Reviews
Florence Hallett
Dedicated to a foundation stone of western artistic training, this exhibition attempts a celebratory note as the Royal Academy approaches its 250th anniversary. But if the printed guide handed to visitors offers a detailed overview of working from life, the exhibition itself is a far flimsier construction that never really establishes the purpose of a practice that it simultaneously wants us to believe is thriving today.The study of nature was fundamental to Renaissance thinking, and as artists aspired to the naturalism they perceived in Antique sculpture, working from the life took on a new Read more ...
Robert Beale
Shostakovich’s First Violin Concerto is a big work in every sense: four movements, plus a solo cadenza before the last one that makes it seem almost like five; a soloist’s role that even David Oistrakh (for whom it was first written) found taxing; symphonic construction and instrumentation which make the orchestral contribution at least as important as the solo one.In the hands of Renaud Capuçon (pictured below by François Darmigny) and the BBC Philharmonic under Juanjo Mena in Manchester it received the quality of performance it needs, and then some. Capuçon was in front of an orchestra Read more ...
Katherine Waters
The eel is dying. Its body flits through a series of complicated knots which become increasingly grotesque torques. Immersed in a pool of brine — concentrated salt water five times denser than seawater — it is succumbing to toxic shock. As biomatter on the sea floor of the Gulf of Mexico decomposes, brine and methane are produced, and where these saline pockets collect, nothing grows. Dead creatures drop into it; live creatures that linger in it die. In this lifeless zone their bodies float preserved, a rich and dangerous larder for scavengers such as the giant mussels fringing its edges and Read more ...
Veronica Lee
Pantomime may be a very old art form, but the Lyric Hammersmith has been injecting some freshness into it each year since 2009, and this year's production, written by Joel Horwood and directed by Jude Christian and Sean Holmes, is no exception.Good panto writing should please all ages, and Jack and the Beanstalk certainly manages that. It's a stirringly upbeat show but one with a serious undertow about the importance of being kind and not greedy (Jack's climb up the beanstalk is not to find gold, but to prevent the villagers being made homeless), and there are subtle political nods to Brexit Read more ...
Katherine Waters
Utopias have a way of going up in flames. Rachel Hewitt’s new book, A Revolution of Feeling: The Decade that Forged the Modern Mind, charts the revolutionary fervour and disappointment provoked over the course of the 1790s by looking at the decade through the biographies of five of its optimistic luminaries — Samuel Taylor Coleridge, Mary Wollstonecraft, William Godwin, Thomas Beddoes, and Thomas Wedgwood.Over the course of this decade, the French Revolution broke out to great enthusiasm before souring into the Terror during which killed thousands; war with France was declared; Beddoes and Read more ...
Kieron Tyler
A nineteen-minute adaptation of “Jack Orion” took up the whole of Side Two of Cruel Sister, Pentangle’s fourth album. It's the highlight of the smart but blandly titled 115-track box set The Albums 1968–1972. Up to this point in 1970, British folk rock had not spawned anything comparable to the epic “Jack Orion”. Extending a traditional song to this length in such spellbinding fashion was ambitious and while some of John Renbourne’s electric guitar suggested the fluidity of Quicksilver Messenger Service’s John Cipollina, the overall effect was of a band magnificently pushing what they did to Read more ...
Ralph Moore
“Back in the Sixties, before I was born…” Robert Plant has always been as amusing a raconteur as he is a deft weaver of different musical styles, and last night’s show at the Royal Albert Hall was no exception. In amid the music – which jumped effortlessly from past to present to positively ancient (a cover of Leadbelly’s “Gallow’s Pole”), the only way he knows how – Plant regaled the audience with stories of the Sixties (“we were fighting political corruption”) and occasionally let his band take over, watching with absolute admiration from the centre or even side of the stage.Make no mistake Read more ...
Nick Hasted
There are many obvious Hollywood responses to someone losing their legs in the Boston Marathon bombing. Director David Gordon Green waits his whole film to make one. His subject Jeff Bauman (Jake Gyllenhaal) possessed too little bullshit, and too much muddled angst, and had too much to drink to behave the way a crassly patriotic public which included his mum expected. He refused to be “Boston strong”. So does Stronger.The bombing itself is a matter of happenstance, as rangy warehouse worker Jeff makes a barroom promise to his on/currently off girlfriend Erin (Tatiana Maslany) to cheer her at Read more ...
Saskia Baron
Theatreland is currently awash with pantomimes and rehashes of A Christmas Carol, so all credit to this ambitious new production, an adaptation of the 1935 children’s book, The Box of Delights. Long before Narnia, poet laureate John Masefield was concocting tales of children dispatched to mysterious country houses for safekeeping but encountering deep magic, time travelling and talking animals. Serialised by the BBC in the mid-1980s, this new stage version is the work of children’s writer Piers Torday and takes full advantage of the wonderfully ramshackle Victorian relic that is Read more ...
Adam Sweeting
Like a bizarro-world echo of Lenny Abrahamson’s Academy-titillating Room, Dave McCary’s endearing indie feature takes a potentially hideous tale of abduction and control and transforms it using the amazing healing powers of fantasy and creativity. James Pope, a fully-fledged bespectacled geek, has been living a strange life of outer-space style confinement in a desert bunker in the midst – or so he’s been led to believe – of an arid wilderness in which the air is too toxic to breathe. His sole entertainment is a crude TV animation series about the intergalactic hero, Brigsby Bear, which is Read more ...
Adam Sweeting
Beneath the creamy overlay of gowns, crystal chandeliers, palaces, uniformed flunkies and a sumptuous (albeit CGI-enhanced) Royal Yacht, a steely pulse of realpolitik fuels The Crown, returning to Netflix for its much-anticipated second series. Vaulting straight back on the horse, creator Peter Morgan pitches us into a royal marriage heading for the rocks, a weak and wobbly Prime Minister getting sucked into a disastrous escapade in the Middle East, and the story of the Queen’s troubled younger sister trying to a find a place in the world away from the flotsam of European royalty offered up Read more ...
David Nice
As the Parliament of the Autonomous Grand Duchy of Finland within the Russian Empire declared independence on 6 December 1917, Sibelius had his head down working on the third version of his Fifth Symphony, the one so hugely popular today. He tried to ignore the dark clouds of Russian revolutionary interference in an event he'd anticipated for so long, composing no music of public celebration. How different from 1899, when the unexcitingly titled but score-wise essential Music for the Press Celebrations saw Finland fully awake. Its UK premiere led the charge in a thrilling centenary concert Read more ...