Reviews
stephen.walsh
If like me you regard the ending of Janáček’s Jenůfa as one of the most moving scenes in all opera, you might care to consider how it would be possible to deflate it in spite of the best singing imaginable. You might, for instance, bring up a back curtain revealing a beautiful garden three or four years on with a sweet little boy gambolling through it, the future product, presumably, of Laca and Jenůfa’s love as opposed to the frozen product of hers and Laca’s half brother Števa’s, recently discovered under the river ice.No surely: too kitsch by half! But that is precisely what happens in the Read more ...
Nick Hasted
The relative runt of the Godfather litter was hacked out in a Las Vegas casino, as Francis Ford Coppola and Mario Puzo worked up scenarios for an assignment taken on for the money. Coppola the inveterate cinematic gambler, crippled by the dashing of his indie mogul dream with Zoetrope Studios, could no longer refuse Paramount’s sequel offer. Now that he’s reframing this renamed, subtle yet radical re-edit of The Godfather Part III as “a summing up, almost an illumination of what the first two films mean”, its ignoble, desperately hot-housed origin should be remembered. Much feels forced, as Read more ...
Kieron Tyler
In 2000, Broadcast’s first album The Noise Made By People entered the UK’s mainstream Top 100 and claimed the top spot on the dance charts. Three years later, their second album Haha Sound was in the Top Ten of America’s dance/electronic charts. It also went Top Five on the UK’s dance charts.Although this confirms Birmingham's Broadcast weren’t necessarily outsiders, their third album Tender Buttons did not chart. By this point, in 2005, they had slimmed down from a five-piece to core members James Cargill and Trish Keenan. Tender Buttons was followed by the 2009 collaboration album Broadcast Read more ...
Adam Sweeting
Netflix’s fly-on-the-pitwall series has rapidly established itself as a vital ingredient in the tapestry of Formula One coverage, and is credited with giving the sport a huge boost in visibility and popularity, not least in the USA. This fourth outing (now featuring even more undeleted expletives than ever) takes a look back at 2021’s dramatic racing season, which ended in uproar and controversy in Abu Dhabi last December.The headline event of the year was the increasingly bitter struggle between Mercedes and Red Bull, as they battled to win the driver’s and constructors’ titles. Max Read more ...
Helen Hawkins
Do you happily binge four hours of mind-candy TV in one sitting? Alecky Blythe’s latest verbatim play, Our Generation – which runs for 3hr 45min at the Dorfman space of the National Theatre – might take almost as long but will probably be much more rewarding.Blythe made her name in 2011 with the excellent London Road, another NT production (staged by its current artistic director, Rufus Norris and subsequently filmed), which used as its script statements by people involved in events in Ipswich while a serial killer was on the loose. Most of the actors’ words were sung to simple tunes, almost Read more ...
Sebastian Scotney
A story of forbidden love, Great Freedom takes place almost entirely in a prison. The film's background is encapsulated in the word “175er/ hundertfünfundsiebziger”, still to be found in German dictionaries and collective memories as a pejorative word for a gay man.It's a reference to Clause 175 of the German Criminal Code, which criminalised homosexuality. The law was originally introduced in 1871, broadened by the Nazis in 1935, substantially re-drawn in 1969, but only finally and fully repealed in 1994. There is also topicality here: claims for reparations – which are generally Read more ...
Daniel Baksi
One feels, or perhaps hopes, that if she could have avoided it, first-time feature director Ruth Paxton might not have started A Banquet as she ultimately did: with Holly Hughes (Sienna Guillory) arduously scrubbing the frame of her husband’s hospital-style bed, as he coughs, gasps, and weeps for an end to whatever ghastly affliction he has been dealt. Not to be deterred from her usual course of existence, Holly pops across the kitchen to make herself a smoothie. Out comes the chopping board, in flies the fruit, and the blender goes whirr. Guillory’s face, angular and incisive Read more ...
Boyd Tonkin
Had he never written a note of his own, George Walker would still have left a record of trailblazing achievements. Born in Washington DC in 1922, he studied piano at Oberlin College and the Curtis Institute (the conservatoire that notoriously rejected Nina Simone). He was taught by Rudolf Serkin and, in 1945, debuted as a soloist first at the New York Town Hall and then, playing Rachmaninov’s third concerto, with the Philadelphia Orchestra under Eugene Ormandy.Needless to say, neither Town Hall nor Philadelphians had ever seen an African American soloist before. By 1946, however, Walker had Read more ...
Robert Beale
It’s catching on … for the second consecutive night I heard an orchestra begin by playing, to a standing audience, the Ukrainian national anthem. The previous night it was Opera North’s musicians: this time the Norwegian conductor Tabita Berglund addressed the audience at the Bridgewater Hall to explain that it would be dedicated to the victims of war in Ukraine, and the Hallé gave it a resounding reading, followed by loud applause.The outstanding performance of the evening came from a Swede, cellist Jakob Koranyi, in Dvořák’s Cello Concerto, wisely positioned as the opening event. With Read more ...
Saskia Baron
There’s a long tradition of foodie romances proving art-house cinema hits – think of Babette’s Feast, Tampopo, and Chocolat. Sadly, it’s unlikely that Master Cheng, a gentle and very slow Finnish-Chinese coproduction about a chef from Shanghai charming the Nordic locals with his cleaver skills, is going to light up the UK box office. Written and directed by Mika Kaurismäki (Aki’s older, less outrageous brother), this is a languorous fish out of water (and into sweet and sour sauce) story. Cheng (Chu Pak Hong above right) and his young son Niu Niu (Lucas Hsuan) turn up in a Finnish Read more ...
Gary Naylor
The Merchant of Venice is a comedy, you say? Shakespeare, as ever, refuses to be confined to convenient boxes, his best plays’ extraordinary pliability and longevity a testament to the piercing eye he cast towards the slings and arrows that assail humankind. More than most of his works, The Merchant of Venice requires a director to take a stance, especially these days, so as to send the audience in a chosen direction. This is not unique - no text can. nor should, be sacred - but those decisions bubble closer to the surface in The Merchant than perhaps any other play in the canon. Read more ...
aleks.sierz
Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of emotion to write well about. But it’s the central subject of Amanda Wilkin’s Shedding a Skin, and she describes it beautifully. This 2020 Verity Bargate award winning one-woman show, which has also been shortlisted for the Susan Smith Blackburn prize, had a sell-out run in the summer of 2021, and now the Soho Theatre brings back this heartwarming story, whose effect is heightened because the playwright herself takes centre stage. Wilkin plays Myah, a mixed-race thirtysomething who loses her Read more ...