Reviews
Gavin Dixon
English National Opera chose a curiously low-key production to open their season. Gluck’s Orpheus and Eurydice has only three singing roles and very little action. For this production, Wayne McGregor has reimagined the work as an opera/dance hybrid. That brings a valuable dynamic element to Gluck’s stately discourses, but there are few interpretive insights here, and the almost non-existent sets made more demands on the dance than even McGregor’s sophisticated choreography could sustain.The opera itself contains many ballet numbers, so the dance element makes sense. And McGregor resists the Read more ...
Jenny Gilbert
There was a time when hip hop in a theatre was all about showing off. It was about dancers spinning on their head or their elbow so fast and for so long that the audience gaped in disbelief. Although it had long ago migrated from the concrete stairwells of inner city estates, the culture remained rooted in the idea of a battle, a dance-off, a show of virtuosity.Then along came Kenrick Sandy and Michael Asante, whose work with their company Boy Blue inched towards the territory of psychodrama. The hip hop movement is still there – the locking and popping, the smooth-as-silk floor work – but Read more ...
Adam Sweeting
Five episodes ago, BBC One's The Capture set off at a cracking pace with the apparent abduction and murder of barrister Hannah Roberts by army lance-corporal Shaun Emery. With Roberts’s help, Emery had been acquitted of killing a Taliban fighter in Afghanistan in cold blood, the defence’s case hingeing on a timing glitch in the video taken at the scene by Emery’s body-camera.It didn’t make sense that he’d want to bump off the woman who’d dug him out of a huge legal hole, especially as he’d also become more than slightly enamoured of her. The feeling between them appeared to be mutual. The Read more ...
Adam Sweeting
The themes of food and cookery have already been boiled until the bottom of the saucepan melted, but TV commissioning editors can’t stop searching for new twists in the formula. So how about this one – get a couple of prestigious superchefs, and challenge them to make a perfect copy of that famous mass-produced snack, the KitKat.Our host was French maitre d’ Fred Sirieix (from Channel 4’s First Dates), though could one really expect a Frenchman to grasp the cultural resonance and mythic history of this hallowed name in British confectionary? The four-fingered marvel was originally launched by Read more ...
Veronica Lee
What a joy Laura Wade's latest play is. Transferring from its successful run at the Minerva Theatre at Chichester last year, The Watsons is developed from Jane Austen's unfinished novel (started in 1804 and abandoned the following year). But rather than give us a period homage or a modern pastiche, Wade serves up a delightful concoction that has elements of both, but also much, much more.She sets the scene by dramatising the surviving pages of Austen's story. Emma Watson (Grace Molony) returns home to Surrey after being raised by a moneyed aunt in Shropshire for 14 years. Her father is dying Read more ...
Tim Cumming
So it’s your birthday. Not just another one but your 70th. So who’s on the guest list? Let’s see – master concertina player Alasdair Anderson, the "guvnor" Ashley Hutchings, Husker Du’s Bob Mould, bassist extraordinaire Danny Thompson, Fairporters Dave Mattacks and Dave Pegg, Floyd’s David Gilmour, Spinal Tap’s Derek Smalls (yes, you read that right), Martin and Eliza Carthy, onetime Strangler Hugh Cornwell, premiere folk singers Maddy Prior, Kate Rusby and Olivia Chaney, family members Jack, Kami, Teddy and Linda Thompson, son-in-law James Walbourne, old mucker Loudon Wainwright III, and Read more ...
Tom Birchenough
There’s a fine balance between the cosmic and the closely crafted in director Paul Miller’s Macbeth, his first production in the expansive space that is Chichester’s main stage. It comes across as a drama unravelling in the wide open spaces of nature, with a design approach that feels operatic in style – generous use of projections accentuate the big stage picture, backed up with a complex sound palette – set against playing, John Simm’s Macbeth especially, that feels finely wrought. Simm offers a strikingly intelligent interpretation of the role, more considered than instinctual, a hero who’ Read more ...
Markie Robson-Scott
Berry Gordy, who founded the Motown label in Detroit in 1959, borrowed his star-maker machinery from the car assembly line. When he worked at the Lincoln-Mercury plant he was inspired by how a bare metal frame would emerge as brand new car. “What a great idea! Maybe I could do the same thing with my music. Create a place where a kid off the street could walk in one door, an unknown, go through a process, and come out another door, a star.”That process worked. Motown became the largest black-owned business in America. This joyful 60th anniversary documentary by British directors Ben and Gabe Read more ...
Graham Fuller
Putting a radical spin on a fish-out-of-water story, The Last Tree explores troubling aspects of the African diaspora experience in an England riddled with xenophobia and black-on-black racism. Shola Amoo’s semi-autobiographical second feature is distanced from Brexit by its early 2000s time frame, but its young protagonist’s identity issues speak to the current moment.The film begins with a sunlit idyll in the Lincolnshire countryside. An 11-year-old British Nigerian, Femi (Tai Golding) runs around outdoors and gets “all over mud” with his three schoolmates – but for the colour of his skin Read more ...
David Nice
You can't expect a full house when the only work approaching a repertoire staple on your programme is Berg's Lulu Suite. Yet Esa-Pekka Salonen was able to serve up what must count as one of the most enthralling Philharmonia programmes ever at the Southbank Centre simply by spotlighting four different styles surfacing in the anything-goes musical world of Weimar Germany. It's just a pity there weren't more people, indeed more young people, there to hear it, and that BBC Radio 3 wasn't on hand to broadcast it.You could even see it as part of a mini-festival within the series, that superb total Read more ...
Demetrios Matheou
Ever since Latin American cinema re-emerged in the 1990s from years in the shadow of dictatorships, films have been distinguished by a number of trends, including dramas about the dictatorship years and the social and psychological consequences; social and family dramas; the experience of young people; the quirks and characters of everyday life. All of these themes were represented – still fresh, relevant and exciting – in San Sebastian, that preeminent annual shop window for the region’s films. Among the very best was the drama Pacified. Directed by Paxton Winters, this follows in Read more ...
Tim Cumming
Charles Hazlewood's 2018 two-parter for BBC Four, Tones, Drones and Arpeggios: The Magic of Minimalism explored work by some of the great composers of the genre Hazlewood dubs as “last big idea in classical music”, which emerged from the experiments of John Cage in the 1950s, with offshoots spearheaded by the likes of La Monte Young and Terry Riley, and later Steve Reich and Philip Glass.Now the British conductor’s passion for the last revolution in 20th century classical music, one that seeped through to other genres via the likes of Mike Oldfield and Brian Eno, comes to the stage of the Read more ...