New music
caspar.gomez
What times. They cancelled Glastonbury. Festival season 2020 disappeared. Then certain potions and compounds associated with festivaling ran dry. Well, the latter exist, of course. There’s a fellow over the road who’s still selling talcum powder and stinking chemo-skunk from his porch. The reprobates who gather there on sunny days clearly think “social distancing” is an alternate term for a restraining order which, on this one lucky occasion, doesn’t apply to them. So how about a mini-music fest right here? With all the quality quivver fizz and nom noms an insurmountable car journey away, I’m Read more ...
Kieron Tyler
The out-of-control missile on the cover is emblematic. The actual takeoff in question is the flight Brian Christinzio was forced to board in 2015 following his deportation from the UK. What came next is the album title's "shortly after": an enforced return to the US from his adopted hometown, Manchester, was followed by the sudden death of his father, and the concomitant resurfacing of issues with drugs and mental health. Some light came when, through his lineage, Christinzio aka BC Camplight was subsequently able to get an Italian passport and return to Europe.The worst of times, though, Read more ...
Kieron Tyler
How Mitch Ryder is seen depends on particular perspectives. The Detroit blue-eyed soul belter racked up a string of US hits on 45 in 1966 and 1967. He made many albums, became an oldies radio staple and a perennial live draw. In the UK though he was small beer and his only sniff at the charts was with “Jenny Take A Ride”, which brushed the outside edge of the Top 30 in early 1966.However, one section of Britain’s music-loving public was keenly attuned to his take on soul. Ryder’s May 1966 single “Break Out” was initially played in the late Sixties at Manchester’s Twisted Wheel, and then Read more ...
mark.kidel
Rituals of death call for music: to see the spirits of the dead off on their journey to the other side, to express the grief of those left behind or to celebrate the cycle of life and death. Fra Fra are a quartet from the predominantly Muslim northern part of Ghana - a much drier region than more forested areas of the south.They specialise in music that's performed at traditional funeralsAlthough claims are made for the links between the music of this region and the blues, it feels generally less familiar or connected to field hollers and country blues than the music of Mali. Percussion and a Read more ...
Thomas H. Green
One thing with this whole lockdown business is that we’re all trying to be as nice as possible to each other. At the moment, we music writers aim to recommend material people can enjoy while stuck at home. Our knives are staying sheathed. What, then, are we supposed to do when confronted with Twinnie’s debut album? The most positive thing that springs to mind is that the best of it sounds like Taylor Swift just before she went full pop. Which is hardly a glowing endorsement. I’ve one other nice-ish thing to say but will save that until the end of this review, then maybe you’ll forget the Read more ...
Kieron Tyler
Open-mouthed incredulity is a reasonable reaction to this 2012 documentary on one of the UK’s prime punk-spawned bands, available on catch-up via streaming service Now TV’s tie-in with Sky Arts. There’s not much “rise” but there’s an awful lot of “fall” in The Rise and Fall of The Clash.After coalescing between April and June 1976 in the slipstream of the Sex Pistols, The Clash fell apart in November 1985. The end came at the same time as the release of what became their final album, Cut The Crap. Reviewing it for the music weekly Melody Maker, Adam Sweeting said “Guess what? It’s CRAP! And Read more ...
Nick Hasted
Fiona Apple simmered in the LA sun for eight years to make this record, mostly holed up at home since her beloved dog died and she stopped drinking. Rather than polish the result to a sleek gleam, this is an album of trailing threads and percussive clatter, layered like unwiped tape. The brightly shining teenage angst queen of the Nineties continues to rub herself raw, rejecting major label norms, and left alone as Neil Young and Kate Bush are. The title is Gillian Anderson’s sex-crime cop’s demand in The Fall, when a room where a girl has been tortured needs breaking open. Cutters fetched, Read more ...
Thomas H. Green
Another week of lockdown so another fresh and lively update on what’s out there, including an interactive orchestra experience, DJ sets, and a concert in your own living room. Dive in!One World: Together at Home – Curated by Lady GagaThe big event in popular music this week is, without doubt, this epic from-their-homes broadcast organized by Global Citizen, the Global Poverty Project’s New York festival arm, and the World Health Organization, in support of frontline healthcare workers. Put together by Lady Gaga, it features an American-leaning who’s who of music stars – Pharrell Williams, Read more ...
Guy Oddy
In the press release for Enter Shikari’s new album, lead singer Rou Reynolds is proclaimed as a “visionary”. However, for the work of a visionary, Nothing is True and Everything is Possible is a decidedly pedestrian effort. Filled with bluster and bombast, the lyrics betray a shocking amount of cheesey and cliched teenage angst for the work of a group of thirty-somethings and it's backed by music that steals from all quarters without bringing anything new to the table. It may aim high but it falls spectacularly short.Opening track “The Great Unknown” piles on old school ravey synth sounds, Read more ...
Asya Draganova
When it comes to new releases by Scandi rockers Nightwish, it’s not unusual to hear the well-worn phrase “I like their early stuff…” – usually referring to the mythical times when the band were with their first singer Tarja Turunen. Indeed, listeners might even have given up on Nightwish or at least failed to stay up to date with their line-up changes. However, their new release Human II: Nature deserves close listening. The symphonic metal band have made a massive contribution to Finland’s global metal image and their unmistakable style continues to evolve in exciting directions on this Read more ...
Kieron Tyler
“An exercise in bizarre mixtures, combining the bleak acid hangover of half-hearted Velvet Underground impersonators with muted razzmatazz: a long and rather stylish joke.”The April 1980 New Musical Express review of The Monochrome Set’s debut album wasn’t entirely favourable but it captured the difficulty of getting to grips with the band. A combination of raised-eyebrow archness and dolefulness confirmed the band was setting-out its own path. Further confirmation of their slipperiness came in October 1980 when a second album was released.Strange Boutique, the debut, and its follow-up Read more ...
Veronica Lee
I must confess the sum total of my knowledge of Clarence Clemons before watching this documentary was that he was, for many years before his death in 2011 at the age of 69, the mighty saxophone player in Bruce Springsteen's E Street Band. And what a sax player...Nick Mead's film shows him to be much more than The Boss's sidekick (although that would not be a bad epitaph). Much of it is from Who Do I Think I Am?, which was about the saxophonist’s spiritual pilgrimage to China in 2003; Mead and his subject hit it off, so he kept shooting material after they returned to the US.Clemons, known Read more ...