Reviews
robert.sandall
Performing your classic album as a full concert item has become a significant part of rock’s heritage culture in recent years, and the tide of potential classics is rising all the time. Last night, it was the turn of Spiritualized to re-visit their 1997 opus, Ladies and Gentlemen We Are Floating In Space.One of the most critically feted releases of the Britpop era - the NME voted it Album of the Year in 1997 ahead of two competing blockbusters, OK Computer by Radiohead and The Verve’s Urban Hymns – this ambitiously styled record always carried the aura of an event, and 12 years later its Read more ...
Jasper Rees
The watertight theory behind the Credit Crunch Cabaret is that we all need cheering up, above all on Monday nights. Frank Skinner compered 10 of these start-the-week-for-a-tenner variety nights earlier in the year. He returned last night for another 10-Monday stint. Variety was still on the agenda: it’s never not going to be the case that in a bill with four acts, some are going to be funnier than others. Much funnier.Skinner noted that there were some empty seats near the front, a possible indication that the financial downturn is itself on the wane. He still found more than enough Read more ...
Adam Sweeting
In Superman's DC Comics universe, Bizarro World is a cube-shaped planet where everything on earth is echoed in back-to-front form. A smidgen of Bizarro thinking has surely infiltrated the bewildering environment of Fringe, where a special team of FBI agents struggle with incredible paranormal phenomena, impossible inversions of the natural order, and above all the concept of parallel universes, currently the hot topic at the start of series two.In last week's opening episode, Agent Olivia Dunham (Anna Torv) made a startling entry by crashing through the windshield of her car, on her way Read more ...
igor.toronyilalic
Over the past few years, Haitink’s London performances - and last night's was no different - have slowly but consistently chipped away at the conventional wisdom that conductors mature with age and reach an apex of musical understanding some two hours before they die. Some conductors, obviously, just go mouldy, like milk.
But Haitink goads not only one's understanding of conventional wisdom but also one’s moral fibre. It's hard to go against one's instinctive deference to one’s elders and betters. If any other 80-year-old had jumped on stage last night and provided the performance of Read more ...
graham.rickson
To a bewitching, shimmering prelude, a back-projected astronaut plants a Czech flag on the lunar surface. So begins one of those evenings where you skip out of the theatre grinning and promising yourself that you will buy tickets for all your opera-disdaining friends.First performed in Prague in 1920, Brouček is the Cinderella among Janáček’s mature operas. Based on stories by the popular nationalist writer Svatopluk Čech about a drunken everyman, the opera had a troubled composition history. Janáček began writing the work in 1908, eventually finishing it in 1918, collaborating with several Read more ...
Russ Coffey
With her impish looks and translucent, near-perfect voice Cara Dillon does well to avoid the “coffee table” epithet. As a "product" she looks prime for mass marketing into the suburban dinner party circuit. But as an artist she is much better than that.She’s much too good, for instance, to have become better known simply as folk star Seth Lakeman’s sister-in-law. It's true that she has faultless musical connections but her musical pedigree is also impeccable. Dillon grew up in Derry immersed in whistles and fiddles and at the age of 20 replaced Kate Rusby in the folk super-group, Read more ...
mark.hudson
Anyone who has had their sensibilities battered by Tate Modern’s Pop Life show is likely to be equally taken aback if they wander along the Thames to this year’s Turner Prize exhibition at Tate Britain – but for completely different reasons. If Pop Life leaves you feeling that art can only progress through ever greater acts of outrage – that if you’re not actually having sex on camera you hardly count as creative – the tone over at Tate Britain is measured, cool, even academic. Do these exhibitions even reflect the same world, let alone the same art world?While Tate has been happy to harness Read more ...
gerard.gilbert
The American remake of Life on Mars was judged a flop by its jumpy network, ABC, and scratched after just one season – which gave the UK premiere less the anticipation of a launch party and more the slightly shameful miasma of a hangover. And given that British audiences are well acquainted with the show’s audacious premise (that of a time-travelling cop in case anyone really has been on Mars) the foremost interest was always going to be ‘let’s see what kind of a hash the yanks have made of this one?’. Well, bad luck, this wasn't any kind of hash. It was great fun.I well recall the Read more ...
josh.spero
Is site-specific the new collaboration? What I mean by this is that where it was once the fashion for artists and dancers (think Robert Rauschenberg and Merce Cunningham) or film directors and opera houses (Anthony Minghella and the ENO) to mix art forms, now it is fashionable to have work inspired by and installed in a particular place.Take Punchdrunk with their Faust, which nightmarishly overran a Wapping warehouse, or Turner Prize nominee Roger Hiorns: his Seizure featured a flat in South London whose walls were daubed with liquid copper sulphate, eventually producing a blue crystalline Read more ...
Peter Culshaw
I have a certain resistance to the Second Viennese School (a pretentious title in itself) of Schoenberg and his pupils Webern and Berg. Not that I'm averse to a spot of avant-gardening. I have sat through the squeakiest of squeaky-gate music with the best of them. But, apart from anything else, there's something chilling with their bullying rhetoric about purification and decadence.Here’s Schoenberg at the beginning of the First World War laying into Bizet, Stravinsky and Ravel: “Now comes the reckoning! Now we will throw these mediocre kitschmongers into slavery, and teach them to venerate Read more ...
Adam Sweeting
You won’t read this in Steve Jobs’ autobiography, but in the early Eighties Britain led the world in personal computing. Acorn made the BBC Micro, which sold 1.5 million units. Sinclair Research shifted shed-loads of its ZX81, despite its rickety construction and coal-fired levels of performance. A generation of apprentice nerds produced their first bloops and squiggles on these devices. Today, no doubt they’re all writing apps for that iPhone you're reading this on.But judging by the portrayal of the central characters in BBC Four’s Micro Men, Clive Sinclair and his employee-turned-rival Read more ...
Ismene Brown
It’s a let-down when a new production of an opera that spends two acts feeling dazzlingly invigorating and clever collapses in a careless mess in the third. My guess is that a key scene for the concept of English National Opera’s Turandot is when Ping, Pang and Pong - three very grand court officials - turn out to be Chinese cooks sneaking smokes up the fire escape at the Emperor Palace restaurant. It's a sharp idea, generating a sensationally visual production, but that fire escape's got to lead somewhere, and in the end it's nowhere.The production is a debutants’ ball, with first-time ENO Read more ...