New music
Thomas H. Green
Actually, Spotify tells me the album I’ve streamed most this year is Motordrome, the third album by Danish pop star MØ. When I reviewed it back in January I was underwhelmed by its doleful moodiness, but, showing how wrong a quick couple of listens can be, something about its vaguely remorseful, indie-tinged, girl-pop melancholy grabbed me deeper than I’d realised and kept drawing me back.Some years, my Album of the Year is clear and obvious. It’s the one that stands head-and-shoulders above the rest, listened to with giddy addiction. 2022 has not been such a year. In all honesty, my Album of Read more ...
Thomas H. Green
Those old enough will recall Debbie Gibson as a squeaky clean, flash-in-the-pan teen pop star of the late 1980s. She was globe-trottingly huge for a couple of years – a peer of Tiffany “I Think We’re Alone Now” Darwish – but then her star waned. What’s less well-remembered is that she was a self-made creation; she’s still the youngest person to have written, produced and performed a US No. 1 single.Her new Christmas album displays a similar confidence. Unlike most such seasonal outings, dominated by the usual old chestnuts, 10 of its 14 songs are originals, written or co-written by herself. Read more ...
Thomas H. Green
It’s Friday night and I’ve finally arrived at 43-year-old French music festival institution Trans Musicales. Due to some dreadful nonsense, it’s taken a 12-hour train journey, two baguettes, one short Stephen King novel, six large beers, a tumbler of Bourbon, and one shuttlebus to place me at the Parc Expo, a series of giant airport hangars that house the majority of musical activity (although there’s a smattering of earlier events in Rennes itself).The music runs from 9.00 pm-ish through to shortly before dawn and Trans Musicales is renowned for ensuring that the nearly 60,000 attendees are Read more ...
Sebastian Scotney
You wait a whole decade for an album by UK jazz vocalist Emma Smith to turn up… and then...if not quite two, then one and most of a second (a full album Meshuga Baby, released in June, and this five-track Christmas EP)... turn up.Not that Emma Smith isn’t ever extremely busy and in-demand. Turn the clock way back and she was already singing out in front of big bands from her early teens, she then had the vocalist slot with NYJO, a "chair" once held by Amy Winehouse. Smith has been a regular Puppini Sister for years, and has worked with everyone from Michael Buble, Georgie Fame and Robbie Read more ...
Katie Colombus
Growing up in Sweden, sisters Klara and Johanna Söderberg developed ways of combatting the biting cold and bleak darkness of winter. As well as writing during wintertime, they turned to the open landscapes and pervasive desert heat of the USA to inspire their music. Perhaps it is this that brings such a warm sheen to their presence.On a stage ablaze with the iridescent shimmer of a huge sun backdrop, the duo open with “Palomino”, to a retro film screen of horses running free and wild. The Nevada aesthetic continues with “Angel” and “It’s A Shame” accompanied by Super 8-style films of golden Read more ...
Kieron Tyler
"Descarga Royal" by Los Royal’s de Pucallpa opens proceedings. After flurries of wobbly wah-wah guitar, a driving percussion bed interweaves with a rolling guitar figure. Then, about two minutes in, the guitarist steps on the fuzz pedal. Groovy. Psychedelic too. The band’s name is taken from the tropical east-Perú city of Pucallpa, located on the Amazon tributary river Ucayali.Further in, "Humo En La Selva" by Los Invasores De Progreso is as groovy and also features fuzz guitar along with vocal chants. Progreso is located in inland south-western Perú along the Apurímac, another Amazon Read more ...
joe.muggs
There’s only one problem with this album, really – if you can call it a problem – and that’s Chris Isaak’s indelible hint of David Lynch. Thanks to his “Wicked Game” being an integral part of Wild at Heart and creating an ongoing relationship between the singer and director, it’s hard to hear Isaak’s voice without thinking that something deeply disturbing is lurking just beneath the surface of his songs.That makes for a peculiar frisson, because for his Christmas album, Isaak has gone for all-out simple sweetness. He’s always played his rockabilly-country-swing pretty straight Read more ...
Guy Oddy
It’s nice to come across a Christmas album that more-or-less avoids the usual suspects that tend to appear out of the woodwork at this time of year. Macy Gray’s seasonal offering is just such a beast.There are no poptastic renditions of Christmas carols and certainly none of those hoary rock’n’roll yuletide perennials on Christmas with You. So, neither Noddy Holder nor Roy Wood will be earning any royalties from this set. For, while many artists seem to view the early 1970s as the Golden Age of Christmas Pop, Macy Gray has gone back somewhat further for her winter celebration. In fact, most Read more ...
Liz Thomson
Oy vey. Where to start. This is essentially painful – and I write that knowing that Neil Diamond is a genuinely nice guy and that he is now stricken with Parkinson’s. But there is no way round it: A Neil Diamond Christmas is an auditory assault.I’m not one for Christmas albums. I have Joan Baez’s Noel, a bit of a curate’s egg from the mid-1960s, tastefully arranged by Peter Schickele and featuring Baez’s sublime voice and some truly beautiful moments (“Cantique de Noel” and “Carol of the Birds”) but only because I’m a completist. That is, however, it. I certainly never bought Bob Dylan’s more Read more ...
Barney Harsent
Good things don’t tend to come in slews. Slews seem to be reserved, pretty much exclusively, for the bad stuff: legal issues, school shootings, Christmas albums… And so we come, with aching predictability, to this year’s festive releases. Young at heart if not young in fact, US pop outfit Backstreet Boys have an impressive track record of catchy AF pop tunes under their belt from their 90s heyday. Use that as the sparkly wrapping for some of the biggest hitters in the Yuletide arsenal, and the result should be festive cheer all round, right?Well, let’s have a look… First things first, Read more ...
Tom Carr
We Were Promised Jetpacks is a band name that seems off the cuff at first glance. This could be said for the Scottish indie-rock darlings' latest effort, an EP that reworks some of their record from last year, Enjoy the View – as remixed material may hold lukewarm appeal.But A Complete One-Eighty gave Jetpacks the chance to revisit their first album as a three-piece and push some of the songs in directions they couldn’t previously envision. Though far from a household name, Jetpacks’ sound is unmistakable: soaring guitar chords and leads, thundering drums, full basslines, and Adam Thompson’s Read more ...
Kieron Tyler
When Trevor Beales’s band Havana Lake released their only album in 1977, it was on a label which also issued records by The Ryman Country Band, The Saddleworth Male Voice Choir, The Slaithwaite Brass Band, The Thurlstone Bell Orchestra and a version of Sixties beat band The Merseybeats. Look was the offshoot of West Yorkshire studio September Sound Studios – anyone booked there could have a record pressed as part of the deal.Havana Lake’s CSNY-ish, Lindisfarne-leaning album Concrete Valley had more sympathetic Look Records bedfellows in the country/folk-slanted duo Harmony & Slyde, and Read more ...