The Nature Autumn '09 Debate: Science in Cinema | reviews, news & interviews
The Nature Autumn '09 Debate: Science in Cinema
The Nature Autumn '09 Debate: Science in Cinema
Scientists and film writers debate: does sci-fi need to be sci-fact?
Monday, 09 November 2009
Presenter, writer, blogger and science/media consultant Gia MilinovichNature
It's genuinely sad that last night's proceedings are not higher on the cultural agenda and that the gleaming new Kings Place auditorium was only half full. But as one of the participants pointed out, 50 years on from C P Snow's Two Cultures, there is still an arts establishment for whom sci-fi means Star Trek, and the ludicrous guff of Independence Day touches more of a nerve than Arthur C Clarke's visionary treatment of the same subject-matter in Childhood's End.
It's genuinely sad that last night's proceedings are not higher on the cultural agenda and that the gleaming new Kings Place auditorium was only half full. But as one of the participants pointed out, 50 years on from C P Snow's Two Cultures, there is still an arts establishment for whom sci-fi means Star Trek, and the ludicrous guff of Independence Day touches more of a nerve than Arthur C Clarke's visionary treatment of the same subject-matter in Childhood's End.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Film
Two Tickets to Greece review - the highs and lows of a holiday from hell
Laure Calamy, Olivia Côte and Kristin Scott Thomas star in a silly French comedy
Hoard review - not any old rubbish
A star is born amid the muck and squalor of Luna Carmoon's ambitious directorial debut
Blu-ray: Chocolat
Claire Denis' African debut is a nostalgic yet unsparing look at colonial life
DVD/Blu-ray: The Holdovers
Bittersweet, beautifully observed seasonal comedy - not just for Christmas
Our Mothers review - revisiting the horrors of Guatemala's civil war
Hard-hitting first feature from director Cesar Diaz
Kingdom of the Planet of the Apes review - a post-human paradise
A richly suggestive new era for the franchise reconnects with its 1968 start
La Chimera review - magical realism with a touch of Fellini
Josh O’Connor excels as an archaeologist turned graverobber in the Italian countryside
Made in England: The Films of Powell and Pressburger review - the Archers up close
Adoring tribute by Martin Scorsese to British filmmaking legends
Love Lies Bleeding review - a pumped-up neo-noir
There's darkness on the edge of town in Rose Glass's sweaty, violent New Queer gem
Nezouh review - seeking magic in a war
A movie that looks on the dreamier side of Syrian strife
Blu-ray: The Dreamers
Bertolucci revisits May '68 via intoxicated, transgressive sex, lit up by the debuting Eva Green
theartsdesk Q&A: Marco Bellocchio - the last maestro
Italian cinema's vigorous grand old man discusses Kidnapped, conversion, anarchy and faith in cinema
Add comment