Reviews
Veronica Lee
Reginald D Hunter wants us to know from the off that he will be using the “n” word in his show. A lot. Well, there’s a clue in the show’s title, The Only Apple in the Garden of Eden and Niggas, but that’s rather misleading; it’s less a description and more an in-joke from the time an earlier show’s posters (which also included it) were banned on the London Underground. So now he puts a rude word in the title of most of his shows and it pretty much indicates the Southerner’s style: punchy exposition tempered by knowing irony.Hunter first came to the UK study at Rada and the actorly training Read more ...
Adam Sweeting
The premise of Collision (as well as its title) is unmistakably similar to that of Paul Haggis's movie Crash, in which a road accident provides the linking point for a cluster of disparate personal stories. However, instead of the boulevards of Los Angeles, Collision exploits the less often remarked upon mystique of the A12, which links east London to Great Yarmouth. In 2007, the A12 was adjudged "Britain's worst road" in a survey by Cornhill lnsurance, so Collision's creator and writer Anthony Horowitz has picked an appropriate location for his fateful multi-vehicle pile-up.
The strands of Read more ...
Matt Wolf
Michael Caine squares off against some of south London's hardiest hoodies in Harry Brown, a UK variant on the once-iconic Death Wish franchise that proves Sir Michael has plenty of life left in him still. Caine bestrides the film like someone who long ago marked out his terrain: no wonder the dope-fuelled no-hopers in his midst soon give way.The same admiration is unlikely to be afforded a movie - the first feature from one-time commercials and ad whiz Daniel Barber - that often plays like a Daily Mail wet dream about life in thug-filled England today. (Think of it as a cinematic Read more ...
Ismene Brown
Michael Tilson Thomas’s association with the London Symphony Orchestra runs deep - he was its principal conductor for eight years, and for his latest return to his old band last night the American programmed works that, while they had a Viennese theme, also seemed vividly designed to show off the jewels of this great orchestra, its wonderful wind players. How the clarinettists, oboists, flautists, horn-players and trumpeters must have delighted to see what they were to play: Schubert’s Donizetti-like Rosamunde, with its haunting woodwind songs, Mahler’s richly picturesque song cycle Des Read more ...
igor.toronyilalic
So many 19th-century opera plots park themselves on fertile historical ground, amid all the colour, character and juice you could ever want, and then spend three hours picking at some anaemic daisies at the edges. It was a worry last night as I watched Donizetti’s Maria di Rohan in concert at the Royal Festival Hall. By sidestepping the heavyweight power players of Louis XIII’s reign, the eminently operatic figures of Cardinal Richelieu (endlessly alluded to) and Marie de Medici, weren’t we also sidestepping the juice? Thankfully, not. But we did have to wait until the second half for it to Read more ...
Ismene Brown
There are horrors in the world so vile that few of us want to think about them. None more so than such cases as Josef Fritzl - or Jaycee Lee Dugard, or Arcedio Alvarez, or Raymond Gouardo, or Wolfgang Priklopil, or Marc Dutroux... but you get the picture. Cases where men abduct girls and turn them into sex slaves and father multiple children by them, often incestuously, hiding them in garages, basements, behind walls, sometimes for decades undiscovered, sometimes murdering them. Mostly you read that it happened, you shudder, and try not to think more about it. Impossible if you go to ENO’s Read more ...
Veronica Lee
There’s always a danger that when one raves about a play at the Edinburgh Fringe, seeing it a year later in another theatre and with a slightly different staging can be a disappointment. But that’s not the case with Architecting, a devised piece by New York-based ensemble the TEAM in a co-production with the National Theatre of Scotland. I still think it’s overlong and there’s too much going on in a complicated melding of several story strands in different time frames, but again it thrills as a committed, energetic piece of intelligent theatre.The TEAM (Theatre of the Emerging American Read more ...
mark.hudson
West Coast pop art always was a poor relation to the world-beating New York original. Beside the Big Apple titans – Andy Warhol, Roy Lichtenstein and Claes Oldenburg – LA painters such as Ed Ruscha, Robert Irwin and John Altoon remained essentially local figures. Or that’s certainly the way it has looked from this side of the pond. Ruscha (pronounced to rhyme with touché) may now be acclaimed as one of America’s greatest living artists, but with this first major British retrospective, the 72-year-old artist still has a lot to prove here and a lot to tell us about an aspect of American Read more ...
gerard.gilbert
“Green Wing, but set in a university” is one of those useful handles that reviewers were always going to grasp when discussing Victoria Pile’s new improvised ensemble comedy, Campus, the opening try-out in Channel 4’s new Comedy Showcase season of sitcom pilots. For once, the handy nut-shell description is spot on. Campus is precisely that: Green Wing, but set in a university – and as a fan of Green Wing I should feel that that is good thing. However I’m not sure the formula has survived the relocation from hospital to campus.For one thing, they are such different – almost opposite - Read more ...
fisun.guner
Does a winning photograph jump out at you? Sure, we can talk earnestly of composition, an interesting subject, a telling juxtaposition, or the abstract interplay of colour, texture and light. But perhaps more than any other visual art form, what strikes us most about a photographic image remains somehow more elusive. And the hand of the artist who presses the shutter, rather than wields the brush, is not so easily perceived.Which brings us to this year’s winning entry for the National Portrait Gallery’s Photographic Portrait Prize. The standard for this annual award and exhibition remains Read more ...
edward.seckerson
Shostakovich’s Festive Overture marked the 30th anniversary of the 1917 Revolution with earnest fanfares and jolly tunes. 62 years on it smacks more of “Looney Tunes” and a cheesy kind of newsreel patriotism and you can’t help wondering if, behind all the laughter and frenetic flag-waving, the disillusionment had already set in. Mikhail Pletnev’s face suggested it had.He’s a decidedly cool customer is Pletnev, whether at the keyboard or, where we’re more likely to find him these days, on the podium. He has the air of containment and you don’t always see what you hear – not in terms of Read more ...
howard.male
Many hip-hop artists go on about “respect” ad nauseam, but perhaps you need to be outside the Western consumerist bubble before such language can be turned from mere solipsistic hot air into a heartfelt plea on behalf of a continent. May I point you in the direction of a YouTube clip in which a surprisingly camera-shy Nneka shares a Nigerian proverb with the interviewer: “One day the bushmeat go catch the hunter,” she says in pidgin English. In other words, one day the prey of the hunter will catch the hunter. This proverb’s specific resonance to Nneka is only hinted at by the twinkle in her Read more ...