Reviews
Ismene Brown
Extraordinary lives dancers lead at Covent Garden - in a single day rushing between studios to rehearse the tortured, introspective Mayerling, the pristine classicism of The Sleeping Beauty, the off-centre acrobatics of Balanchine’s Agon and the static wriggles and hip-snaps of Wayne McGregor. All of these works are currently in Royal Ballet repertory, and you can see Ed Watson, Yuhui Choe, Johan Kobborg and an array of others on stage at the moment in all or any of these. But at what cost to communicating hugely different styles of choreography?Last night the Royal Ballet fielded its latest Read more ...
Adam Sweeting
At the end of series seven, our tight-lipped MI5 squad risked designer shoe leather and impeccable coiffure to defuse a Russian atom bomb in London, and their boss Harry Pearce (Peter Firth) was kidnapped by dubious Russian agent Viktor Sarkisian. Hence series eight began with the hunt for Harry, whisked (unbeknown to his underlings, who expressed their concern by smiling even less than usual) by helicopter to a mansion in “Moscow on Thames”.One assumed that Harry would in due course be restored to his futuristic glass-panelled office, where he likes to drink whisky and reflect on the deaths Read more ...
aleks.sierz
Oh dear, poor Pearl is in a bit of pickle. She's 17, and her mum wants to know what she's doing talkin' to Joe, a young lad from the local estate. After all, Pearl is meant to be engaged to Clive, her childhood sweetheart. And he'd come running if only Pearl would whistle. But she ain't interest'd. Anyhow, Pearl's mum knows what's what, and she reckons that mixed marriages never work. You see, Pearl is a Romany Gypsy and Joe is just a "Gorger" boy - that's Romany for anyone who isn't "one of us". Set a couple of years ago in East London, Shraddha - which is Romany for "You are what's in your Read more ...
edward.seckerson
The irony won’t have been lost on many in the audience that the South Bank’s International Voices series began with Ballet. A whole first half of it, actually. Just as well the diva-in-waiting – the almost indecently glamorous Renée Fleming – knows the value of expectation and anticipation. Her very first album was entitled The Beautiful Voice and if that isn’t pressure for a burgeoning career I don’t know what is.But Fleming has certainly fulfilled that side of the promise and she is now in a place where voice, temperament, and technique are one and the singing radiates a combination of ease Read more ...
Ismene Brown
At its best (ie when it’s not trying to be gimmicky and snare so-called “new audiences”), Rambert is unique in Britain in providing music and dance as theatre. No other company matches it in commitment to this, not even the Royal Ballet, which long ago adopted cloth ears when it comes to new ballet music. Last night at Sadler’s Wells Rambert’s newest triple bill was a fine sample of this kind of evening, a delight to anyone with musical interests, and parading three unbeatable British choreographic talents.Long ago Henri Oguike shone out among the younger generation of choreographers as Read more ...
Jasper Rees
When a film shoot is in trouble, with actors dying on set, the heavens opening and other acts of God putting a spanner in the works, it’s usually a gigantic directorial ego which hauls the troubled production over the line. You think of Michael Cimino’s Heaven’s Gate, of Coppola’s Apocalypse Now and above all Herzog's Fitzcarraldo, all films characterised by epic folie de grandeur and flirtation with insanity. But no film, surely, has ever been quite so divorced from reality, in almost every sense, as L'Enfer. For a start it was never made. You can’t get a lot less real than that. Forty-five Read more ...
ryan.gilbey
Christmas movies, like seasonal in-store promotions, really are arriving earlier every year. But despite being released before this month’s Catherine wheels have even started spinning, the new Disney version of A Christmas Carol has about it the desperate whiff of an end-of-line knock-off grabbed from a depleted branch of Argos just as the shutters are falling on Christmas Eve.With its motion-capture animation and state-of-the-art 3-D, as well as a simultaneous release in the eye-popping IMAX format, the film proves that it is possible to be both high-tech and superannuated. Because the Read more ...
kat.brown
Firstly, no, Tom Wrigglesworth's Open Return Letter to Richard Branson isn’t that letter. His epistle is not to be confused with Oliver Beale’s, whose email to the Virgin boss complaining about the food on a Virgin flight went viral last year. The Sheffield-born comic, currently appearing at the Soho Theatre in London, set about an altogether more decent-hearted campaign after witnessing some gross unfairness meted out to an elderly passenger on a Virgin train journey last autumn.Wrigglesworth was nearly arrested when he organised a train-wide whip-round after a grandmother was fined £115 by Read more ...
Adam Sweeting
In Garrow's Law: Tales from the Old Bailey, writer Tony Marchant has turned to the real-life archives of the Old Bailey to find cases to illustrate the pioneering legal work of William Garrow. In the late 18th century, courtroom trials bore more resemblance to bear-baiting or witch-finding than to anything connected with justice or due process. Defendants couldn't speak in their own defence, and the notion of having counsel who could demolish dodgy witnesses or interrupt the prosecution's outrageous slanders hadn't yet caught on.Thus the stage was set for the redoubtable Garrow, who was so Read more ...
mark.hudson
The head of John the Baptist floats in darkness, lips blue, eyes rolled back, the severed neck so realistic that the trachea, oesophagus and paraspinal muscles can be clearly differentiated around the jutting bone. With its explicit gore and hypereal materiality, its air of heightened theatricality bordering on camp, this feels in some ways the most contemporary exhibition currently showing in London. And the irony is that at a time when we’re positively inundated with powerful exhibitions devoted to major living artists – Ed Ruscha, John Baldessari, Anish Kapoor, Sophie Calle – everything Read more ...
sheila.johnston
This poetic romance starts with a surprisingly prosaic image: an enormous close-up of a needle plying its trade. Surreal and (it will turn out) remarkably resonant, it sums up the director's oblique way of looking at the everyday. At first sight a decorous literary costume drama, Jane Campion's telling of the love affair between John Keats and Fanny Brawne offers us a total immersion in a world that's both familiar and fascinating, intimate and infinitely strange.John and Fanny (played by Ben Whishaw and the fast-rising Australian actress Abbie Cornish, pictured below) met in 1818 when he was Read more ...
Matt Wolf
Don't be put off by the deliberately dim interior that first greets you at Mrs Klein, the Nicholas Wright play that has been scorchingly revived at the Almeida Theatre by the director Thea Sharrock and a cast including Clare Higgins in her third stand-out performance on the London stage this year. Those who feel as if they've had enough theatrical psychiatry-speak from the Almeida courtesy of that venue's recent revival of Duet For One, think again: a play that can emerge (and has) as too portentous by half reappears with a wry spring in its step and an emotional sting that is sure to land, Read more ...