Reviews
Nick Hasted
Brighton’s barely a city. It was awarded the title in 2004 without having to build a cathedral, or become bigger than a greatly swollen version of Brighthelmstone, the fishing village it once was, hemmed in from further growth by the South Downs and the sea. For all the relentless tide of London incomers and tourists, and the bustle of the bohemian North Laine, most of Brighton is quiet and peaceful, hardly urban compared to the capital. Fitting it into the venerable “city symphony” film genre, defined by the magically evocative Berlin: Die Sinfonie der Großstadt (1927), is a challenge Read more ...
alexandra.coghlan
Simon McBurney and Complicite have made plays about many things – maths, circuses, immigration, Japan, old age – but, at core, they’re all really about the same subject: storytelling. Their latest project is no different. The Encounter takes its audience into the remote depths of the Brazilian rainforest, beyond language and civilisation, but the narrative that emerges is one about tale-telling and the connections we forge through stories, empathy and imagination.Taking the story of American photography Loren McIntyre, and his extraordinary account of his expedition to document the Amazon’s Read more ...
Matthew Wright
Parodic ignoramus Philomena Cunk has been flaunting her narrow cultural horizons on Charlie Brooker’s Weekly Wipe for many years, and more recently extended her shallow range to such weighty issues as feminism and the financial crisis in her Moments of Wonder series. Shakespeare, though? There is plenty of opportunity to be dumb, but could it still be funny? Actually, it was a delight.Cunk’s stock-in-trade, the faux-naif misunderstanding, delivered completely deadpan, worked a treat, but that’s only the start of her comic journey. The best lines emerged in a baroque concatenation of idiocy, Read more ...
Florence Hallett
Today we amuse ourselves with Facebook clips of talking cats, but in the 1850s they had stereographs, pairs of identical photographs that, viewed through special lenses, become suddenly and gloriously three-dimensional. Vistas open up as if by magic, the illusion of space all the more beguiling for its transience. The act of looking through a special pair of glasses is a little bit like peeping behind a curtain, the intimacy of the encounter adding a slightly voyeuristic frisson to all manner of subject matter from landscapes to mock-ups of popular paintings. Stereoscopic photographs have a Read more ...
David Nice
Sunlit golden mean or slightly hazy middle-of-the-road? Conductor-director Iván Fischer's fully costumed and imagined concert of The Magic Flute - or perhaps it would better have been titled Die ZauberFlute given its intelligent mix of sung German and English dialogue taken by six excellent young British-based actors - was always going to be hard pressed to match the recent, hyper-communicative English National Opera/Complicite revival.In fact, its concept shaped up rather well in comparison. But whereas ENO had at least two world-class singers in the Tamino of Allan Clayton and Lucy Crowe's Read more ...
Nick Hasted
Maybe rock star economists are what we need. Former Greek finance minister Varoufakis’s bullish good looks, charisma and verbal fireworks failed to charm the Troika technocrats who finally banished him from government during last year’s infamous negotiations. But for this regularly applauding, sell-out crowd in Britain’s sole Green constituency he’s fascinating and, to many muttering approvingly, hugely admirable. As actual rock stars mostly absent themselves from their old role of rough, rebellious moral compass, this engaging, irreverent man of ideas may find his time has come.Interviewed Read more ...
alexandra.coghlan
Satire, we’re solemnly instructed in Dougal Irvine’s new musical The Busker's Opera, “has to strike a fine balance of entertainment and teaching”. Well yes, but it’s also generally wise (discretion, valour, and all that) to keep the theatrical crib sheet to yourself, just in case your product doesn’t quite measure up. This latest show from the award-winning composer and lyricist of Departure Lounge and Britain’s Got Bhangra leads with its chin, and despite energy and bags of insouciant confidence, can’t quite pull off the pose.John Gay’s The Beggar’s Opera was a nose-thumbing attack on the Read more ...
caspar.gomez
In the whole of Britain there are only seven music journalists who are officially designated, card-carrying “Non-Fans of Radiohead”. In 2007 three of them were banished by the National Council of Music Writers to a small Crofting community in Caithness where they write occasional apologetic blogs for their anti-Yorke-ist stance. I know one of the other guys. He has a very hard time of it. When he didn’t care about the recent, internet-breaking video for “Burn the Witch”, his colleagues locked him in a broom cupboard with Kid A playing endlessly on a loop. He told me he welcomed this Read more ...
Veronica Lee
Time was when the words “a new sitcom from Ben Elton” wouldn't make anyone's heart quicken with anticipation. I think it's fair to say that after the glorious Blackadder (1983-89), he struggled to write anything so brilliantly, giddily funny, but with Upstart Crow he has made a storming return to form.David Mitchell is William Shakespeare, here played as a man for whom one word will never do when he can say ten, and always on the verge of a moan – whether it's about the poor 16th-century transport system between London and Stratford-upon-Avon, or the fact that, as a Midlander, he's seen as an Read more ...
Thomas H. Green
Smoke and Mirrors is a show based around circus skills. It’s by the Ricochet Project, a performing unit consisting of Berlin-based US performers Cohdi Harrell and Laura Stokes. However, those expecting a spectacle offering visual pizzazz and the occasional laugh will be disappointed. These two are not clowning. Smoke and Mirrors is full of physical skill, precise choreography and attitude, but the 55-minute piece, which won an award for Best Circus at last year’s Edinburgh Fringe Festival, is overwhelmingly stone-faced serious. It's not so much circus as an amalgamation of contemporary dance Read more ...
Stuart Houghton
Pathfinder started life as a tabletop role-playing game. A spin-off from the classic Dungeons & Dragons, it was created during a schism over the direction the main game was taking and quickly established itself as a rival with a fanatical following.The game’s publishers, Pazio, then created a further spin-off in the form of a collectable card game, Pathfinder Adventures, which captured the essence of the full game in quick-to-play adventures using cards and dice rolls to simulate both combat and exploration. The card game is well liked but perhaps a bit complicated, with lots of dice- Read more ...
Jasper Rees
John Le Carré made it quite clear what he thinks of the new world order in The Night Manager. All together now: a nexus of corrupt money and sinister establishment interests make for cynical realpolitik. It’s a persuasive weltanschauung that plays well to millennials priced out of their own future by ungovernable global forces beyond the reproof of electorates. But the message can become a bit of a stuck record. Take Our Kind of Traitor.The latest Le Carré adaptation features an innocent bystander sucked into a plot to bring down a shady business organisation which has links to self- Read more ...