We Made It: Photographer Brian David Stevens

What do Notting Hill Carnival and World War II have in common?

share this article

A picture from Those that are Left

Photographer Brian David Stevens has contributed to theartsdesk before, most notably with his subtly powerful gallery of Scottish dunescapes with a piquant political edge. Over on Bruichladdich's site, Joe Muggs talks to him about his latest project, a set of portraits of the home-built technology of Notting Hill Carnival's sound systems – and about his long-running project to document the faces of Those that are Left: the veterans of WWII, who he photographed each year on Armistice Day.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more we made it

The incredible one-man string band
Weaving works of art from 'ghost gear' and the detritus of consumerism
Bespoke horns, handcrafted in a Derbyshire cellar
From U2 and Madonna to Chinese theatre and the Martian Fighting Machine
How she brought a melange of styles to Todd Haynes's sublime period romance
Forget Evel Knievel: a well-crafted stunt is more about precision than daring
How he stunningly recreated the authentic American frontier of 1823
Love at first sight, a six-day week and the satisfaction of a job well done
Pete Hutchison's quest for musical perfection on vinyl
The world-leading horologist keeping British watchmaking alive, crafting exquisite timepieces by hand
The RSNO have a new concert hall. The lead acoustician explains why it sounds so good
Chris Chapman explains the genesis of his animated character app