Reviews
alexandra.coghlan
According to Classic FM’s managing director Darren Henley there are many people who find the term “chamber music” offputting, if not downright intimidating. Perhaps the best explanation of the genre comes from a musicologist who has termed it “the music of friends”. It’s a lovely description and one that, for the very best ensembles, can extend beyond the confines of quartets or duos to even the largest of symphony orchestras.While yesterday’s Proms Chamber Music concert from Christophe Rousset and Les Talens Lyriques was chamber music at its authentic best, so also yesterday evening’s Read more ...
fisun.guner
The only voice recording Sigmund Freud ever made was for the BBC. It was made in December 1938, at Freud’s West Hampstead home just a few months before the father of psychoanalysis succumbed to throat cancer. He was 82 and wouldn’t see out another year, yet here he was on fighting form: “People did not believe in my facts and thought my theories unsavoury,” he declaims, his voice clipped, precise and resoundingly emphatic. “Resistance was strong and unrelenting. The struggle is not yet over."Freud was a revolutionary, and like all revolutionaries he was, clearly, a dogmatist. Twenty years Read more ...
matilda.battersby
It was the invasion of the collapsible chairs at this year’s Co-operative Cambridge Folk Festival. From above it appeared that an army of extremely well-equipped picnickers was staking its claim on the quarter of a mile surrounding the main stage using only fold-up chairs, checked blankets and pints of cider, occasionally lobbing colourful balloon missiles into the air. To call it civilised would be an understatement. It was quite simply extraordinary how far people had gone in pursuit of convenience. Those of us poor sods who sat on the floor could barely see for the sea of green canvas Read more ...
Adam Sweeting
Meet the new Dragon, slightly different from the old Dragons. Or is she? For series nine, the squad of rich, grumpy bastards is joined by “formidable businesswoman and self-made multimillionaire Hilary Devey”, as presenter Evan Davis introduced her.Power-dressed like a Barbara Taylor Bradford heroine, or possibly the new landlady of the Rover's Return, Miss Devey (that’s De-Vay) began by beguiling us with a display of down-to-earth motherliness, as she calmed the panic attack being suffered by Georgette Hewitt, would-be internet entrepreneuse. Trying to get the Dragons fired up about her Read more ...
alexandra.coghlan
A blackout, a snowstorm, a scream, and there you have it – the longest-running play of all time. The mystery of The Mousetrap is legendary, preserved by a code of silence that bonds all those who have performed and watched this classic whodunnit. Yet greater even than this is surely the enigma of how so generic, so unassuming a play should come to endure so persistently. Is it merely tradition that keeps Agatha Christie’s Mousetrap in business, or can this period piece really still have something fresh to say in its resolutely RP tones?Approaching its 25,000th performance, The Mousetrap is Read more ...
alexandra.coghlan
Jealousy of people who live in Birmingham is not (I venture to hazard) so widespread a phenomenon as to merit a name all its own. After last night’s Prom from the CBSO and music director Andris Nelsons however, a term may well have to be coined for all of us Londoners whose green-eared envy seems unlikely to abate any time soon. We’ve heard the recordings and the rumours of greatness trickling down from the West Midlands, but the opportunity to see this partnership in action further south is rare. Conquering the Royal Albert Hall with an evening of generous, emotive music-making, the CBSO Read more ...
David Nice
All aboard the chrome locomotive for composer-conductor Oliver Knussen’s annual magical mystery tour. You may notice rather few fellow passengers in the Albert Hall; that’s a given with this event (though the Proms could have thrown in and advertised one of Olly’s Top 10 OTT Favourites – I’ve heard him proclaim them - to drum up more trade). You may also find rather too many stops for change of crew. But so long as you sit forward to catch the results of his famously acute hearing, second only to Boulez’s, you’ll get something out of a long, unsexy ride.Part of the pleasure of multi-work Read more ...
judith.flanders
Mikhail Fokine, choreographer to both West and East, looked forward and back, too. He studied in the old Imperial Theatre School when the tsars ruled Russia, and he was also Diaghilev’s creative genius at the Ballets Russes, moving dance into the 20th century before and after the Revolution. The Mariinsky, once his home, is a premier exponent of his multifaceted styles. Chopiniana, his 1907 “white” ballet (known in the West as Les Sylphides) (pictured right, photo V Baranovsky), can be inert, shapeless, lifeless. Indeed, it all too frequently is. Saddled with an unappealing score (Chopin Read more ...
Graham Rickson
We go out of this column's comfort zone for this week’s releases which include orchestrated versions of songs by the Fab Four, and an Italian pianist’s imaginative response to jazz god Thelonious Monk. And there’s also some Led Zeppelin played by a string quartet.The Beatles for Orchestra: Royal Liverpool Philharmonic Orchestra/Davis (Carl Davis Collection)New York-born composer and conductor Carl Davis has been working in the UK since 1960. He’s best known for his film and television music – notably the BBC’s 1996 Pride and Prejudice, for which he provided a near-perfect pastiche classical Read more ...
igor.toronyilalic
Forget almost everything you thought you knew about classical music. Forget the regulations and the rigmarole, the politeness and the prissiness. Forget the preening institutions. Forget the vocal doom-sayers. Classical music is in the throes of an extremely welcome revolution. The entrepreneurial spirit that seized and transformed British art in the 1980s is finally animating and unshackling this most stubborn of art forms. Operas are springing up in warehouses, concerts in bars. Last weekend, I witnessed one of the great Rites of Spring in a Peckham car park.Ironic jumpers stood in for Read more ...
Adam Sweeting
In a recent article, David Hare complained about “a national festival of reaction” in the arts, exemplified by such supposedly Establishment-leaning works as The King’s Speech and Downton Abbey. His real target was Terence Rattigan, currently being hailed in many quarters as a national theatrical treasure enjoying a renaissance in this centenary year of his birth.Far from being neglected, argued Hare, Rattigan has rarely been out of the limelight, but his work now chimes with the “wheedling tone of self-righteous privilege” which he detects as a hallmark of the David Cameron era. I don’t know Read more ...
David Nice
Older pianomanes may lament the passing of the great Russian schooling that gave us the likes of Sofronitsky, Yudina and Richter. I'm not so sure. The younger generations may have dropped the mystic torch, but their more even-tempered approach can beguile. Yevgeny Sudbin forms the current holy trinity with Boris Berezovsky and Nikolai Lugansky. His latest Wigmore recital was revelatory, not always in a good way; that broad beam needn't have swept every corner of the broad Russian church he so singularly constructed in the programme's second half. But anyone who can make Liszt sound as lucid Read more ...