New music
Guy Oddy
When the Queen of the Goths comes down from her castle to tour the UK, given that she hasn’t played here at all in the last 10 years, people take notice. In fact, on this Summer Solstice evening, the audience at Wolverhampton’s recently refurbished Halls had fans from places as far and wide as Lincoln, Gloucester and Brighton, never mind the West Midlands, and probably even further afield – just to breath the same air and be in the presence of one of the real titans of the Eighties music scene.The first gig of her tour brought a full house for Siouxsie Sioux’s re-emergence and aging Read more ...
Cheri Amour
Whether it’s the newly platinum tresses or the bubblegum production shimmer that make up Maisie Peters’ sophomore record, The Good Witch has a definite nod to The Wizard of Oz’s Glinda. Unlike that Good Witch of the North though, Peters’ career didn’t just pop off like a bubble. Still only 23 years old, Peters has actually been crafting songs for over a decade now.The West Sussex-born songwriter tested her craft in her teens busking on the streets of Brighton. Her stardust didn’t go unnoticed with chart-topper and MBE Ed Sheeran (perhaps, the Wizard of this story) signing Peters to his label Read more ...
Jonathan Geddes
War might be good for absolutely nothing, but it does provide bands with some easy names. Before the War on Drugs headline set, Warpaint took to the stage, and despite a muted reaction to the quartet they were on enjoyable form. They’re unlikely to ever be topping the bill in arenas in their own right, but maybe that’s a good thing, and the funky closing double header of “New Song” and “Disco//Very” whipped by with pace and verve.Then again, the War on Drugs themselves seemed a long shot to become an arena band, even with a sound considerable in scope. Perhaps their booker had over-estimated Read more ...
joe.muggs
There are whole books to be written – indeed, hopefully being written – on how hip hop has interacted with dance music culture in North America over the past decade plus. From the overblown mania of rap megastars jumping on David Guetta tracks in the heat of the EDM explosion at the start of the 2010s, to the far more sophisticated fusions done brilliantly by Beyoncé and slightly less so by Drake on big albums last year, it’s created some of the most ubiquitous sounds globally. And in the thick of the raves and festivals, Black American vernacular forms like trap, drill, New Jersey club and Read more ...
Thomas H. Green
Pete Fij and Terry Bickers are bathed in muted red light. They are sat side-by-side, Fij with an acoustic guitar, Bickers with a vintage 1970s CMI hollow-bodied electric. Behind them, oil wheel lighting gloops and bubbles gently, bespattered with glowing green circles cast by the stationary disco ball hanging high above them. “It’s surprising to see how much life you can fit into the back of a van,” sings Fij, dolefully, then adds, “It only took two trips.”The line, from the song “Broken Heart Surgery”, sums up part of the duo’s appeal, combining, as it does, a world-weary mournfulness with Read more ...
Kathryn Reilly
“I hope they do Mardy Bum,” a small boy squeaks longingly to his mother. She was probably his age when Whatever People Say I Am, That's What I’m Not came out almost two decades ago. This is very much a multi-generational affair incorporating those of us who were too old to like them when they started, their peers now also in their mid-30s, and lots and lots of kids. The transformation from lovable spotty teenagers to be-quiffed rockers and on to cuban-heel-and-aviator-sporting Lotharios is still quite remarkable despite the fact we’ve all changed beyond belief in those Read more ...
Guy Oddy
It’s some 40 years since Swans first made a name for themselves through the sheer volume of their live performances and provocative song titles like “Time is Money (Bastard)” and “Raping a Slave”. Irritated by this reputation though, it wasn’t long before band leader Michael Gira had turned down the volume somewhat (though not too much) and was bringing new sounds into their repertoire.This keenness not to stand still artistically has remained a constant throughout Swans’ history, and so it is no surprise that there is plenty that is new and interesting on The Beggar. Opening track, “The Read more ...
Kieron Tyler
“It all started with a June 7, 1976 article in New York magazine about Queens, New York working-class young adults who flocked to a local disco in platform shoes and outlandish clothes to perform organized dances. [Bee Gees manager] Stigwood read Tribal Rites of Saturday Night, and immediately bought the rights from the author, seminal rock critic Nik Cohn.”America’s Library of Congress entry for the copy of the Saturday Night Fever soundtrack album it holds lays it out – the 1977 film was based on a magazine article which began “Over the past few months, much of my time has been spent in Read more ...
Guy Oddy
Like his fellow (occasional) Queen of the Stone Age, Dave Grohl, the death of Taylor Hawkins (as well as those of Mark Lanegan and Anthony Bourdain) has hit Josh Homme hard. Not one for reflective ballads, however, Homme’s reaction to these and other recent difficult events on In Times New Roman… often sounds close to an unfocused howl of misery.In addition to these personal tragedies, Homme has also had to deal with a messy divorce and subsequent family issues. More than the deaths of his friends, this is the subject that seems to have particularly provoked his ire on the Queens’ latest Read more ...
joe.muggs
It’s easy to take Sigur Rós’s emotive force for granted. So ubiquitous has their 2005 “Hoppípolla” been on everything from talent shows to apocalyptic environmental collapse documentaries to lyrical scenes of birds in flight that it became the archetypal tear-jerking music of the modern era. Everything about the band was designed with weapons-grade effectiveness for omniemotional impact.Jón Þór “Jónsi” Birgisson’s voice is androgynous, and his made up “Hopelandic” language makes it seem like he’s singing folk songs of all cultures and none – almost as if he’s inhabiting a shared Read more ...
mark.kidel
Synths has a special attraction in a world that aspires to modernity. Thirty years ago Algerian Rai, which combined elements of traditional North African music with rock, was characterised by the sweet and slight tinny sound of electronic keyboards. Slightly tweaked they could imitate the harmonics and microtonal universe of Arab music. Now they are all over Africa, as well as in the super-charged dabke wedding music of Omar Souleyman and many other places.Jantra is a star of underground dance music in Sudan. His first album has been pieced together very creatively from existing material Read more ...
Thomas H. Green
Brit alt-indie outfit Django Django refuse easy categorisation and, as a result, during a decade-plus career, have never quite found their place with the wider public. Critical acclaim has come their way, and those who’ve kept an ear open know their catalogue contains gems (“First Light”, “Hail Bop” and “In Your Beat” spring to mind) as well as great remixes.Their fifth album is a 21-track monster, with multiple guests. An explicitly stated attempt to blast off in all directions, away from any usual working practices and templates, it’s mostly a success.Let’s get the classic music-journo- Read more ...