Opera Reviews
Tristan und Isolde, Glyndebourne, BBC Proms review - endless love, perfect paceWednesday, 01 September 2021
“Now I’ve conducted Tristan for the first time,” the 27-year-old Richard Strauss wrote from Weimar to Wagner’s widow Cosima in 1892, “and it was the most wonderful day of my life”. Read more... |
Ariadne auf Naxos, Edinburgh International Festival review – apt setting for Strauss hybridMonday, 30 August 2021
This lively interpretation of Richard Strauss’s opera within an opera provides a feast for the senses as a musical highlight of the Edinburgh international Festival. Read more... |
theartsdesk at the Birgit Nilsson Days - the rich legacy of a farm girl turned divaThursday, 26 August 2021
Feet firmly planted on fertile native soil, but always open to the world, lyric-dramatic soprano Birgit Nilsson soared into realms no-one from the rolling hills and coastline of Sweden’s Bjäre peninsula, where she grew up, could possibly have imagined. Read more... |
A Night at the Opera, BBC Philharmonic, Glassberg, BBC Proms review - six of the bestTuesday, 17 August 2021
This delectable Prom hid behind the title "To Soothe the Aching Heart" the failsafe concept of a programme of the world’s favourite opera extracts, plus some. Take six British opera stars – three sopranos, two tenors and a mezzo – and assign them the business of comforting us all. Read more... |
Hansel and Gretel, British Youth Opera review - chaotic rewrite of a classic opera misses the markWednesday, 11 August 2021
It’s hard to know where to start with this chaotic Hansel and Gretel, and not just because Humperdinck’s opera has been cut, spliced and re-stitched with a brand-new libretto, new characters and multi-track, multi-option audio. The restless, competing ideas, the gaudy design, the ill-judged tone, the fussy technology all conspire against the performers, who produce some fine singing despite everything. Read more... |
RhineGold, Birmingham Opera Company, Symphony Hall review - music-drama at the highest levelTuesday, 03 August 2021
The love of power corrupts, the power of love falters or fails. Read more... |
Luisa Miller, Glyndebourne review – small-scale tragedy, big emotionsMonday, 02 August 2021
“Time-travelling” is how Enrique Mazzola, the superb first conductor of Glyndebourne’s last new production of the main season, described the slow-burn trajectory of Verdi’s semi-masterpiece Luisa Miller in his First Person here on theartsdesk. Read more... |
The Cunning Little Vixen, Longborough Festival Opera review - life, death and the menopause in the forestSunday, 01 August 2021
There are advantages and disadvantages about opera-in-the-round, and it’s a format that suits some operas better than others. Longborough’s Cunning Little Vixen, staged by Olivia Fuchs in their new big-top tent, makes the very most of the advantages and pushes the disadvantages into the shade, without entirely obliterating them. It’s a lively show, very well sung, cleverly, energetically acted and directed; but the problems, of which more below, refuse quite to go away. Read more... |
Opera in Song, Opera Holland Park review – world-class singers in a brilliant recital triptychWednesday, 28 July 2021
Now that the summer opera-house companies have pulled off staged triumphs under the most difficult of circumstances, it’s time to celebrate semi-al-fresco concerts. Not so many have cropped up as I’d hoped after the success of the Battersea Park Bandstand Chamber Music series last year. Read more... |
Le Comte Ory, Garsington Opera review - high musical style and broad dramatic comedyFriday, 23 July 2021
Play it straight and you’ll get more laughs: that’s the standard advice on great operatic comedies like the masterpieces of the Gilbert & Sullivan canon, Britten’s Albert Herring, Verdi’s Falstaff, Puccini’s Gianni Schicchi. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Babygirl review - would-be steamy drama that only flirts wit...
Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from ...
It's Raining Men review - frothy French comedy avoids d...
Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (...
Album: Bridget Hayden and The Apparitions - Cold Blows The R...
The title Cold Blows The Rain encapsulates it. A mournful, unembellished female voice sings of loss. The musical backing is sparse....
A Real Pain review - Jesse Eisenberg and Kieran Culkin take...
Jesse Eisenberg's first film as writer/director...
Blu-ray: The Hop-Pickers
Czech theatre theorist Ivo Osolsobě’s tick-list for what constitutes an "authentic" musical is quoted in this release’s booklet. Namely that the...
Liepe, National Youth Orchestra of Ireland, Cottis, NCH, Dub...
There’s nothing like an anodyne new(ish) work to give a masterpiece an even higher profile. Rachel Portman‘s Tipping Points, promising to...
Albums of the Year 2024: Chihei Hatakeyama & Shun Ishiwa...
A gem for me this year has been the collaborative project between the veteran minimalist composer Chihei Hatakeyama and jazz...
Music Reissues Weekly: American Baroque - Chamber Pop and Be...
The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an...