New music
Guy Oddy
On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in rave culture. These discs may both be over 30 years old, but the Brummies were out in force, packed into an overfull O2 Institute, and lapped it up.Paul and Phil Hartnoll’s Green and Brown albums, along with Underworld’s Dubnobasswithmyheadman and the Orb’s Adventures Beyond the Ultraworld, were pretty much responsible for giving the early 1990s wave of electronic dance music a credibility far beyond the clubs and the outdoor raves – and were more than Read more ...
Kieron Tyler
The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s Everything Harmony, is stuffed with references. “Sweet Vibration” is rooted in The Left Banke’s “She May Call You up Tonight.” “In the Eyes of the Girl” draws from The Beach Boys’s “Girls on the Beach.” Album opener “My Golden Years” nods to second album Big Star. Todd Rundgren looms large over the album’s title track.Brian and Michael D’Addario’s bold fifth album needs, though, to have more going for it than good taste and evidence for a cool record collection to make Read more ...
Kieron Tyler
Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single, had been issued in July and they were on the road subsequent to its release, positive music press reviews and regular spins from John Peel. Their humour-laced, Day-Glo art-punk was making waves.In Middlesbrough, the bill was filled out by local band Lice? – their name taken from a cautionary poster about pubic lice – and Macclesfield/Salford outfit Warsaw, who’d had a line-up change the previous month when their drummer Steve Brotherdale left. His Read more ...
Thomas H. Green
Justice are a couple of super-suave rock star analogues. Leathers and aviators, yes, but with a very Parisian insouciance. Their music is the same. It has a rocker-friendly je-ne-sais-quoi, but air-brushed with the glitzy sci-fi futurism one might expect from a couple of guys whose origins lie in design. Their new album, their fourth and first in a leisurely eight years, retains their usual slightly-gnarly-but-smartly-turned-out vibe, but reaches towards new and entertaining musical directions.Justice blew up with Noughties monster remix “We Are Your Friends”, then rode the proto-EDM wave, Read more ...
Cheri Amour
The thing with Annie Clark, better known as the triple-Grammy-winning iconoclast St Vincent, is that much like an actual saint the multi-instrumentalist and producer is always being praised for her last great feat. A notorious shapeshifter, Clark’s last full length Daddy’s Home found the songwriter donning a blonde wig, fur coat and a teetering pair of Seventies platforms for a similarly immersive sonic experience. While 2017’s Masseducation saw her taut and tight in both production and leathers for a dominatrix-doused slice of electro-pop. Ahead of the seventh studio album, Clark Read more ...
joe.muggs
This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC radio and TV – the latter an Imagine special with Alan Yentob really going in with sledgehammer subtlety to set the Pet Shop Boys up as National Treasures as they approach the 40th anniversary of their first single “West End Girls”. The thing is, though, they deserve it: not just the career retrospective but the free boost for their new work. For many acts, this kind of documentary, packed with friends and colleagues Read more ...
Guy Oddy
Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of his band’s previous discs – not so much desert blues as desert punk.Taking up the twin causes of the Tuareg people of West Africa and the post-colonial disaster that has befallen Niger since the end of French occupation, it is nothing short of ferocious in its revolutionary zeal. Repeated riffs, hand-clap percussion, explosive guitars and call-and-response vocals all combine to build an irresistible set that will no doubt create a serious storm when Read more ...
Sebastian Scotney
The previous solo piano solo album from Fred Hersch, one of the world’s great jazz pianists, was called Songs from Home, released on the New York indie jazz label Palmetto Records towards the end of 2020. Silent, Listening, released this month on ECM could not be more different in it moods and in its aims.Songs from Home was recorded at the time of the pandemic at Hersch’s home in Pennsylvania. The pianist sought solace from a “loss of identity” (and loss of work) by recalling the songs which had been around during his youth. As a “child of the 60s” he remembers, “when the craft of Read more ...
Kieron Tyler
Three years ago, the release of Till Another Time 1988-1996 generated a thumbs up. A compilation of recordings by the Baltimore and/or New York-based Linda Smith it was, according to this column, “stunning” and “significant.” Until this point, knowledge of Smith had “largely been the province of the do-it-yourself world of music.”Now, two Linda Smith albums are reissued. Nothing Else Matters originally came out on CD-only in 1995. I So Liked Spring was its follow-up, appearing on cassette in 1996. Nothing Else Matters had been preceded by four cassette-only albums which remain un-reissued. Read more ...
Cheri Amour
For most people’s 40th birthday celebrations, they might get a few friends together, rustle up a cake, and toast to another turn around the sun. But when musician Lail Arad realised the stars had aligned with her beloved Joni Mitchell's own 80th birthday, she knew she had to mark the milestone moment with something special.Thus, The Songs of Joni Mitchell was born, an intimate evening celebrating the iconic singer-songwriter as part of this year’s In The Round festival. Mitchell was one of the first women in modern rock to achieve enviable longevity and critical recognition. Her works Read more ...
Ellie Roberts
Taylor Swift’s unfathomable ability to articulate human emotion shines as brightly as ever in her latest double album The Tortured Poets Department: The Anthology. The 31 track collection combines the gentle melodies of previous albums folklore and evermore, the soul baring chaos of Red, the cool synth-pop production of Midnights, and the extreme vulnerability and intricate storytelling that is persistent throughout her entire discography.Swift’s dedication to authenticity is to be credited for the success and inevitable longevity of this album. Having shared a diaristic account of her Read more ...
Thomas H. Green
Record Store Day is tomorrow! At theartsdesk on Vinyl we’ve been sent a selection of exclusive RSD goodies. Check out the reviews, then check out your local record shop! See you amongst it.THEARTSDESK ON VINYL’S CHOICE CUT OF RECORD STORE DAY APRIL 2024The Near Jazz Experience featuring Mike Garson Character Actor EP (Sartorial)It’s been a while since we heard from this unit. The NJE, as they're mostly known, consist of sax’n’brass player Terry Edwards, who’s played on a billion tunes you love (from PJ Harvey to Hot Chip to Tom Waits), Mark Bedford, who’s Bedders from Madness, and Simon Read more ...