Birmingham Contemporary Music Group, CBSO Centre, Birmingham | reviews, news & interviews
Birmingham Contemporary Music Group, CBSO Centre, Birmingham
Birmingham Contemporary Music Group, CBSO Centre, Birmingham
A nostalgic evening of avant-garde music that harks back to the Seventies
Monday, 06 December 2010
Tansy Davies: Like an over-stimulated teenager who has learnt how far one can go too far
The Birmingham Contemporary Music Group does star concerts, which fill (or nearly) the CBSO Centre; and they do old-fashioned New Music concerts, which don’t quite empty it, but leave one wondering who exactly – if anyone - some of the works being played are intended to reach. Their latest offering was of this latter kind. The performers came and went, the audience clapped politely, the electric keyboard went wrong, luckily near the start of Enno Poppe’s Salz, so that we didn’t have to hear too much of it twice. The instrumentalists, brilliant players as one knows, communed with some pretty impenetrable material, “explained” by programme notes rich in imagery and gobbledy-gook. It was like being back in the Seventies: even quite a nostalgic afternoon, in its way.
The Birmingham Contemporary Music Group does star concerts, which fill (or nearly) the CBSO Centre; and they do old-fashioned New Music concerts, which don’t quite empty it, but leave one wondering who exactly – if anyone - some of the works being played are intended to reach. Their latest offering was of this latter kind. The performers came and went, the audience clapped politely, the electric keyboard went wrong, luckily near the start of Enno Poppe’s Salz, so that we didn’t have to hear too much of it twice. The instrumentalists, brilliant players as one knows, communed with some pretty impenetrable material, “explained” by programme notes rich in imagery and gobbledy-gook. It was like being back in the Seventies: even quite a nostalgic afternoon, in its way.
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
Davis, National Symphony Orchestra, Maloney, National Concert Hall, Dublin review - operetta in excelsis
World-class soprano provides the wow factor in fascinating mostly-Viennese programme
Best of 2024: Classical music concerts
Young and old in excelsis, and competition finales turned into winning programmes
Spence, Perez, Richardson, Wigmore Hall review - a Shakespearean journey in song
A festive cabaret - and a tenor masterclass
Best of 2024: Classical CDs
Our pick of the year's best classical releases
First Person: cellist Matthew Barley on composing and recording his 'Light Stories'
Conceived a year ago, a short but intense musical journey
The English Concert, Bicket, Wigmore Hall review - a Baroque banquet for Christmas
Charpentier's charm, as well as Bach's bounty, adorn the festive table
Classical CDs: Woden, waltzes and watchmaking
Big box sets, a great British symphony and a pair of solo cello discs
Messiah, Wild Arts, Chichester Cathedral review - a dynamic battle between revelatory light and Stygian gloom
This supple inventive interpretation of the 'Messiah' thrillingly delivers the story
Messiah, Academy of Ancient Music, Cummings, Barbican review - once more, with real feeling
The seasonal standby returns with heart, zest and grace
Christmas with Connaught Brass, Milton Court review - delightful seasonal fare from Bach to Boulanger
Young quintet dazzle with their technical accomplishment and easy charm
Classical CDs: Christmas 2024
The year's best seasonal releases
Giltburg, Bournemouth SO, Wigglesworth, Portsmouth Guildhall review - seemingly effortless élan
New chief conductor turns Tchaikovsky waltz king, and a Rachmaninov partnership flows
Add comment