Reviews
Adam Sweeting
You’re casting a deputy sheriff from Kentucky who wakes from a coma to find the landscape littered with corpses and overrun by flesh-eating zombies, so who do you call? Well obviously Andrew Lincoln, the irritatingly drippy English actor from Teachers and This Life. But it’s amazing the difference a reasonably plausible Southern accent and a hunk of iron from Smith & Wesson can make.Right from the opening of this pilot episode of director Frank Darabont’s ghastly horror saga, Rick Grimes (Lincoln’s character) was shooting zombies point-blank through the head or coolly battering them to a Read more ...
fisun.guner
Laura Cumming presents 'an intelligent, probing and charming visual essay on a unique genre'
Albrecht Dürer painted himself as Jesus (pictured below). Luckily, he was blessed with the looks, the hair and the initials – echoing the geometry of his golden locks the A straddles the D in his inscribed paintings. And when this German messiah of painting died, his beguiling 1500 self-portrait – one of the most hypnotic ever painted in the history of Western art – was carried through the streets of Nuremburg, his birthplace: celebrated during his life, upon his death Dürer became a cult. A lock of that famous hair is kept at the Vienna Academy.It was this self-portrait that kick-started art Read more ...
David Nice
Sir Charles Mackerras during rehearsals for his final Philharmonia concert last December
In the last year of his life he was, as a colleague noted when we learned of Charles Mackerras’s death, the wise old gamekeeper in the spring forest of Janáček's Cunning Little Vixen. No wonder Mackerras, we were told last night by his conductor nephew Alexander Briger, wanted that most ecstatic celebration of the natural order for his memorial, just as Janáček had had it played at his funeral. Was it trivialised by an encore number from Mackerras’s deliciously arranged Sullivan potpourri-ballet, Pineapple Poll? Not a jot, mate.He gave his final unforgettable concerts with the Philharmonia Read more ...
edward.seckerson
Frances Ruffelle and Nigel Richards wax lyrical with Weill
Where has this idea come from that Kurt Weill somehow lost his edge or, worse yet, sold out when he headed Stateside? Have the people who perpetrate this nonsense actually heard the Broadway shows? The diversity of subject matter, the individuality of the melodic style, the willingness to be easily assimilated and to embrace and to challenge a tradition that was growing in ambition and sophistication – this was the American Weill. As his wife Lotte Lenya put it: there were never two Weills – “only one, or possibly a thousand”. To be fair, access to Weill’s American catalogue, in context and Read more ...
howard.male
Wilko and Telecaster: ‘A great Wilko riff motors along like a speeding truck over the roughest terrain.'
Is it a bird? Is it a plane? Is it an amphetamine-fuelled chicken on rollers? No, it’s the one-time guitarist for Dr Feelgood (during the only period that matters) still doing the moves that made him the main reason to see the band in the mid-1970s. Now bald-headed and bushy-browed but still delivering those electrically charged stares (which he learnt to do during a brief stint as a schoolteacher), he had the air of a benevolent dictator last night as he surveyed the Academy’s crowd for would-be assassins to mock-machine-gun with his trusty Stratocaster.To an audience made up of Read more ...
fisun.guner
The sweet hereafter: Mummy of Katebet c 1300-1275 BC
Those ancient Egyptians, they loved life! So much so that they even conceived of an afterlife that differed hardly at all from the one on Earth, only better: they didn’t get sick and they carried on just as before, to eternity – which might sound like a bore to some, but given that the average life expectancy for an ancient Egyptian - even a very rich one - was 35, a certain reluctance to leave the earthly realm was understandable.In the divine realm of The Field of Reeds, the lucky few would drive their oxen, plough the fertile fields and paddle their boats. If they didn’t fancy doing much Read more ...
Joe Muggs
Magnetic Man's LED cage
Rave music, in its many ever-mutating forms, is now more than a generation into its existence. Many, possibly most, of the crowd pushing into Heaven, under Charing Cross station, weren't even born when acid house fully hit the UK in 1988, but none of them are here for some retro experience. It's hard, as a superannuated lover of electronic beats, not to feel cultural vertigo at the fact that what once felt like the most impossibly inhuman of sounds has now become so ubiquitous and so established as to be a kind of folk music. But there it is, as established as the blues or punk rock, and as Read more ...
Ismene Brown
Places, please, deliciousness, please. This is Delibes, a man whose music goes with delectable disbelief, and this is that zany thing, a Fifties nymph ballet, so let us sip hallucinogenic Arcadian cocktails and leave normality at the cloakroom. But the sheer prettiness of Léo Delibes's ballets (La Source, Coppélia, Sylvia) is too much for most dancemakers to digest. Even a choreographer so oozing charm as Frederick Ashton made no classic with his 1952 staging of Sylvia. Last night, given the bumbling performance by the Royal Ballet after a few years’ absence, it came over even more as a Read more ...
Matt Wolf
Mike Leigh's Another Year traverses the four seasons beginning with spring, and yet the mood is autumnal throughout. People don't sunbathe or picnic or build bonfires or for the most part respond in any particular way to the passage of time. Instead, they nurse cups of tea, share (if they're lucky) in a cuddle, and bear out in varying ways the truth of a remark that gets voiced well into the film. "Life's not always kind, is it?" asks Gerri (Ruth Sheen), a gently spoken medical counsellor who knows that no reply is needed; the answer is on full, melancholic view all around her.At first, you Read more ...
Nick Hasted
Todd Phillips’s interest in road trips as a hook for 90 minutes of male bad behaviour continues with this virtual remake of Planes, Trains and Automobiles. For mismatched couple Steve Martin and John Candy, read Robert Downey Jr and Zach Galifianakis. “I despise you on a cellular level,” Downey Jr tells the latter, whose boundless stupidity directly causes him to be banned from plane travel by Homeland Security, battered by a wheelchair-bound Iraq veteran, have his arm broken in a car crash, shot (twice) and arrested by Mexican border guards. You can’t blame him.Phillips’s films are slowly Read more ...
Veronica Lee
Master of all he surveys: Andrew Dunn as self-made businessman Eddie in 'The Price of Everything'
The TMA regional theatre awards are about to be announced, which makes it perfect timing to visit a nominee - one of the UK’s most influential venues, the Stephen Joseph Theatre in Scarborough, North Yorkshire. The SJT was the country’s first theatre in the round and has been associated with new writing since it was established, as the Library Theatre, in 1955.Joseph was the son of actress Hermione Gingold and publisher Michael Joseph, but the SJT’s most famous association has been with Alan Ayckbourn, its third artistic director, who served from 1972-2009 and premiered more than 200 plays in Read more ...
Ismene Brown
Emanuel Gat's 'Winter Variations': 'The movement is the problem'
How do young modern choreographers engage with their audience? With references from the street - motion that the audience knows and recognises? With musical expressiveness? With the development of a technical style that has a language of its own? How about with an instinct, a yearning to entertain? Surely not!Questions, questions, after seeing two typically talented dancemakers of 2010, an era when it’s common for audiences to be left drifting without paddles, wondering if there’s a map under the seat somewhere to help them to steer by. In other words, it’s either got too many confusing Read more ...