Reviews
Veronica Lee
There was a time when Jackie Mason was the pre-eminent New York Jewish comedian. He had started his career in those postwar Catskills hotels catering to vacationing Jewish families from New York City, which became known as the Borscht Belt. The circuit spawned a list of talents including Mel Brooks, Woody Allen and Joan Rivers, among many, many more, and it was a phenomenon that prompted the film Dirty Dancing. So due respect to a veteran who has been in the business for several decades and now, at the age of 75, is performing his farewell UK tour, called Fearless.What a shame I can't bid him Read more ...
josh.spero
Group shows can be strained: the rubric can be so narrow that it has to be stretched to accommodate the artists at hand. That is one reason why Haunch of Venison's new show, Mixed Media, is so pleasing: it features contemporary sculpture with an emphasis on the varied materials in use today, a capacious but not unlimited mission. The other reason is that the work is just damned good.The gallery, which has just extended its premises from Haunch of Venison Yard through to Bond Street, where its new entrance sits, inaugurated this engorgement with some of its most revered and freshest artists. Read more ...
Natalie Shaw
The X Factor has been rewriting the Gregorian calendar since its inception in September 2004. It’s now more acceptable (nay, expected) for major label pop acts’ careers to fall like dominos after the first year, while at the other end of the scale we’re sped into an accelerated, broader-spanning nostalgia - a longing sensation triggered mere minutes after the ITV1+1 broadcast. It’s with this in mind that the staging and characterisation of The X Factor Live caused such intrigue.Last year’s finalists were largely paraded before us, styled exactly how we saw them on television and singing songs Read more ...
Mark Kidel
Laura Marling has a way, in mid-song, of arching her head back as far as it will go, as if she were opening herself up to the heavens. She’s never been one to let herself go on stage, at least not physically: there are no unnecessary histrionics, just a surrender to the extraordinary force that pours through when she stands and delivers.Bristol's Colston Hall, she told the audience after her opening number, means a great deal to her: this is where her dad brought her at 14 to see her first ever live gig. “Who was playing?” someone shouted from the audience. “Ryan Adams!” she answered. “ Read more ...
Graham Fuller
Céline Danhier’s Blank City is a useful but slightly frustrating primer on the grass-roots No Wave cinema movement that blossomed in New York’s East Village and Lower East Side in the post-punk era of the late Seventies and early Eighties. Hyper-energized and calculatedly ramshackle – thus echoing its subject matter – the documentary traces the emergence of the sync-sound super-8 filmmaking craze from the alternative art and music scene oriented around the CBGB rock club on the Bowery. Did you know that Jim Jarmusch was once in a band, the Del-Byzanteens, which supported Echo and the Bunnymen Read more ...
Thomas H. Green
I do not envy the Portico Quartet’s stage manager. The Komedia stage is not very big and most of it is covered in wire, effects boxes, electronic gizmos and other units. Amidst this carnage of cables, before the band arrives on stage, stands laptop DJ, Flying White Dots (aka Bryan Whellams), DJ Rob Da Bank’s “favourite bootleg mashup artist” (so Whellams' business card later tells me). He entertains the milling studenty crowd with his alternative versions of Elton John, Simon & Garfunkel, America and others, as well as Angelo Badalamenti’s grinding "The Pink Room" from the Twin Peaks film Read more ...
geoff brown
For more than 10 years now I have been waiting in vain for the pianist Evgeny Kissin to shatter the stereotyped image built around him by music critics who haven’t always liked what they’ve heard. You know the kind of thing: Kissin the visitor from outer space, the strange performer who bows to the audience like a priest at a religious rite, displays plenty of peerless technique, but after decades cocooned and fêted on the virtuoso circuit appears too often emotionally remote, as if his feelings had been locked in his dressing-room fridge or maybe a strongbox in Siberia.I recognise much of Read more ...
Adam Sweeting
The final section of The Joy of Disco illustrated how disco music grew into a vast global phenomenon. It had been brought to the popular mainstream by the success of Saturday Night Fever, was enjoyed by grannies at Pontins, and even prompted 70-something showbiz veteran Ethel Merman to make a disco album.But the central theme of the film was the way that disco represented the triumph of social groups who had been deemed to fall outside the prevailing social norms. Blacks, gays and Hispanics flocked to join the scintillating Church of Disco as it blossomed through the Seventies, and it became Read more ...
Ismene Brown
There must be a protest movement going on in Birmingham’s ballet against London’s - if down south they insist on Kenneth MacMillan’s box-office blasters, so in the Midlands it’s Frederick Ashton’s more fragile work that reigns. BRB director David Bintley’s northern chip on the shoulder has its uses, and especially this spring. After his hugely entertaining Hobson’s Choice last week, here is a double bill of Antiques Roadshow Ashton that it's unlikely today's Royal Ballet (trying so consciously to be hip) would think of rediscovering.Its problem, soberly, is that both pieces are difficult to Read more ...
peter.quinn
Released last month on One Fine Day Records to excellent reviews, last night saw the first of an 11-date UK tour for Gerry Diver's remarkable multimedia work, The Speech Project. Conceived over the past four years by musician, composer and producer Diver, a former member of Irish world music group Sin é and Shane McGowan's The Popes, at its heart The Speech Project features new and archival spoken word recordings of seminal Irish musicians and singers including Shane MacGowan, Christy Moore, Damien Dempsey, Joe Cooley, Danny Meehan, Martin Hayes and Margaret Barry.Specific motifs or phrases Read more ...
Joe Muggs
A mea culpa from me: I never gave Sbtrkt's records the attention they deserved. I always thought they were a capitulation, a softening of the radical developments of the post grime and dubstep generation with more traditional musicality and indie affectations to reach out to a more generalist, NME reading audience... and in a way they are – but, I came to realise, that's not a bad thing, and certainly not cynically done.Having listened to last year's self-titled debut album more thoroughly, it became clear that there is a distinct and often deliciously absorbing character to Aaron Jerome's Read more ...
fisun.guner
Michael is a work of fiction, but it is also clearly an amalgam of real-life events. For first-time Austrian director Markus Schleinzer (former casting director for Michael Haneke, whose influence you may detect), the subject must have particular resonance: in this story of a child abduction by a lone paedophile, it’s unavoidable that we think of Josef Fritzl and Wolfgang Priklopil, as well as Belgian child-killer Marc Dutroux. Schleinzer has created a script that bears comparison to all three cases in ways that are incidental but also striking.Schleinzer also appears to rely on some of the Read more ...