New music
Thomas H. Green
It is quite a sight to see your children doing the heads down Quo boogie but, by the time the band reach “Whatever You Want”, that is exactly where my daughters, aged 14 and nine, are at. The rest of the Brighton Centre, not sold out but respectably full, is on its feet too. Just beside us a well-preserved man of around 70 is going completely bananas, shirt open, sweat pouring off. The majority of the crowd are in their sixties, perhaps even their late sixties, but by this stage of the gig a good portion of their decorum has been thrown to the wind in favour of shimmying like sassy teenagers Read more ...
Kieron Tyler
It’s got to be difficult making a Christmas album. Not only are there all the preceding offerings which must weigh heavily, there’s the practical issue that it has to be completed way before any seasonal release date. For those choosing to make one, Christmas must be summoned early. The frosty, reflective mood created has to feel genuine even if the sun is blazing. With the seemingly effortless Tinsel and Lights, Tracey Thorn has made an album that suits any season. Its gentle pensiveness isn’t just for Christmas.Although Tinsel and Lights draws its songs from a raft of writers, it’s a Read more ...
theartsdesk
Herbert: Bodily Functions (Special Edition)Thomas H GreenMatthew Herbert is an electronic polymath whose career is fascinating whether you’re a fan of his music or not. Currently he’s working hard resurrecting the BBC’s iconic music and sound effects unit, the Radiophonic Workshop, and he’s recently released an album (as Wishmountain) sampling the top ten best-selling items in Tesco’s, while also having time for the odd Björk collaboration and the occasional tour wherein pig parts are cooked on stage in an anti-consumerist sonic performance art extravaganza. In short, Herbert has grown into Read more ...
Kieron Tyler
Although he has been recording since 2005, it was his 2011 album, Felt, which set Nils Frahm apart from the ever-swelling tide of modern classical minimalists. It was so intimate, so subtle, it felt almost like it shouldn’t be shared. The follow up has that same sense of peeking in on some private act, but it feels less uncomfortably illicit. On Screws, Frahm’s piano is naked, with nothing intruding.Even so, the story of how this album came to be made is distracting. In a fall from his bed, Frahm broke his thumb and decided to record one composition a night over nine nights, each played with Read more ...
Russ Coffey
From being disowned by his family to writing the ultimate hangover lament, Kris Kristofferson has, partly, led the life of a country song. The other part, however, has included a Rhodes scholarship to Oxford, an illustrious movie career and dating Barbara Streisand. In 1971 he famously sang about being “partly truth and partly fiction - a walking contradiction”. Now, at 76, the Texan’s clever lines enjoy a lower profile. Still, this year’s Feeling Mortal has won widespread praise.Last night, Kristofferson largely avoided musing on life’s final chapter. Instead he leant his gravitas to a Read more ...
Thomas H. Green
A little-known fact about reality, seldom touched upon by quantum physicists in recent years, is that there’s a wormhole between Manchester in September 1981 and the far western Russian port city of Rostov-on-Don in the present. This would seem to be the only explanation for Motorama. Their sound has been transported intact directly from the era of producers such as Martin Hannett, a deliciously warm amalgam of early New Order and The Chameleons with a honey-sweet trimming of Orange Juice’s pop sensibility (although, admittedly, the latter hailed from Glasgow, the curveball in this theory). Read more ...
Kimon Daltas
Support bands tend to get short shrift, but it would be criminal not to give Evil Blizzard their due here. Made up of three bass guitarists with assorted effects pedals and a drummer who also sang, three members of the band were in pink pyjamas and wearing masks, while the fourth was in black leather and a Hawkwind hairdo. They produced industrial levels of noise around steady riffs and a variety of filthy bass sounds.One member removed his silver, robotic mask to reveal a scarecrow hood underneath, and a song later removed that too, only to be left with a third, featureless rubber face Read more ...
Thomas H. Green
Usually when a band playing a venue the size of the Brighton Centre asks if the crowd would like to hear a new song the response is somewhat muted. However, this is a crowd of eager fans, average age around 17, and they yell back affirmatively with all their might. Rizzle Kicks are in their home city and it shows (especially when they later lead a chant for Brighton and Hove Albion FC – “Seagulls! Seagulls”). The song in question, “That’s Classic”, turns out to be a corker, built round a steel drum motif from Latin standard “Aquarela do Brasil” - the one repeatedly played in Terry Gilliam’s Read more ...
Lisa-Marie Ferla
Over the last couple of months Mumford & Sons have quietly become the biggest band in the world. If there was a coronation it came at some point between the headline-making second album, Babel, and this sell-out first arena tour. When the announcement came earlier this week that the folky foursome are to headline next year’s 20th anniversary T in the Park festival, I seemed to be the only one who was surprised.Given the context, it was probably fair to consider the band’s SECC show as something of a dummy run for Scotland’s biggest stage. With their soaring melodies and heartfelt choruses Read more ...
Adam Sweeting
Two years ago, I spoke to Dave Brubeck just before his 90th birthday. The occasion was being commemorated by a film executive-produced by Clint Eastwood, Dave Brubeck - In His Own Sweet Way, which was aired on BBC Four as one of several broadcast tributes to Brubeck's unflagging creativity over more than six decades. Brubeck himself, a trouper to his toes, was about to celebrate Thanksgiving with a string of performances at the Blue Note jazz club in New York, despite having had a pacemaker fitted a few weeks earlier. Although his tenth decade loomed, his recollections were sharp, his Read more ...
Russ Coffey
Even before listening to the third instalment of Green Day’s 2012 trilogy, it’s hard not to feel generously disposed towards it. Not only has poor Billie Joe recently had a stint in rehab, but after three quick-fire back-to-basics albums, few could deny their current work ethic is impressive.There are, of course, others who refuse to join in the enthusiasm. Many accuse the California punks of being middle-aged fraudsters with pantomime songs. But what’s so wrong with 40-year-olds singing teen anthems? Surely, the issue is quality, not age. Some have suggested, after the the Read more ...
graeme.thomson
In 2009 I interviewed Jamie Cullum about Dave Brubeck, who has died today just a day before his 92nd birthday. What follows are Cullum's recollections of falling in love with Brubeck's music, and later knowing and working with a jazz legend."My parents weren’t into jazz at all, but my dad did have a tape of Dave Brubeck and, as most people did, loved "Take Five". I heard that in the car long before my jazz awakening through Herbie Hancock and the Headhunters and In A Silent Way - swampy, odd music. Dave was on my radar long before that.I’m very fond of playing those stabbing, sharp notes, and Read more ...