Reissue CDs
Kieron Tyler
Despite their different paths in the Seventies, the final years of the Sixties saw parallels between Betty Davis and Jeanette Jones. Both soul singers had significant backing from music business insiders. Late in the decade, each had a discography limited to one unsuccessful single. They worked as models.Davis is acclaimed for the trio of albums she released over 1973 to 1975 which captured a self-penned, sexually up-front feminist funk that was hard for a male-dominated industry to market. A fourth album was recorded in 1976 but shelved and first issued in 2009. The North Carolina-born Davis Read more ...
Kieron Tyler
Although Heartworn Highways was a unique document of a collection of country singer-songwriters who had rejected the Nashville establishment in favour of following their own paths, hardly anyone saw the film after its completion. Initially titled New Country, it was first seen at a Los Angeles film festival in 1977. Renamed Outlaw County, it was then screened in Muncie, Indiana and Flint, Michigan. In May 1981, as Heartworn Highways, it was shown over a week at a Greenwich Village cinema. Critic Pauline Kael devoted three pages of The New Yorker to it. From this point, the reputation of the Read more ...
Kieron Tyler
A two-bar flurry of guitar lays the table for a skip-along beat, handclaps, and an arrangement and melody akin to Martha and the Vandellas’ March 1964 single “In my Lonely Room”. This though was not a Motown production and did not tell the story of a girl so distraught at her boyfriend’s dalliances that all she could do was take to her lonely room and cry. On “The 81”, Candy & the Kisses sang of a dance craze for anyone “tired of doing the monkey, tired of doing the swing.”Despite being a knock-off of the Detroit sound, the irresistible “The 81” did not sound like a Motown record. It Read more ...
Kieron Tyler
As the album featuring Simple Minds’ first Top Twenty single, “Promised You a Miracle”, 1982’s New Gold Dream (81-82-83-84) was aptly titled. After the success of the next single “Glittering Prize”, it hit number three in the album charts. Five albums in and three years after their first single, Simple Minds were indeed touching gold.Whether their breakthrough into the mainstream was a miracle or not depends on how the band is seen. The album preceding New Gold Dream (81-82-83-84) was actually issued as two separate records: Sons and Fascination and Sister Feelings Call. Each featured a Read more ...
Kieron Tyler
Since achieving international success in the final years of the 1980s, the late Cesária Évora has dominated much of globe’s perception of music from the Cape Verde (officially Cabo Verde). This fascinating pair of releases reveal other aspects which may not have caused similar world-wide waves. Crucially, they're hugely enjoyable.Space Echo collects 15 tracks by 14 different performers. It’s subtitled “The Mystery Behind the Cosmic Sound of Cabo Verde Finally Revealed”. The Legend of Funaná is a reissue of a 1997 album by accordion player Bitori, born Victor Taveres. It’s also subtitled: “The Read more ...
Kieron Tyler
July last year saw the publication of Sick on You: The Disastrous Story of Britain’s Great Lost Punk Band, Andrew Matheson’s chronicle of his band The Hollywood Brats. The essential book was impossible to put down. It took in picaresque encounters with Sixties pop star and songwriter-turned impresario Chris Andrews, Andrew Loog Oldham, Keith Moon, Cliff Richard, a pre-Sex Pistols Malcolm McLaren and more.At the book's core was a band convinced of its greatness, yet painted so excessive and ham-fisted that they were bound to fail. The Hollywood Brats formed as The Queen in 1971 and fell apart Read more ...
Kieron Tyler
If Kris Kristofferson had just been the writer of “Help Me Make It Through the Night”, “Me and Bobby McGee” and “Sunday Mornin’ Comin’ Down”, his legacy would have been assured. Each song is a classic, and each is wonderful. Elvis Presley and Gladys Knight & the Pips ensured that “Help Me Make It Through the Night” would live forever. Kristofferson’s ex-girlfriend Janis Joplin did the same with “Me and Bobby McGee” – the writer did not initially know she had recorded it. In 1969, Ray Stevens was first to tackle “Sunday Mornin’ Comin’ Down”. Johnny Cash was next. All three songs featured Read more ...
Kieron Tyler
Pictured above is the label of an exceptionally important Pink Floyd record issued last November. Only a thousand people bought a copy. That was the amount that hit shops. Pink Floyd 1965: Their First Recordings was a double seven-inch set with a historic importance inversely proportionate to its availability. It was the first ever outing for the earliest recordings by the band and, as such, the earliest compositions for them by its prime songwriter Syd Barrett. He died on 7 July 2006 at age 60, and a look at this hard-to-find yet significant release is a tribute to his memory.The band is the Read more ...
Kieron Tyler
It begins with “Never Never Let Me Down” by Formulars Dance Band. “You’re the only good thing I’ve got,” declares the singer of a garage-band answer to The Impressions over a rough-and-ready backing where a shuffling mid-tempo groove is driven along by wheezy organ and scratchy lead guitar. When the band unites to sing harmonies, the massed vocal is distorted: a sure sign of an overloaded microphone. If this were America, “Never Never Let Me Down” would have been an obscure independent soul release issued around 1966. But this was Nigeria and Formulars Dance Band – whose personnel are unknown Read more ...
Kieron Tyler
Punk rock, or what’s touted as punk rock, is practically inescapable right now. In London, a series of events tagged as Punk.London: 40 Years of Subversive Culture includes concerts by reanimated bands, exhibitions and film seasons. Backers include the British Fashion Council, the British Film Institute and the Design Museum. The Mayor of London is an official supporter. Sponsorship has come from the Heritage Lottery Fund. The year 1976 was apparently when punk began, and it’s time for these august bodies to celebrate the anniversary.Joe Corré, the son of Sex Pistols’ manager Malcolm McLaren Read more ...
Kieron Tyler
The names may be unfamiliar, but Folque and Undertakers Circus are as good as better-known bands. Despite being musical bedfellows neither Norwegian band is as esteemed as, say, Trader Horne and Trees or Colloseum and Lighthouse. Folque issued their eponymous debut album in 1974. Despite line-up changes, the band was active until 1984. Undertakers Circus issued two albums, the first of which was 1973’s Ragnarock. The original band ran out of steam around 1976. Original pressings of Folque fetch between £40 and £80. Ragnarock is very rare and sells for around £70. The reissue of each album is Read more ...
Kieron Tyler
Adam Ant was one of the few who saw Sex Pistols’ first live show. On 6 November 1975, his band Bazooka Joe was playing Charing Cross Road’s St Martin’s School of Art. They found an uninvited support band had gatecrashed the evening. The impact of the interlopers on the then Stuart Goddard wasn’t instant, but he would go on to form The B-Sides and, then, Adam and the Ants, whose manager became Jordan, who worked at Malcolm McLaren’s King’s Road shop SEX. Adam was hotwired into what became codified as punk rock. But his music was never defined by templates.Mainstream impact took a while to come Read more ...