“Thank you for waiting. I know some of you have been waiting a long time – about seven years – but it takes me a while to get things done.” Thus did singer/songwriter Hayley Willis greet the audience at her return to active service. Two Willis albums have bookended that seven-year period: 2003's acclaimed Come Get Some, her debut for 679/XL, and its excellent follow-up, Uncle Treacle, released on 4 October on her own Cripple Creek label, for which last night's performance acted as a launch party.The last few years have also seen the emergence of a particular kind of musical aesthetic Read more ...

My, haven’t they grown? In the several years (perhaps even a decade) since I last caught Placebo live, they’ve gone from being a scrawny three-piece with a somewhat thin sound – for much of the gig, I saw, they didn’t even have a bassist on stage – to become a properly equipped rock band with six on-stage members: here, on the first of two nights in south London, the band consisted of the regular trio, plus three side-persons on guitars, bass, keyboards and violin. They made quite a noise, blasting out satisfyingly slabby slices of sound. And their stage show is impressive these days, too; Read more ...

Just before Edwyn Collins came on, the throbbing bassline of Chic's "Good Times" rumbled out across the packed South Bank auditorium. As a statement of intent it was pretty clear. Having suffered two debilitating brain haemorrhages followed by a bout of MRSA in 2005, Collins is understandably delighted to be gigging again. To paraphrase the old stand-up comedy opening salvo, he is probably delighted to be anywhere again. Some paralysis down his right side means he walks with a fetching silver-topped stick and does not play guitar onstage any more, but nothing held him back. His rapturously Read more ...

This was a warm and convivial evening in the company of the American folky-rootsy-rocky singer and songwriter Josh Ritter. His band made a rich noise, and his voice was keen and true, almost every lyric clearly audible. At the end of this, the last night of Ritter’s UK tour, the crowd – he seems to have a strong female following - were on their feet, and there were several calls of, “We love you, Josh!” from the stalls. And the songs, in which myth and metaphor and stories from the old America summoned up a world of ships and wolves and death and love and mountains (and cars, too), were Read more ...

Maybe I hadn’t been paying enough attention. It was only at last year’s Children in Need concert, broadcast on prime time which featured the great and the good of British pop that it finally sunk in just how huge Muse have become – they were there appearing with Sir Paul McCartney, Take That, Leona Lewis and Paolo Nutini. Weren’t Muse the alternative Radiohead-lite band from Devon who sing politically loaded and enjoyably paranoid lyrics against the system and all it stands for? In fact, Muse, while managing to retain something of their outsider status, were evidently bigger - at least, for Read more ...

Sam Bleakley’s first book, Surfing Brilliant Corners, charts a decade of "extreme surf travel" with renowned photographer John Callahan. He is a jazz fanatic and surfer from Sennen, West Cornwall and a multiple European and British Longboard surfing champion. Surfing, Jazz, Geography and Ecology mix as he journeys to the likes of Mauritania, locked in political strife, where “landmines litter access to some of the best waves on the planet"; and Haiti, which "captures my heart and makes it race as if falling in love”. As Bleakley puts it, “Framing surfing and travel through metaphors of jazz, Read more ...

A soundtrack of "Purple Haze", "Hey Joe" and other eternal Jimi Hendrix hits, is currently drifting out of the Snap Gallery along the swanky Piccadilly Arcade in Mayfair. A boutique exhibition space, Snap sits incongruously amongst purveyors of "fine" jewellery and gentlemans’ tailoring and its front windows are transforming the chi-chi mall with Gered Mankowitz’s photographs of the Sixties guitar genius, Hendrix.Two large portraits shimmer under acid pinks and blues like sophisticated versions of Warhol’s negative/postive prints. “Soft-sharps”, as they are known, they cause colour tones and Read more ...

With his sublime renditions of Azerbaijan's classical music, Alim Qasimov is one of the world's great performers. On the eve of the singer's appearance at the Barbican’s Transcender Weekend of spiritual trance music, where he is performing this Sunday, theartsdesk recalls a trip to the old Soviet state to drink vodka, play chess and find out about this extraordinary singer."FIZULI!" Alim Qasimov shouts the word and seems to have taken leave of his senses as he mimes a martial art move in the street. I'm already distracted by the startling sight of young Baku beauties in mini-skirts and Read more ...

Rock music doesn’t get much better than this. For two hours, the raggedy Chicago band Wilco poured out song after song from a repertoire that stretches back 15 years, slipping effortlessly between gentle alt-country and avant-garde rock, between the whisperingly quiet and the crushingly loud. They were sensational, a band at the top of their game. And thanks to the immaculate sound system, and the acoustics of this fabulous hall, loudness never tipped over into distortion; everything was there, audible in the mix.What makes Wilco’s music special is that they straddle two worlds, one tough and Read more ...

Capturing a "shape-shifter" – as the Irish musician Liam Clancy described Bob Dylan – is not a simple task. The object of the hunt is by definition elusive. Sean Wilentz’s multi-dimensional series of essays on Bob Dylan chases its prey with a deftness and broad-ranging sweep that mirrors Zimmy’s mercurial nature without losing overall coherence. Dylanology is a discipline that has produced brilliant commentators, not least Greil Marcus, Michael Gray and Christopher Ricks, and historian Wilentz is a worthy addition to this learned and sometimes brilliantly inspired cohort. In a book Read more ...

In the 1960s Des McAnuff played guitar and wrote songs to meet girls. Subsequently life became a little more complicated for the multi-talented writer/ director. His long-standing commitment to the Shakespeare Festival Theatre at the other Stratford - in Ontario, Canada - has won him many plaudits and he is now director emeritus of the La Jolla Playhouse in California where so many important projects have germinated, including his Tony Award-winning production of The Who's Tommy and the forthcoming musical adaptation of Doctor Zhivago with a score by Lucy Simon. Zhivago opens in Sydney, Read more ...

Following the recent UK premiere of his Symphony No 4 ("Los Angeles") at the Proms, Arvo Pärt's 75th birthday celebrations continue with a two-day conference on 24-25 September hosted at London's Southbank Centre. Presented in collaboration with the Royal Academy of Music, with the composer in residence, academics from the UK, USA and Canada will give a total of 13 papers on various aspects of Pärt's music over the two days.Long-standing Pärt collaborators The Hilliard Ensemble are set to enliven proceedings with a daytime performance on the Friday (before giving the world premiere Read more ...