New music
Thomas H. Green
Sleep Standing Up is the debut album by a trio who, according to their press release, absolutely came together due to a mutual love of Roxy Music. This connection extends to an early performance being enjoyed by Bryan Ferry at a festival, resulting in them working in his studio, even utilising his old synthesisers.However, despite the streamlined opulence of their sound, Maven Grace do not channel Roxy. Instead, their music, at its best, is likeable, orchestrally-boosted, maximalist trip-hop pop.The band consists of friends-as-teenagers Mary Hope, Henry Jack and Tom White who, decades later, Read more ...
Thomas H. Green
Steve Mason has been impressively blunt about the inspiration behind his fifth solo album. “To me, this record is a massive “Fuck you” to Brexit and a giant “Fuck you” to anyone that is terrified of immigration,” he’s said, “Because there is nothing that immigration has brought to this country that isn’t to be applauded.” Thus, these 12 songs are riven not only with lyrical pith but also sounds borrowed from an international sound palette.The combination leavens his anger with the spiritual uplift of righteous protest. Mason has always been creatively restless, right from when the Beta Band Read more ...
Cheri Amour
The Raincoats are one of those revered names that I never believed I would witness live. (See also: Hole, Elastica and, until their last UK tour, extraterrestrial kooks the B52s). But in late 2019, there was a surge of activity from the godmothers of post-punk as founding members Gina Birch and Ana da Silva came together for a string of shows.And so it was, flanked by three of my favourite women, I stood in Glasgow’s Mono watching the cult group come together again. "Feminist Song" has been a regular in the band’s live set since but now finds its recorded home on Birch’s highly anticipated Read more ...
Guy Oddy
“What are the odds that we live in a simulated world where nothing is real?” ask the Death Valley Girls on their new album, Islands in the Sky. It’s a question that a fair few other people are probably asking themselves these days – and, with the way things are going, hoping it might be true.Islands in the Sky is no dystopian misery fest, though. Far from it. Instead, upbeat bubblegum psychedelic pop tunes rub shoulders with woozy and spaced-out vibes in a heady brew of dayglow grooviness that is aimed straight at the hips. In fact, as with 2020’s Under the Spell of Joy album, Islands in the Read more ...
Jonathan Geddes
There is an endearing awkwardness with Dry Cleaning, despite steady success over the past three years. “Does anyone else want a wave?” asked their frontwoman Florence Shaw at one point, almost shyly, before proceeding to do just that in various directions.It was an intriguing contrast, between a group who seemed slightly taken aback by the size of venue they were playing, and the manner in which they emphatically delivered their material in that setting during this gig.Shaw herself rarely moved, instead pitching herself centre stage and providing her cut glass spoken word vocals from there, Read more ...
Thomas H. Green
Welcome to the first theartsdesk on Vinyl of 2023 and it’s another whopper, over 8000 words and a range of musical styles that defies genre or categorization, from the most cutting edge sounds to boxsets of golden vintage pop. Dive in!VINYL OF THE MONTHJimmy Edgar Liquids Heaven (Innovative Leisure)Detroit technoid art maverick Jimmy Edgar’s latest indulges in pure, welcome electronic ear-fritzing, a place where R&B has it out with Aphex Twin or Sam Gellaitry’s most twisted constructions, and, most entertainingly, more than half an ear on pop. Edgar's latest album is mostly a series of Read more ...
Kieron Tyler
For Dave Brubeck, his Quartet’s first concert in the Netherlands was memorable. Getting to Amsterdam’s Concertgebouw for the 26 February 1958 booking was difficult, possibly unfeasible. The band were travelling from Berlin, and arrived at the show a half-hour after they were meant to be on stage.The adventure is described by Brubeck in his note for 1958’s The Dave Brubeck Quartet in Europe album (a live set recorded in Copenhagen on 5 March: pictured below left). A blizzard had hit Berlin and all flights out were grounded. They got onto one for Düsseldorf, from where they’d have to take a Read more ...
India Lewis
Jockstrap’s crowd, in the vaults of Heaven, was always going to be beautiful and effortlessly cool. Ushered in by a ticket-check clerk sporting love bites, the dreamy sounds of the warm-up act, Pablo, filled the underground space. The audience, already packed in, swelled to full capacity over the night, singing along and swaying to a heavy, bassy throb. Jockstrap themselves were excellent, but played through each song without talking to the crowd, which at times made it feel as though they were just running through their new album (with a few other hits thrown in), a not uncommon feeling Read more ...
joe.muggs
Ageing boppers may bristle at the idea of a dance album where the average track length is three minutes. Yet this, Sonny “Skrillex” Moore’s first solo album since his debut nine years ago, is the most groove-based thing he’s done. It’s certainly a long way from its predecessor, 2014’s Recess, which came as the EDM and commercial dubstep waves were really cresting in the States and – while its tracks were actually slightly longer – really pushed the high-spectacle, instant gratification hyperactivity of those styles to the limit, together with noisiness fitting with his previous life as a Read more ...
Kieron Tyler
When Marina Allen’s second album Centrifics came out last autumn, the Los Angeles singer-songwriter said her voice was the only instrument on the record. She writes on guitar and piano but beyond what she sang, everything else was played by collaborators. Seeing her live might reveal how she saw the songs away from their studio setting – maybe getting close to how they were originally conceived.Centrifics is highly arranged. Brass, a flute, strings and more weave through the songs. Though guitar leads on some tracks, piano crops up more often as the main instrument complementing her voice. Read more ...
Katie Colombus
If I’m honest, venturing out into a misty Brighton night with my Tweens for their first proper gig (we won’t count Olly Murs – they were children then) felt somewhat trepidatious.I was buoyed by seeing other parents in the same situash, and comforted by the warmth of both crowd and venue in the Brighton Dome. The audience was a sliced n’diced mix of older MTV-range couples who grew up with CRJ’s music the first time round; Gen-Z Tik-Tok newbies who grew up watching Ballerina (an animated film featuring excellent musical-pop by Jepsen) and a strong LGBTQ+ crowd who take to the pit to sing Read more ...
Thomas H. Green
Orbital, one of the great electronic dance acts, had a run of albums during the 1990s that encapsulate that decade in the UK (at least, for those willing to ignore the historical revisionism around tired, retro-tastic Britpop by the same media "arbiters of taste" who invented it).Those five albums remain gorgeous. The run came to an end with the flabby The Altogether album in 2001, featuring a vocal by David Gray among other unlovable things. Their latest album, though, is their first to feature a welter of guest vocalists. It could have been a disaster, but it’s not.The 21st century has seen Read more ...