Reviews
sheila.johnston
Must rush, have to hurry: like the fretful White Rabbit with his pocket watch, fans have been eagerly anticipating the arrival of Tim Burton's Alice, which finally arrives in cinemas this week, albeit for a limited period following the controversial decision to push the film out quickly on DVD. Mindful of this, I hastened to the IMAX, Waterloo to catch it in 3D, larger than life and twice as natural, on the very biggest screen available. 30,000 people have already pre-booked tickets for Alice at the London IMAX. Is it worth the wait?The action is set within a framing story. Alice, now aged 19 Read more ...
Veronica Lee
“I guess I’ve always been pretty good with words,” says the eponymous character in the opening, voiceover line of Atom Egoyan’s Chloe - and with that clunker we know the Canadian director's move into the mainstream isn't going to be as gripping or original as any of his previous indie efforts. With a join-the-dots script by Erin Cressida Wilson and overwrought music, it is, unusually for Egoyan, a linear movie and one that ultimately goes nowhere. That’s not to dismiss it entirely - it is beautifully shot and acted, and certainly engages one’s attention, but it can’t quite decide whether it Read more ...
mark.hudson
Who gives a **** about Henry Moore? The standing of the craggy-faced Yorkshire miner’s son who dominated British art for half a century has declined massively since his death in 1986. Where once Moore was British art, most people in this country have now probably never heard of him. Those pin-headed, slab-like forms that once seemed universal in their embodiment of utopian modernity now feel so of their time you expect to see Muffin the Mule come clopping round the corner at any moment.If the watchword of contemporary culture has become "difference" – the compunction to accommodate the "other Read more ...
Ismene Brown
In every partnership there is a leader, and it’s not always the featured name. While the hall was packed with Ma followers for this rare cello-and-piano recital, what emerged was a richly sensitising foretaste of what the Emanuel Ax residency is going to offer over the next fortnight. This is one marvellous pianist.But then Yo-Yo Ma is an excellent cellist too, and their programme of Schumann and Chopin either side of a new commission for them by Peter Lieberson displayed Ma's very amiable personality and light touch, and indeed what appears to be an uncommonly warm and smiling relationship Read more ...
Jasper Rees
We’ve been here before. In the first week of theartsdesk’s existence, the BBC began screening a daily drama by the name of The Cut. Daily drama has never been the BBC’s thing, unless you happen to speak Welsh and follow Pobol y Cwm, and so it proved with this online soap dished out in bite-size five-minute pieces. It was my solemn duty to issue daily reports for the first five days of The Cut's life. And now here comes Five Days, which will run eponymously till the end of the week: five episodes, one a night, till we find out whodunwhat. Will it keep you hanging on? For this second outing of Read more ...
Peter Culshaw
When I last met Nitin Sawhney, I’d heard that he was a whizz at mental arithmetic. I asked him, perhaps impertinently, what was 91 times 94? “8,827,” he relied, quick as a flash. Several hours later, I worked out he was probably right. “Vedic mathematics,” he said. What I can say about last night’s performance was there was some interesting mathematics going on. Some time signatures rubbed friskily against others in certain scenes in ways a mathematician would love. The score had an enormous facility. But a question we have to confront is - imagine this said in the voice of Carrie from Sex Read more ...
jonathan.wikeley
Was it Chopin’s birthday or wasn’t it? To be honest, no one at last night’s Royal Festival Hall concert probably gave a damn, so wrapped up were they in Maurizio Pollini’s playing. And what playing it was too. The man just sits down and gets on with it – there’s none of that airy-fairy flamboyance and arm waving that certain younger pianists seem unable to perform without. This was an unapologetically old-school concert. Pollini shuffled on in his tails (who wears those any more?), plonked himself at the piano, and had finished the first of Chopin’s 24 Preludes before most of the audience had Read more ...
David Nice
A fervent believer, James MacMillan has no time for what he's called the "instant spiritual highs" of composer-gurus like Glass, Gorecki or John Tavener. His own attempts to grapple with the depth and breadth of his convictions have given us several ambitious works which smack, to me at any rate, of forced rhetoric - the Third Symphony and the childbirth cantata Quickening - but others, too, like the Calvary procession of The World's Ransoming and his violent operatic masterpiece The Sacrifice, which hit home with poleaxing force. That his St John Passion, premiered nearly two years ago by Read more ...
bruce.dessau
The past might be a foreign country but sometimes they don't do things so differently there. Two decades ago I found myself backstage at Wembley Arena discussing music with one of MC Hammer's rubber-limbed dancers, nicknamed No Bones. Who was his favourite band? A bunch of geeky white Brits called Depeche Mode, who, I discovered, were a huge influence on the Detroit Techno scene. Twenty years on it is payback time. Detroit Techno is now a huge influence on another group of geeky white Brits, Hot Chip.Their fourth album, One Life Stand, draws heavily on Derrick May's turbo-charged orchestrated Read more ...
Adam Sweeting
The national urge for self-flagellation on television continues apace with Michael Winner’s preposterous new series. Not content with having to eat cockroaches in Borneo, never mind being tongue-lashed by John Torode and that thuggish bloke who looks like a bailiff on Masterchef, the population is now queueing up to invite a cantankerous elderly man into their own homes to ridicule their cooking. At the end of the series, the winner gets to cook dinner for Michael's celebrity chums, such as Kym Marsh and Andrew Neil. A Pyrrhic victory if ever there was one. Winner is in his element as a Read more ...
igor.toronyilalic
It has always been a cornerstone of my personal philosophy that beauty and insight can be found in the very lowest of common denominators. That Big Brother, Friends, Love It magazine or Paris Hilton provide revelations about life that are of as much consequence, of as much wonder, as any offered up by the classic pantheon. That that which the people respond to must and usually does have plenty of merit lurking within it. And so I have always held out hope that Philip Glass, the most popular of living classical composers, is actually quite good, somehow, somewhere. But, actually, he really isn Read more ...
Ismene Brown
This is the fifth time on theartsdesk that a review has been headed as above - so you must be thinking it had better be justified or bribery will be suspected. But it's not just the phosphorescent fascination that flickers around the charismatic young LPO principal conductor Vladimir Jurowski that draws the crowds, it is his inquiring programming. Last night it was another of those games that one couldn’t resist, if a game, in the end, of two halves.An all-Shostakovich evening, a young, vibrant prodigy on show, with his first symphony sandwiched by two satirical operatic confections - that Read more ...