Reviews
Miranda Heggie
With a few extra dates to her rescheduled UK tour, Scottish folk legend Karine Polwart returned to Birmingham Town Hall with some tunes from her latest album – Still as You’re Sleeping, an album of just voice and piano recording with jazz pianist Dave Milligan – plus a mix of earlier material, covers and traditional songs given her own signature twist. On stage with Polwart for this tour is her brother, guitarist Steven Polwart, and her neighbour and friend, multi-instrumentalist Inge Thomson. Opening with “Ophelia”, from the trio’s 2018 album Laws of Motion, the group at once performed with Read more ...
Boyd Tonkin
Outside Wales – even, perhaps, within it – few students will have run across the verse of Gwerful Mechain. The free-spirited poet of the late 15th century may come as a thrilling surprise (one of several) to readers of Mary Wellesley’s Hidden Hands. Gwerful was trained, probably by a family member, in the fiendish virtuosity of Welsh strict-metre verse-forms but barred from the all-male ranks of professional bards. Yet she sparred fearlessly in deftly-marshalled words with the conventions of her time. One notorious ode, preserved in 13 manuscript copies, spurns the drippy praise of girls’ Read more ...
Boyd Tonkin
If it ain’t broke… on tour and in the Glyndebourne summer festival, Mariame Clément's production of Don Pasquale has gratified audiences for a decade now. It surely will again in Paul Higgins's spirited revival. The show returns to the Sussex house at the start of this year’s tour with the leaves about to turn but the gardens still ablaze with late-season colour.If Julia Hansen’s painterly 18th century designs offer an eye-delighting spread of pastoral prettiness, Donizetti’s piece itself ripostes with its tough-minded warning not to take appearances on trust, and to avoid confusions between Read more ...
Saskia Baron
Todd Haynes’ documentary about the Velvet Underground has to be one of the better uses of time by a film-maker during the Covid pandemic. He spent lockdown putting the film together with a team of archivists and editors working remotely. It’s a beautifully shot and ingeniously collaged portrait of the decadent New York band which weaves together an extraordinary wealth of archive footage and some choice and apposite interviews. Unlike recent music documentaries which have had a tendency to corral extraneous talking heads singing the praises of their subjects a little too loudly (The Read more ...
Anna Parker
Marcin Wicha’s mother Joanna never talked about her death. A Jewish counsellor based in an office built on top of the rubble of the Warsaw Ghetto, her days were consumed by work and her passion for shopping. Only once did she refer to her passing, waving her hand around her apartment and asking Wicha: “What are you going to do with all this?”Later, the bereaved Wicha sifts through “all this”: black binders full of recipes clipped from magazines, chargers for old phones, inflatable headrests, yellowed newspapers and ballpoint pens. The stacks of stuff remind him of past conversations, and Read more ...
Markie Robson-Scott
It’s Christmas 1971 in New Prospect, a suburb of Chicago, and pastor Russ Hildebrandt has plans for time alone with Frances, an attractive young widow who’s just moved back into town.Important facts become quickly apparent: Russ resents his long-suffering wife, Marion, and he has suffered a humiliation at the hands of Rick Ambrose, the groovier pastor (“a little black-moustached satyr with stack-heeled hooves”) who leads Crossroads, the church’s youth group. Ambrose’s way is less God, more sensitivity session, and it goes down a storm with the kids. Even worse, Russ’s teenage children, Becky Read more ...
Bernard Hughes
I’ve always loved the sound of two-piano music: the amazing range of available textures, the interplay of parts and the sense of collaboration between soloists. All were on display in Saturday’s Two-Piano Gala, part of the London Piano Festival at Kings Place, which boasted a wealth of top-notch pianists in a superabundance of piano duos (and one duet) but was something of an overstuffed sofa: inviting but bursting at the seams. As Basil Fawlty once said: “Too much of a good thing always leaves one wanting less.” Admittedly he was talking about a veal cutlet, but the principle applies to Read more ...
Veronica Lee
Tickets for Jason Manford's Like Me went on sale in 2019 but the tour had to be put on hold as events unavoidably detained him at home. "I hope you haven't gone off me in that time – it does happen," he said. He needn't have worried as the Palladium crowd were as delighted as he was to be in a theatre, having a laugh.That modesty – part real, part knowing – runs through the evening, as Manford frequently makes himself the butt of the joke, whether it's who makes the decisions at home, or telling a deliciously self-lacerating story about a cringe-making encounter with one of his comedy Read more ...
Kieron Tyler
While there’s undoubtedly some of “Papa Was a Rollin' Stone” in Rare Earth’s “Come With me”, another correspondence also immediately springs to mind – the Melody Nelson-era Serge Gainsbourg. And maybe, due to the female moaning, the “Je T’Aime”-period Gainsbourg too. The track-by-track commentary in the booklet with Psychedelic Soul - Produced By Norman Whitfield notes the resemblance of the 1973 single to the creations of France’s prime musical provocateur, but also says that “Come With me” was anomalous for Rare Earth, a band which usually traded in a form of soul-rock. It was Norman Read more ...
Gabriela Montero, Kings Place review - improvising to a Chaplin classic is the icing on a zesty cake
David Nice
As the Statue of Liberty appears in Charlie Chaplin’s The Immigrant, our improvising pianist proclaims “The Star-Spangled Banner”, only for it to slide dangerously. The passengers on the ship taking them to a new life are brutally cordoned by the crew; enter the same fierce bass-register tritones which made us jump out of our seats as Gabriela Montero began her recital with Prokofiev’s Sarcasms, then a whiff of Rachmaninov’s Second Piano Sonata, and later, as our hero finds himself dollarless in a New York restaurant, echoes of the other Second Sonata in the programme. Prokofiev and Read more ...
India Lewis
Sarah Hall’s Burntcoat is one of those new books with the unsettling quality of describing or approximating a great moment in history and its aftermath, as the reader is still living through it. This could be trite, but Hall manages to make it compelling, tragic, and still sensitive in its handling of a love story during a time of terrible social upheaval.The pandemic of Burntcoat is not our Corona or Covid, but Nova, a disease that more closely resembles the bubonic plague, with its pustules and arguably more horrific end. We join Burntcoat’s narrator, the artist, Edith, when the disease, in Read more ...
Robert Beale
The joint enterprise of soloist Jean-Efflam Bavouzet and conductor Gábor Takács-Nagy, with Manchester Camerata, in recording publicly all Mozart’s piano concertos alongside his opera overtures – with the project theme “Mozart, made in Manchester” – was rudely interrupted after 2019 by you-know-what. Last night they were all back together at Chetham’s School of Music, and it was just like they’d never been gone. The concertos on the order paper were Nos. 22 and 23: the latter in A major a great favourite for its sunny, optimistic beginning and end, the former, in C minor, possibly a Read more ...