Reviews
igor.toronyilalic
I don't have many feelings about the Titanic (any more than I do about any tragedies of the distant past). I know few of the facts, I can remember nothing of the film and I have been left almost completely untouched by the centenary. Yet I am enormously grateful to have caught a Barbican performance of The Sinking of the Titanic, Gavin Bryars' beautiful musical meditation on the event.  The reason why this hour-long rumination works so well is that it does not rely on the emotional power of the catastrophe to generate its own emotional power. The debris of sounds that Read more ...
geoff brown
Looking at John Wilson conduct, it’s possible to think that you’re watching an incarnation of that Proms favourite of decades past, Sir Malcolm Sargent. The immaculate tailcoat, shining white cuffs, the florid gestures with a baton as long as a magic wand: the only missing visual ingredient is Sargent’s self-regarding air. On Sunday afternoon at the Festival Hall, Wilson, Britain’s golden maestro of light music, garnished the impression by venturing into some of Sargent’s own territory with The Yeomen of the Guard: the only quasi-serious piece among Gilbert and Sullivan’s corpus, and the only Read more ...
Jasper Rees
Getting on for three decades ago Lasse Hallström was introduced to audiences outside his native Sweden with My Life As a Dog. An emotionally continent, directorially restrained picture of the pains and pleasures of a rural childhood, it was Hallström’s ticket to Hollywood. What’s Eating Gilbert Grape, featuring a coltish young Leonardo di Caprio, retained some of Hallström’s snappy weirdness when he moved into English, since when he has wandered into the mainstream and can’t seem to locate the exit. His signature is to take a popular work of fiction and coat it in a thin film of simplifying Read more ...
Kieron Tyler
Two things are certain with music coming from the north: there will be some wonderful surprises and some of it will sound like nothing else on earth. It’s even more enticing when the two merge. Making the peculiar accessible is a uniquely Scandinavian knack. There are more than a few examples of that – the creation of new micro-genres – in this round-up of current and new releases, but some straightforward albums are equally striking. First, however, we head for the offbeat end of the spectrum.After my first encounter with Denmark’s Sleep Party People, I remarked they were “a peculiar Read more ...
igor.toronyilalic
It's one of the great perversities of modern cultural life that orchestras from America and Venezuela visit London more often than those from Birmingham or Manchester. A perversity and a shame, as last night's exceptional performance of Elgar's The Dream of Gerontius by the City of Birmingham Symphony Orchestra and CBSO Chorus on a rare visit to the Barbican showed.Not even the cancellation of their chief conductor Andris Nelsons (owing to a family illness) or Toby Spence was able to derail things. The essentials were simply too good. There's nothing quite like a first-class English orchestra Read more ...
Natalie Shaw
Lauryn Hill is back, and not just literally. Making her first UK appearance in five years, she silenced the doubters with a fully commanding and controlling show. A spellbound crowd watched as she wiped out the memory of years of disappointing concerts, reinvigorating her unmatchable prowess in a 100-minute set taking in songs from The Miseducation of Lauryn Hill, a selection of Fugees classics and some stunning Stevie Wonder and Bob Marley covers.Back in 1998, the mainstream hadn't bargained for the revelation that was Hill’s first (and to date only) solo album; no-one quite anticipated the Read more ...
aleks.sierz
It’s the star factor. Tickets for Big and Small, by the controversial German writer Botho Strauss, are selling fast because Cate Blanchett is in it. Her protean presence in this production by the Sydney Theatre Company, of which she is the co-artistic director, casts a glow over the whole event — she’s on stage for almost the entire running time of two and three-quarter hours. But there are other pleasures to savour here: chief of these is playwright Martin Crimp’s fresh, crisp and contemporary translation of the text.Strauss’s 1978 play — Gross und Klein — is about Lotte (Blanchett) and her Read more ...
Kieron Tyler
“Suddenly, all America wants to be a redneck”. That might be slightly overstating the impact of southern rock on American culture. Californian ex-actor Ronald Reagan becoming president in the footsteps of Georgia’s Jimmy Carter suggests it’s an unsound declaration, despite the prime-time scheduling of The Dukes of Hazzard during Carter’s tenure. Sweet Home Alabama made the case for the rock music of the south, but failed to convince that it inspired a cultural shift.Instead, this was essentially the story of two bands: The Allman Brothers Band and Lynyrd Skynyrd. The path traced began with Read more ...
Veronica Lee
Ricky Gervais doesn't make it easy for critics or viewers. He has always pushed the boundaries of modern comedy with a cast of unlikeable characters, starting with his 11 O'Clock Show inquisitor to deluded fool David Brent in The Office and failed actor Andy Millman in Extras, as well as “himself” in The Ricky Gervais Show and Life's Too Short. But within all his creations there has been an element of vulnerability that made them believable and ultimately sympathetic. And now his latest offering, which he wrote and directed, has at its heart a character, the titular Derek, whom Gervais Read more ...
aleks.sierz
When Madani Younis became the new artistic director of the Bush, some questioned his commitment to new writing, while others asked what he would bring to this small but high-profile venue. With this, his inaugural production, which opened last night, some answers suggest themselves: he’s chosen a solid new play, and he has introduced London audiences to a Lee Mattinson, a northern voice.Chalet Lines is set in Butlins holiday camp in Skegness. It’s 2010 and, every year for the past half century, the women of the Walker family have come down from Newcastle to stay in Chalet number 12. This year Read more ...
Emma Dibdin
For those who saw David Tennant’s outstanding Hamlet either during the production’s 2008 run at the RSC or in its later television incarnation, there’s likely to be some built-in intrigue to his role in the debut instalment of new Sky Arts series Playhouse Presents, not least because his cut-glass vocals and pervasive melancholy are more than a tad reminiscent of his take on the Dane.But his character in the Will Self-penned short play, the first of 10, is sullenly self-absorbed to an extent that makes Hamlet look positively ebullient by comparison. A bored, bitter artist living in the Read more ...
Adam Sweeting
"Find your inner soldier and stop the alien threat before it's too late!" runs the blurb for Hasbro's Battleship computer game. The movie of the game seizes this basic idea by the scruff of the neck, and pumps it up into a cacophonous effects-crammed military yarn with a deafening heavy metal soundtrack. Alien forces have landed in the Pacific, and the US Navy is forced to fight Pearl Harbor II.Director Peter Berg (pictured below) is the son of a US Marine, and he hasn't stinted on the patriotic flag-waving. Military veterans from World War Two and recent Middle East conflicts have been Read more ...