Reviews
Nick Hasted
Ever since his award-winning debut From London to Brighton (2006), Paul Andrew Williams has been an exemplary British filmmaker of sparky, low-budget genre tales. Cherry Tree Lane is Straw Dogs in suburbia, a schematic and brutal home invasion film, full of fearsome but unfulfilled ideas on the terrors waiting at your front door.For the first few minutes, as middle-aged Mike (Tom Butcher) and Christine (Rachel Blake) settle down in their north London semi after work, uncorking the wine and preparing dinner, the atmosphere is indefinably uneasy, the conversation faintly dislocated. Mike’s Read more ...
Veronica Lee
New viewers begin here: even if you know nothing of the previous five series of Waterloo Road, you could start to enjoy the drama set in a failing comprehensive in Greater Manchester with the opener to series six, as the writers have rather winningly taken the precaution of barely mentioning anything that went on in previous years - not even the teen suicide pact that ended series five. And, as with many a failing school, some of last term’s teachers have departed (also unmentioned), including those played by Denise Welch and Angela Griffin, but back comes former Waterloo Road pupil Janeece ( Read more ...
igor.toronyilalic
Yet again I leave a Herbert Blomstedt concert with a sense of wonderment and bemusement. Wonderment at the extraordinary music-making that this man is capable of. Bemusement as to why he is not better known, his talents not more widely recognised, his services not more often called upon in this, his 83rd year. Last night's masterful Prom saw him leading the youngsters of the Gustav Mahler Jugendorchester first into the heavens of Hindemith's Mathis der Maler Symphony and then into the fiery wastes of hell in Bruckner's terrifying Ninth. Sure, if I passed the tall, mousey, seraphically Read more ...
fisun.guner
Tony Blair’s style of leadership was often mocked for being “presidential”, but last night it was Andrew Marr, in sober suit/ shocking orange tie combo, who gave off something of that self-assured “presidential” air. Standing outside No 10, Marr addressed the people in his smoothly measured, gently emphatic way. He is, of course, an interviewer we feel we can trust (not to be flim-flammed or bamboozled), but, really, we already knew that this was hardly going to be the political TV interview of the decade – just, more or less, a reaffirmation of everything Tony Blair always knew and believed Read more ...
Kieron Tyler
The keyboard player usually associated with Paul Weller is "Merton" Mick Talbot, who, after leaving mod revival band The Merton Parkas, filled out The Jam’s sound in their twilight days and accompanied Weller’s journey through the Style Council. Andy Crofts of The Moons has made the journey in reverse: currently Weller’s live keyboard player, he also fronts and plays guitar with The Moons, a five-piece he formed in 2007.Fêted by Edwyn Collins, The Moons push some classic British buttons. Crofts’ songs betray a fondness for The Kinks, but there’s a Buzzcocks edge too. Screw up your eyes and Read more ...
theartsdesk
JasperRees Not long now till Tony Blair faces interrogation by A Marr. GraemeAThomson and I tweeting a live reviewGraemeAThomson Nice to see they’ve scheduled it straight after Restoration Roadshow. Someone at the Beeb with a GSOH?GraemeAThomson Marr's gone with the orange tie. ProvocativeJasperRees Are you prepared to speculate about the timing of the Hague twin-bed allegations? Who wins? Who loses?GraemeAThomson I admired the directness of Hague’s statement earlier on. May make everything Blair says seem a bit evasive by comparisonJasperRees Can’t quite tell if he's really slagging off Read more ...
Russ Coffey
Coming on stage in a gangsta bandana, wrap-around shades, and what looked like Saddam Hussein’s beard, Mr E was giving little away. There was no opening gambit, nor any indication of what direction the evening was going. Some had said the Scotland concerts hadn’t been so great. I heard one girl say that if Eels concerts had personalities they’d be as capricious as the fragile moods of the man simply known as E. But E stood there saying nothing.Of course, on record it’s been a different story: cathartic, contrary and finally redemptive, Eels year-long concept trilogy came to its conclusion Read more ...
stephen.walsh
The Presteigne Festival, which has just ended after a packed long weekend of events of various shapes and sizes, is a music fest with a profile very much its own. Presteigne is one of those enchanting pocket county towns that proliferate along the Welsh borders (Monmouth, Montgomery and Denbigh are others): towns whose municipal status seems to belong in some child’s picture book, and is in fact a thing of the distant past.Even Presteigne’s county – Radnorshire – is no more, long since swallowed up by the huge, Celtic-sounding, but geographically meaningless Powys, then regurgitated as one of Read more ...
David Nice
Everyone concerned has, of course, total confidence and bags of experience at the end of a riotous run, warmly applauded by Edward Seckerson at Glyndebourne. Yet there were dangers to be negotiated. Only Irmgard Vilsmaier's Sieglinde-cum-Fricka of a mother and the ringing top of Alice Coote's Hansel as tough boy incarnate were really made to fill the crazy South Ken colosseum. The secret for the rest, and I'm sure Ticciati in his Proms debut must have worked on this, was not to force but rather to draw and coax us into Humperdinck's often startling late-Romantic clash of innocence, experience Read more ...
alexandra.coghlan
Australia has many fine exports – wine, women, gap year anecdotes – but increasingly it is her orchestras that are setting the standard. With a magnificent Proms performance from the Australian Youth Orchestra still fresh in the ears (as well as a significantly reinvigorated Sydney Symphony courtesy of Ashkenazy), last night it was the turn of the smaller and still-deadlier Australian Chamber Orchestra to fly the national flag, in what may well prove to be the finest concert of the summer.Peteris Vasks is hardly the name on everyone’s lips, but the music of this contemporary Latvian composer Read more ...
Jasper Rees
Television seeks out the stories thrown up by real life. On the one hand there is the obsessive interest in the private lives of the great and good (and not so good) from Margot Fonteyn to Tony Blair. Other dramatists eagerly accept the responsibility to hold a mirror up to society in all its ills from the Ipswich murders to the travails of 19th-century lesbians. But the task that all writers have to face, whoever’s story is being told, is to make the narrative dramatic. A tale of contemporary slavery ought not to struggle there.It’s taken seven years for the awful story of Mende Nazer to be Read more ...
graeme.thomson
“The empire writes back” was Salman Rushdie’s pithy summation of the process that changed British literature during the late Seventies and early Eighties, a shift epitomised by his novel Midnight’s Children winning the 1981 Booker prize. It wasn’t just the empire. Everyone else who had been, in one sense or another, colonised (women; the working classes; those once termed "adolescents") by literary fiction began articulating their experiences in a manner that often ran counter to past orthodoxies.Subtitled Nothing Sacred, this was the last programme in an excellent three-part series tracking Read more ...