thu 28/11/2024

CD: Judas Priest - Redeemer of Souls | reviews, news & interviews

CD: Judas Priest - Redeemer of Souls

CD: Judas Priest - Redeemer of Souls

Are the veteran Brum-rockers ripe for re-appraisal?

Priest: well-honed tandem guitars plus screams

Maybe they really just don’t make ‘em like they used to. The latest in 2014’s prestigious roll-call of bus-pass rockers is Judas Priest - back minus one original guitarist (relative youngster Richie Faulkner replaces K.K. Dowling). Redeemer of Souls may have been recorded by a bunch of guys mainly in their sixties but the LP feels almost as preposterous, exhilarating and entertaining as anything they’ve ever done. It’s also a real contender for metal album of the year.

Comparisons will inevitably be made with Sabbath’s recent 13. Both are comebacks of sorts and both bands are synonymous with the blackest of Black Country music. But whereas Sabbath chose to look straight to their classic period, Priest have opted for a kind of reverse sweep of their various phases. Their 1974 debut, Rocka Rolla is represented by “Hell and Back” and “Crossfire” which both have a chugging Seventies blues feel. Then, right on the last track, “Beginning of the End”, Tipton and Faulkner bring us a series of acoustic arpeggios cut reminiscent of Dreamer Deceiver” and the progressive days of ‘76’s Sad Wings of Destiny.

Other than a few, inevitable, fillers the rest of album comprises a selection of memories from Priest’s fertile Eighties and early Nineties - a time when Rob Halford’s leather outfits were the envy of Freddie Mercury and their music was a well-honed tandem-guitar-plus-scream. The best two tracks are “Halls of Valhalla” and “Sword of Damocles” whose cod-Tolkein lyrics, epic vocals and neo-classical guitars are more than self-referential – they echo the entire spirit of the heyday of the New Wave of British Heavy Metal (let's face it, metal's finest hour). It makes you wonder why, in a decade when Motorhead, Iron Maiden and Black Sabbath have all found much wider audiences, Judas Priest are still stuck in a metal niche?

Overleaf: watch a preview of Judas Priest's "March of the Damned"

The LP feels almost as preposterous, exhilarating and entertaining as anything they’ve ever done

rating

Editor Rating: 
4
Average: 4 (1 vote)

Explore topics

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters