fri 29/11/2024

Albums of the Year 2017: Jin Cromanyon - 逆襲のスポンジ | reviews, news & interviews

Albums of the Year 2017: Jin Cromanyon - 逆襲のスポンジ

Albums of the Year 2017: Jin Cromanyon - 逆襲のスポンジ

In a strong year, a newcomer punched well above his weight

He was looking tired, slightly drawn...

There are albums that reveal themselves to you, their hidden depths become apparent over time as familiarity helps one to acclimatize to the terrain. David Crosby’s Sky Trails was one such release and has stayed with me since its release.

There are albums that burn with incandescent light from the get-go, albums that leave you smiling with glee as they bring warmth to your world and add light to your day. Indeed, in this category were two that, in any other year, would have been shoe-ins for my album of the year slot. The sparse, electronic experiments of Autarkic’s I Love You, Go Away contained beautiful, haunted emotion, while Red Axes’ Beach Goths contained just about everything else: from surf guitar and house beats, to spaghetti Western hoops rolling with extended drum loops, it had the lot. 

Then there are albums that smack you around the head and face and leave you dazed, but richer for the experience – like a benevolent mugger who can’t quite get the hang of the job spec. Here we find Jin Cromanyon, hanging out on a vinyl only release on a small label, Macadam Mambo, that has quietly been releasing some extraordinary stuff this year.

Written, arranged and produced by Hidetaka Horie, 逆襲のスポンジ is a masterpiece full of frenetic energy and pop bounce, and as unashamedly ‘up’ as a children’s birthday party. It sounds like a J-Pop musical of Depeche Mode’s early years, but filtered through the fizzing imagination and very singular vision of a young man with a penchant for Chicago house and Italo disco. In short, it’s startlingly original, like nothing I’ve heard before and yet the songs resonate with such force, they may as well be Platonic forms.

At present, there’s no CD or digital release, but lobbying the record label seems like a good way to right this particular oversight. Whatever, I suspect you’ll be hearing a lot more from Mr Horie very soon.

Two More Essential Albums from 2017

Lucky Soul – Hard Lines

Abschaum – Moon Tango

Gig of the Year

Jane Weaver at Ramsgate Music Hall

Track of the Year

Vibration Black Finger – "Get Up and Do It"

@jahshabby

Overleaf: Listen to Jin Cromanyon's "Zombie Pop"

There are albums that reveal themselves to you, their hidden depths become apparent over time as familiarity helps one to acclimatize to the terrain. David Crosby’s Sky Trails was one such release and has stayed with me since its release.

There are albums that burn with incandescent light from the get-go, albums that leave you smiling with glee as they bring warmth to your world and add light to your day. Indeed, in this category were two that, in any other year, would have been shoe-ins for my album of the year slot. The sparse, electronic experiments of Autarkic’s I Love You, Go Away contained beautiful, haunted emotion, while Red Axes’ Beach Goths contained just about everything else: from surf guitar and house beats, to spaghetti Western hoops rolling with extended drum loops, it had the lot. 

Then there are albums that smack you around the head and face and leave you dazed, but richer for the experience – like a benevolent mugger who can’t quite get the hang of the job spec. Here we find Jin Cromanyon, hanging out on a vinyl only release on a small label, Macadam Mambo, that has quietly been releasing some extraordinary stuff this year.

Written, arranged and produced by Hidetaka Horie, 逆襲のスポンジ is a masterpiece full of frenetic energy and pop bounce, and as unashamedly ‘up’ as a children’s birthday party. It sounds like a J-Pop musical of Depeche Mode’s early years, but filtered through the fizzing imagination and very singular vision of a young man with a penchant for Chicago house and Italo disco. In short, it’s startlingly original, like nothing I’ve heard before and yet the songs resonate with such force, they may as well be Platonic forms.

At present, there’s no CD or digital release, but lobbying the record label seems like a good way to right this particular oversight. Whatever, I suspect you’ll be hearing a lot more from Mr Horie very soon.

Two More Essential Albums from 2017

Lucky Soul – Hard Lines

Abschaum – Moon Tango

Gig of the Year

Jane Weaver at Ramsgate Music Hall

Track of the Year

Vibration Black Finger – "Get Up and Do It"

@jahshabby

Overleaf: Listen to Jin Cromanyon's "Zombie Pop"

It hits hard, but leaves you richer for the experience – like a benevolent mugger who can’t quite get the hang of the job spec

rating

Editor Rating: 
5
Average: 5 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters