Così Fan Tutte, Glyndebourne Festival Opera

A magnetic Fiordiligi at the centre of Mozart's game that is not a game

by Ismene BrownSunday, 23 May 2010

Nick Hytner's production of 'Così fan tutte': from a cool start to a blazingly tense endAll photographs Mike Hoban/Glyndebourne Festival Opera

Cosi fan tutte’s arc of human experience is peculiarly effective when heard at Glyndebourne. With the mid-way picnic and wine in the setting sun, how much more aware are you of how easy it is as a day goes by to take leave of one’s senses and behave in a very silly way with serious consequences. Most seriously, to discover things about oneself that one did not want to know.

Buy

Explore topics

Share this article

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Opera

L'Olimpiade, Irish National Opera review - Vivaldi's long-distance run sustained by perfect teamwork Sporting confusions and star-crossed lovers clarified by vivacious singing and playing

Remembering conductor Andrew Davis (1944-2024) Fellow conductors, singers, instrumentalists and administrators recall a true Mensch

Götterdämmerung, LPO, Jurowski, RFH review - outside looking and listening in, always with fascination Every orchestral phrase and colour perfect, vocal drama often a notch below

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester review - thrilling, magnificent exploration Verdi’s original version of the opera brought to exciting life

Aci by the River, London Handel Festival, Trinity Buoy Wharf Lighthouse review - myths for the #MeToo age Star singers shine in a Handel rarity

Carmen, Royal Opera review - strong women, no sexual chemistry and little stage focus Damiano Michieletto's new production of Bizet’s masterpiece is surprisingly invertebrate

La scala di seta, RNCM review - going heavy on the absinthe? Rossini’s one-acter helps young performers find their talents to amuse

Death In Venice, Welsh National Opera review - breathtaking Britten Sublime Olivia Fuchs production of a great operatic swansong

Salome, Irish National Opera review - imaginatively charted journey to the abyss Sinéad Campbell Wallace's corrupted princess stuns in Bruno Ravella's production

Jenůfa, English National Opera review - searing new cast in precise revival Jennifer Davis and Susan Bullock pull out all the stops in Janáček's moving masterpiece

theartsdesk in Strasbourg: crossing the frontiers 'Lohengrin' marks a remarkable singer's arrival on Planet Wagner

Giant, Linbury Theatre review - a vision fully realised Sarah Angliss serves a haunting meditation on the strange meeting of giant and surgeon

Follow @theartsdesk