sun 01/12/2024

Album: Hozier - Unreal, Unearth | reviews, news & interviews

Album: Hozier - Unreal, Unearth

Album: Hozier - Unreal, Unearth

The Irish indie-folk mainstay latest is soulful and introspective, yet bold and captivating.

The Irish indie-folk mainstay latest is soulful and introspective, yet bold and captivating.

Only a few artists can be said to have exploded on to the scene like Hozier. The solo, Irish musician – full name Andrew John Hozier-Byrne – shot to stardom with the omnipresent hit “Take Me To Church” back in 2014. Although his work since hasn’t taken over the pop culture zeitgeist in the same way, he has nonetheless gone on to be very successful.

Unafraid to tackle weighty, thoughtful themes, such as LGBT rights, religion, or economic strife, married to his powerful vocals and heavy folk influences, Hozier has marked himself out as a poignant artist. He returns with his latest album and third overall, Unreal, Unearth, his first full length since 2019’s Wasteland, Baby!.

His characteristic folk moodiness is still present – opening track “De Selby, Part 1” flitters to life with strumming acoustic chords and soft vocals – but there are large flashes of different tones and styles, bringing in a revolving array of textures. “Son of Nyx” is a cinematic pause at the midpoint, bringing grandiose, orchestral strings that swell and soothe. Meanwhile, “De Selby, Part 2”, one the pre-release singles, swaggers with a bar room blues.

In part, this versatility is the result of Hozier working with a number of producers including Bekon (Kendrick Lemar, Drake), Jennifer Decilveo (Miley Cyrus, Bat For Lashes) and Jeff Gitelman (The Weeknd, H.E.R). Altogether, they have produced an album that eludes the grasp of firm genre boundaries. Unreal, Unearth is soulful and introspective, yet just as bold and captivating. A touch overlong, maybe, but it holds attention confidently.

Soaring to fame and popularity with such an enormous hit like “Take Me To Church” would be limiting for some – cumbersome and constricting like a straight jacket. Here, sometimes Hozier evokes his most known song, but he does more than show he’s moved beyond that sound. By the time closing “First Light” begins with its interplaying vocals, it’s long understood this is an offering full of imagination, yet purposeful and clear. A talented artist honing his craft, embracing creativity; it rewards each listen and is worth every second spent listening to it.

A talented artist honing his craft, embracing creativity; it rewards each listen and is worth every second spent listening to it

rating

Editor Rating: 
4
Average: 4 (1 vote)

Explore topics

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters