilla Queen of the Desert, just 33 home-grown films were released last year – fewer even than in 1911. Three decades ago, the New Australian Cinema was one of the most exciting national movements in the world, thanks to work like Picnic at Hanging Rock, Mad Max and My Brilliant Career. Today Oz films are struggling. Could it be that - rather like the Read more ...
alice.vincent
The description of the AV Festival’s closing event was vague in the promotional material. Going only by the promise of “music/performance,” and the undeniably odd combination of Alan Moore and Iain Sinclair with performance musicians including the guitarist from drone doom band Sunn O))), expectations were hard to form. The organisers must have realised the mystery - four sheets of A4 were thrust into our hands last night by ushers upon entry as a means of explanation, although the itinerary was hardly kept to.
Geordies like few things more than to be told how great their locality is by Read more ...
alice.vincent
At seven o'clock on a Friday night, with the first spring twilight of the year as a backdrop, Newcastle’s Civic Centre reverberated to a new composition for its Carillon bells. Mingling eerily with birdsong, it marked a rather different start to the weekend from the hoards of hen nights getting ready for a night on the Toon. This was the opening night of AV, the biennial international festival of electronic arts.The festival chose energy as its curatorial theme. It was a snug fit for a town associated as strongly with its foundations in industry, and more recently with economic hardship and Read more ...
theartsdesk
Two films with a East European flavour, Katalin Varga and Tales from the Golden Age, are among our March selection, which also includes the lovely, bittersweet Irish drama Kisses. Our US release (available worldwide, of course, by mail-order) is Wim Wenders' Paris, Texas with succulent extras. Alastair Sim stars in Guy Hamilton's 1954 film of An Inspector Calls, while the late Edward Woodward lives on in the Callan box-set. The footballer-producers Ashley Cole and Rio Ferdinand score a resplendent own goal in our stinker, Dead Man Running.Films we have covered previously, including Fantastic Read more ...
sheila.johnston
The opening scene of Martin Scorsese's new film - a storm-tossed ferry buffeting its way to an isolated island off America's East Coast - bears an unmissable resemblance to that of Roman Polanski's The Ghost. So too does its premise, of a vulnerable young man who falls under the sway of a powerful, indefinably sinister older one. Both are by senior directors who have bounced back from crises, professional and personal; both derive from popular thrillers (Scorsese's is based on a bestseller by Dennis Lehane) that twist and turn their way towards thumping third-act revelations. Yet could any Read more ...
Adam Sweeting
It seems both Matt Damon and director Paul Greengrass felt it was time to leave the Bourne franchise on the shelf for a while, fearing they would corner themselves into making The Bourne Redundancy. Instead, they have transposed their working partnership into this Iraq war saga. The result is a fast-moving conspiracy thriller, but with an underpinning of actualité in the way Greengrass alludes to a war waged on a false premise, and spotlights the criminal ignorance and stupidity of American attempts to rebuild Iraq. These latter aspects of Brian Helgeland’s screenplay derive from the book Read more ...
Jasper Rees
Is this a good idea? It has been announced that Ralph Fiennes is to begin work as a director. Not that he is forsaking his more familiar job description in the mean time. For his debut behind the camera, he will also be in front of the camera in the modest, unchallenging part of Coriolanus. Yes, Fiennes is returning to a role that he first played on stage 10 years ago.That was when the Almeida Theatre was in an expansionist phase and had moved into the derelict Gainsborough Studios in Shoreditch. Where Hitchcock had once filmed, in recent years carpets had been stored. The Almeida took it on Read more ...
josh.spero
Variety, the most venerable entertainment trade journal in America, is sacking its chief film and theatre critics, including the man for whose film reviews many people read the magazine, Todd McCarthy.According to a leaked internal memo from editor Tim Gray to editorial staff, “It doesn’t make economic sense to have full-time reviewers, but Todd [McCarthy, chief film critic], Derek [Elley, senior film critic] and Rooney [David Rooney, chief theatre critic] have been asked to continue as freelancers.” The memo prefaces this by saying: “Today’s changes won’t be noticed by readers,” which Read more ...
Graham Fuller
When roused, Lisbeth Salander (Noomi Rapace), the sullen, leather-clad, metal-pierced heroine ofThe Girl With the Dragon Tattoo, is as ferocious as the panther her physical presence evokes. Forced to perform oral sex on her legal guardian, then raped by him, she returns to his apartment, fells him with a stun gun, binds him naked, makes him scream with a dildo, plays him an incriminating “candid camera” video of his attack on her, and tattoos “I am a sadist pig and a rapist” on his chest. Well, you may conclude, he had it coming.It’ll be curious to see if the planned Hollywood version Read more ...
Tom Birchenough
For scalpel-sharp dissection of the most vapid parts of Hollywood/LA life, told with low-budget digital flexibility that itself critiques studio indulgences, British director Bernard Rose is your man. He hit the note most viscerally in Ivansxtc a decade ago with a story of the drug-induced implosion of one of the city’s top agenting talents. As parallels with a real-life career melt-down were all too obvious to the in-crowd, sourcing to the Tolstoy story “The Death of Ivan Ilyich” may have crept in as a cover-up.Rose is back with Tolstoy in The Kreutzer Sonata, as well as Ivansxtc lead Danny Read more ...