Reviews
Nick Hasted
As an elegiac score plays, bails of early editions of the New York Times are bundled and tossed into a fleet of vans, which roll out into the dawn city streets, to distribute the news. The conviction shared by many in this documentary about the paper is that the vans will soon look as quaint as the last of the horse-drawn hackney cabs. The ritual of late-night editorial agonising over stories before the presses roll, and newspapers themselves, are equally under threat. The New York Times’ possible death, as much as daily life there, is director Andrew Rossi’s theme.He focuses on the Times’ Read more ...
ash.smyth
Am I being paranoid, or are there spies everywhere these days? A quick squiz at the telly guide recently, and you'd have been forgiven for thinking that everyone in London is either employed in the security services or in making films about them. According to last night's re-opening of the Spooks case-file, anyway, there are plenty around the red-brick side-streets of Hammersmith. And when I say "spies", I don't mean Stella Rimmington at work on a novel; I mean guys in black gloves, and "accidents", and hell to pay.First rule for a new series: get all your loose ends Read more ...
howard.male
I love the fact that under the “genre” tab on their Facebook page, Orchestre National de Barbès have opted for “Other” from the dropdown menu. Obviously in Facebookland “Other” simply means not rock, soul, hi-hop, jazz, reggae, classical etc. However, in a metaphysical/philosophical sense “Other” can mean that which is alien, different or exotic. But what tickled me is that the music of this Parisian-based, largely Algerian band actually embraces just about all the Facebook categories they could have clicked on, even if none of them fully sums up the multilayered din they create.Although the Read more ...
Jasper Rees
And now for that difficult second album. Downton Abbey’s stately progress last autumn revived in television audiences a taste thought long dead: for populist drama offering a sepia-tinted vision of the English class system in which the well-to-do are dressed for dinner by bowing/curtsying feudal underlings. With social mobility back roughly where it was a century ago. it could almost have been a snapshot of modern UK plc. That did not stop it from being hungrily consumed as pure escapism, both here and in America where overnight it won four Emmys. And here for our pleasure is another helping. Read more ...
carole.woddis
It all started back on Thursday, 6 April, 1972. In the dining room of the less than salubrious Bush Hotel on the corner of Shepherds Bush Green, in a room that had once been Lionel Blair’s studio, the Bush Theatre was born. Over the course of the next 39 years, the Bush became a byword for small theatrical miracles.On its stamp-sized stage Victoria Wood met the comparatively unknown young Julie Walters. Stephen Poliakoff, Sharman Macdonald, Jonathan Harvey amongst many others made their stage-writing entrance within its modest portals.Forgive me while I get a little bit slushy here. Memories Read more ...
ash.smyth
As Gary Numan strode out onto the stage last night, for the Shepherd's Bush leg of his Dead Son Rising tour, his black boots a-shining, his arms a-waving, his proto-emo knees a-bending, well, you couldn't say the crowd went insane, exactly - but they were very pleased to see him.For a man whose career was said to be all but over a quarter-century ago, Numan has done a hell of a job ignoring the bad news. His albums of recent years (four since the millennium) have created a new surge of critical esteem, and he is now openly lauded and acclaimed (and covered) by a generation of new musicians.If Read more ...
judith.flanders
A retrospective of an artist’s work is not usually a history of a working relationship, but in the case of Christo, this impressive exhibition of works from the past 40 years also marks two crucial partnerships: with his wife, Jeanne-Claude, who was his equal and co-creator from 1961, and with the Annely Juda gallery, which has mounted 12 exhibitions over four decades, as well as being intimately involved in their massive environmental “wrapped” pieces. Photographs of the end results are breathtaking, but even more gripping is watching the development of the processes over the years.The very Read more ...
graham.rickson
It’s easy to accuse opera companies in these straitened times of wanting to play safe. Opera North’s 2011-12 season is slightly slimmer than one would expect, but includes five new productions, and the revivals fully deserve their resurrection. Ruddigore is one. Tim Albery’s 1950s update of Madam Butterfly, first performed in 2007, is the other, and it's been given a classy resurrection here.Puccini’s best operas are disarmingly accessible and musically they’re brilliantly constructed. The frighteningly young Italian conductor Daniele Rustioni takes charge for most of these performances Read more ...
Peter Culshaw
Summertime and the living is easy. Gershwin wrote it but it could almost be written by that apostle of California sun, Brian Wilson, who sung it with his band last night. Wilson wouldn’t have come up with a line like “your daddy’s rich, and your mama’s good-looking” - a bit too knowing. Wilson’s music was focused on surf, girls and cars, but had elements in common with Gershwin – working with brothers and burning out early, among other things.Gershwin died at 38, and by 38, Wilson, a sensitive soul, one of the walking wounded of the psychedelic wars, was into a couple of decades of catatonic Read more ...
stephen.walsh
After a summer of operas set in what might tactfully be called fancy locations, it comes as a mild shock to return to Wales and a Don Giovanni that actually takes the composer’s instructions as its starting-point. John Caird, whose first ever production for WNO a few years back was Don Carlos, revisits Spain without a qualm. He gives us heavily embossed ironwork and carved oak, he gives us cowled monks and cloaked aristocrats. And he captures without irony a world in which God and the Devil can be defied but not denied – a world forever teetering on the brink of moral and spiritual Read more ...
david.cheal
Maybe my memory is playing tricks, but I seem to recall that Beirut had more of a swagger in their step, in their playing, and in their demeanour when I last saw them four years ago. It was at the Roundhouse, it was packed, and Zach Condon and his band were on an upward trajectory following the release of their acclaimed album, The Flying Club Cup; they moved with ease and oozed a sort of blowsy bonhomie.This time around, at a heaving Brixton Academy, they were noticeably less thrilling. There was nothing fundamentally wrong with their playing, with the gig, with the sound; it was all Read more ...
aleks.sierz
Welcome back Stephen Poliakoff. With his first new play for 12 years, the master penman has set aside his television excursions into history and memory — most recently Glorious 39 for the BBC — for a haunting, contemporary tale of chance encounters and mysterious city nights. As the title makes clear, the play is a vision of London which is both personal and meditative. For me, it felt like a trip to a world that is surprising yet also familiar.One evening, a young man called Richard (pictured below right) finds his former primary school head, Miss Lambert, sleeping on a bench near St Paul’s Read more ...