tue 24/12/2024

CD: Iggy Azalea - The New Classic | reviews, news & interviews

CD: Iggy Azalea - The New Classic

CD: Iggy Azalea - The New Classic

Aussie rapper writes her origin story on long-awaited debut

Maybe not a New Classic, but Iggy Azalea's debut is at least pretty decent

She may only be 23, but Iggy Azalea got off to a good start with those of us a good decade older last month when the video accompanying her single “Fancy” - an homage to 90s teen comedy Clueless  - debuted online. Nostalgia sells, of course: any idiot with access to the nightwear department at Primark, where right now pyjamas featuring Alicia Silverstone and the rest share shelf space with My Little Pony, could tell you that.

But fans of the film will know that its imagery, if not its heart, is the perfect accompaniment to the stylish swagger the Australian rapper brings to the verses, while Charli XCX’s cheerleader-esque hook wouldn’t sound out of place in any post-teenager decade.

Besides, if you’re going to give your long-awaited debut as vainglorious a title as The New Classic you can be forgiven the odd reinterpretation - especially since, for the most part, its 12 tracks are pure Iggy. That she was raised Amethyst Kelly in Mullumbimby, New South Wales before emigrating to the US to go it alone and graft her way to rap stardom at the age of 16 is already mythology thanks to her breakthrough hit “Work”; and with album tracks like “Don’t Need Y’all”, “Change Your Life” and “Impossible is Nothing” to fill in the blanks it’s clear that the draw is intended to be the persona that the rapper has crafted.

Sonically, the album is at its weakest when Azalea sings - it’s not that there’s anything wrong with her voice, but since it lacks the same ballsiness she brings to her rhymes the at times too perfect production takes the immediate edge off powerful tracks like “Change Your Life”. Sensibly, then, despite hints to the contrary in the tracklisting, the hooks get handed off to the likes of Rita Ora, TI and the aforementioned Charli XCX. Those big songs make no secret of their play for the pop charts (the Rita Ora-featuring “Black Widow”, co-written with Katy Perry, recycles enough of the latter’s “Dark Horse” that it sounds as if it has been there already), but it’s the sparse, dark beat behind the verse of “Impossible Is Nothing” and the breathless powerplay of the Boney M-sampling (seriously) “Goddess” that are the moments worth savouring.

Overleaf: watch the Clueless-aping "Fancy" video

 


It’s clear that the draw is intended to be the persona that the rapper has crafted

rating

Editor Rating: 
3
Average: 3 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters