Reviews
Adam Sweeting
I always used to avoid any film that had Mark Wahlberg in it, because he seemed to have the acting skills of a park bench. Then I saw The Departed - because you have to see Marty's movies - and thought he was brilliant as the astonishingly foul-mouthed Sergeant Dignam. Now I've seen Contraband and regrettably, it may be time to revert to Plan A.Contraband is an over-long and laborious heist thriller, a remake of the Icelandic flick Reykjavik-Rotterdam but transplanted to New Orleans. The atmospheric hook is supposed to be its evocation of a grungy Louisiana low-life operating in the Read more ...
aleks.sierz
Like many a regular theatregoer, I have a little list of classic plays that I’ve never seen, or even read. One of these is, or rather was, Errol John’s evocatively titled Moon on a Rainbow Shawl. Written in 1953, this definitive “yard play” was a historic breakthrough for Caribbean playwrights in Britain. So it was with considerable anticipation that I went to this revival, which opened last night at Britain’s national flagship venue. But can this classic stand up to scrutiny?Originally, the 33-year-old Trinidadian-born John, who was working as an actor, won the Tynan-inspired Observer new Read more ...
Ismene Brown
This show was intended to be all about the men (see title). But it was the woman in motion who stormed off with the honours in this second edition of what has become tagged as the Sergei Polunin show. And a heavy, maternally hipped, middle-aged woman at that - step forward, the sensational Dana Fouras, a dancer of genius who blew every other performer off the stage in Russell Maliphant’s Two (including the hapless gentleman trying to duplicate her movements on the other side of the stage).Men in Motion Part 2 was surely an impromptu media event, created by the storm of press surrounding Read more ...
peter.quinn
Bringing together the most talented choirs, vocalists and musicians from across London and the UK, iGospel's two-day Sing Inspiration! Festival came to a close in spectacular fashion. Lurine Cato opened the concluding "Gospel & Soul" concert, showcasing her impressive five-octave range on “You Revive Me”, the first single from her forthcoming debut album. With one, ever higher, key change after another, Cato's deluxe pipes made some better-known pop singers sound like common-or-garden pub belters.Call-and-response sections with the audience can often be slightly tuneless, let's-get-this- Read more ...
Matt Wolf
Was it the players, or the play, that has made a phenomenon out of One Man, Two Guvnors, the prize-winning comedy now on its third London theatre and preparing to hop the pond to Broadway next month? Well, bacon and eggs(!), it turns out there’s life aplenty in Richard Bean’s Goldoni rewrite yet, even without the star wattage of James Corden and the insanely arched eyebrows of Oliver Chris.Recast (for the most part) in its move from the Adelphi to the Theatre Royal, Haymarket, a fresh company allows for a fresh perspective on Bean’s Brighton-set narrative, which displaces commedia dell’ arte Read more ...
bella.todd
He has terrible tusks, and terrible claws, and terrible teeth in his terrible jaws… Ah wait now, that’s The Gruffalo. Mark Lanegan doesn’t have any of the above (although he does have tattooed fists and a considerable jaw, and past heroin addiction probably hasn’t played too well with the old teeth). But the grunge survivor turned celebrated American gothic bluesman is the gruffest man in rock, with a voice that makes Nick Cave seem like a bit of a pussy and Johnny Cash sound positively moisturised, and a complimentary reputation for hard living and hard dealing that warns baby music Read more ...
fisun.guner
You know that kind of smoothly seductive but nonetheless ominous-sounding voice-over that loads of science programmes seem to love? You know, the kind that’s often used to lull us into thinking that what we’re about to hear is going to present us with some really seismic shift in our perceptions? Well, that’s what gets me about some science programmes. That, and the sense that the more dramatic the voice-over the less dramatic the content. That, and the graphics.In this week’s Horizon we had both the ominous voice-over and the useless graphic. A stick figure popped up early on, a fuzzy blue Read more ...
aleks.sierz
Polymath Philip Ridley is British theatre’s prince of imaginative writing. At the moment, he’s clearly on a roll, and this year his diary has been filing up fast. First, there was a majestic revival of his 1991 debut, The Pitchfork Disney, with a cast led by Chris New and the Channel 4 Misfits star Nathan Stewart-Jarrett, then there’s an upcoming London fringe revival of his 2005 shock-fest Mercury Fur and a national tour of Tender Napalm, his 2011 Southwark Playhouse hit, in May and June. And, glory of glories, last night saw the opening of a brand new play, Shivered.The story is set in the Read more ...
Veronica Lee
In Seven Years in the Bathroom, which he premiered at last year's Edinburgh Fringe, Alex Horne attempts to shoehorn the average man's 79-year lifespan - in which he says a remarkable seven years is spent in the bathroom - into an hour's comedy. It's certainly high-concept, and there's an awful lot of comedy to be mined from the subject.Horne comes on stage dressed in a bathrobe, and a neat costume gag follows. The sand in a large egg-timer placed on a desk on stage, which is strewn with several other props, flows away as Horne runs through a bunch of statistics while cleaning his teeth, Read more ...
Kieron Tyler
Contrary to what he said in 1963, US Attorney General Robert Kennedy did not close Alcatraz Federal Penitentiary. Although the last inmate appeared to leave the San Francisco Bay island fortress in leg-irons on 21 March 1963, the prisoners and guards had vanished into thin air, leaving it the Marie Celeste of prisons. The cover-up worked. But now, one-by-one, without having aged, the prisoners are back, blazing a trial of murderous mayhem across modern-day San Francisco.Mixing crime, conspiracy and the fantastic, JJ Abrams’s new series is made from familiar elements. Alcatraz isn’t Lost. Like Read more ...
igor.toronyilalic
I find it hard to square what I know about composer Judith Weir with what happened last night. In one corner lies her 30-year output of songs, choral pieces and operas - as engaging and beguiling an oeuvre as that of any living composer's. I think of her waggish song cycle King Harald's Saga or her playful opera A Night at the Chinese Opera. And then I think of the UK premiere of Miss Fortune at the Royal Opera last night - the inertness of the music, the superficiality of the story, the platitudes and, most bafflingly, the racism - and I wonder, what has happened to Judith Weir?If one Read more ...
Veronica Lee
There are any number of television detective shows and to differentiate themselves they all need a USP. The excellent Sherlock is a very knowing modern reworking of the original, Life on Mars was set in a time warp, Dirk Gently uses weird global interconnectivity and Whitechapel's coppers solve crimes by referencing Victorian cases. So a cop show that has none of the bells and whistles of the above is somewhat unique.That's sort of true, for Scott & Bailey has its own USP in its strong female slant. It's about two female detectives Janet Scott (Lesley Sharp) and Rachel Bailey (Suranne Read more ...