Reviews
Matt Wolf
A blow to the head provides the catalyst needed for Abby (Robin Weigert) to re-think her life in Concussion, writer-director Stacie Passon's acute American indie about a lesbian couple coming adrift and the new life charted by one of the two women, in particular. Would Abby end up welcoming (female) sexual partners for pay to her freshly purchased high-end Manhattan loft had her young son not accidentally sent a baseball winging its way to her head, thereby jolting her reality? Who's to say: among the multiple virtues of Passon's smart, subtly revealing film - this director's debut feature - Read more ...
David Nice
What spontaneous use might a silver rose take on after its formal presentation by a chubby cherub of a cavalier to a bartered bride-to-be? This and a thousand other score-co-ordinated details are things you never can predict in the hands of that chameleonic yet rigorous director Richard Jones. He throws out most of the meticulous stage directions in Hugo von Hofmannsthal’s rococo libretto for Richard Strauss and finds his own. You may not like them – I mostly did – but you can’t say that this isn’t quality work in tandem with a team of near-ideal Glyndebourne singers and beautifully if often Read more ...
Ismene Brown
Hilary Mantel’s two Thomas Cromwell novels have captured an enormous new readership for history with their crackling sense of place and immediacy of tension - the plays created on them, now brought to London by the Royal Shakespeare Company, are relishable creations of different virtues. Mantel’s exquisitely detailed, emotionally penetrating descriptions of weather, place or internal worries aren’t to be found. Instead, we get top-speed action and plot, as Henry VIII, Anne Boleyn, Cardinal Wolsey, Thomas More and the ubiquitous, observant Thomas Cromwell scythe through English history Read more ...
Kimon Daltas
Antonio Pappano addressed the audience before the start of the concert to explain the thinking behind this rather unusual programme, first performed in the early nineties and now a perfect fit for the Accademia Nazionale di Santa Cecilia orchestra and chorus, where he has been music director since 2005.Having spent a period of time "exploring works themed around conflict", he had wanted to take on Luigi Dallapiccola’s one-act opera Il prigioniero ("The Prisoner") but needed companion pieces to make a concert’s worth. In figuring out how to create a programme that would function Read more ...
Kieron Tyler
Various Artists: Philadelphia International Records – The CollectionThe O’Jays’ “Love Train”, The Jacksons’ “Show You the Way to Go” and McFadden & Whitehead’s “Ain’t No Stoppin’ Us Now” share an undeniable power. All make the body move and have a potency which could be devotional. Each is also about going forward and could slot into a church service. Despite being products of a musical production line, these were more than simple pop records.All three were issued by Kenny Gamble and Leon Huff’s Philadelphia International Records and are heard on Philadelphia International Records Read more ...
Kimon Daltas
Part of the Birtwistle at 80 series at the Barbican, this not-quite-semi-staged Gawain ended up being held back a little by its shoestring production, where a straight concert performance might have transcended its limitations.The music, however, in all its dark, unremitting intensity, was extremely well served by an extended BBCSO, conducted by Martyn Brabbins, and outstanding solists, including John Tomlinson returning magnificently to the role he first created over 20 years ago. Leigh Melrose (Gawain), Jeffrey Lloyd Roberts (King Arthur), Laura Aikin (Morgan Le Fay), and Jennifer Johnston Read more ...
alexandra.coghlan
A cheeky series of signs raised at the start of Phelim McDermott’s new Così fan tutte for English National Opera promise “Big Arias”, “Intrigue”, “Lust” and “Chocolate” (among other things). Big pledges, all. And almost all delivered by this witty, exuberant and quietly revisionist production of Mozart’s challenging comedy.The two young couples find themselves on holiday in Coney Island in the late 1950s, swapping twinsets, sensible flats and suppressed desires for the wild delights of the fair, where men wear lycra, women wear beards (and little else), and no fantasy or fetish remains Read more ...
Florence Hallett
Last year, the German artist Georg Baselitz told Der Spiegel: “Women don't paint very well. It's a fact,” citing as evidence the failure of works by female artists to sell for the massive sums raised by their male counterparts. The amusing punchline to that story is that shortly afterwards a Berthe Morisot painting sold at auction for more than double the amount ever achieved by Baselitz himself. But be honest - come on, use your fingers - how many women artists can you think of? Because however much Baselitz’s misogyny appals you, the prospect of not one, but three programmes dedicated to Read more ...
Naima Khan
"Debris - literally!" Or so spoke a fellow reviewer as she sat down next to me, having navigated her way through the rubble scattered across the floor of Southwark Playhouse's aptly-named Little auditorium. It's here that Openworks Theatre in association with the Look Left Look Right company is reviving Dennis Kelly's 2003 one-act, Debris, which centres on a brother and sister in their late teens as they relive the darkest, most disturbing episodes of their lives. This early work from the Tony Award-winning writer of the smash musical Matilda (as well as such plays as Osama the Hero and Read more ...
Emma Dibdin
Discussing what appealed to him in Patricia Highsmith’s simmering thriller The Two Faces of January, first-time director Hossein Amini landed on the deliberate lack of character motivation: “She doesn’t really explain why people do things.” This very obfuscation drew attention at the time of the novel’s 1964 publication, when the reader at Highsmith’s publisher identified “a frightening sense of the neurotic” in her approach to drawing characters.A lack of motivation is far from ideal in the mind of most actors, and there is a sense that Two Faces’ script is at times working against its Read more ...
Thomas H. Green
David McCandless gave the organizers of the Brighton Festival a surprise. Given that the evening is a talk by a data journalist, rather than the latest, hot rock band riding into town, the intention was to keep things small scale, certain sections of seating in the 1700 capacity Dome Concert Hall closed off. However, as it turned out, the event sold out completely, with a long, snaking queue outside the ticket office hoping in vain for returns.McCandless (right), after all, is really rather more than just an info geek – although, as he continually points out, he is that as well. His blog and Read more ...
Veronica Lee
Adrienne Truscott's show was awarded the Edinburgh Comedy Awards' panel prize at the Fringe last year (Bridget Christie won the main prize for another avowedly feminist show), and if it hadn't been for its thought-provoking content and highly original delivery, then it surely deserved an accolade just for the title, Asking For It: A One-Lady Rape About Comedy Starring Her Pussy and Little Else!Truscott is one half of American performance artists the Wau Wau Sisters, famous for pushing the boundaries of cabaret/circus genres, and it should come as no surprise that she walks on stage in a crazy Read more ...