New music
Nick Hasted
Apparently a freaky, brilliant novelty in 1974, Sparks have proved eternally invincible: the synthpop duo template, glam and disco avatars, chasing the pop grail across the globe as their latest mode hit the local chart mark. Lightly worn resilience and diligent application underpin their endurance (Russell Mael told me 20 years ago that he felt a professional responsibility to remain a good-looking singer). This 24th album follows the Top 10 UK success of Hippopotamus, and precedes a French film musical of Sparks songs sung by Adam Driver and Marion Cotillard. Though Ron Mael’s lyrics Read more ...
Lisa-Marie Ferla
If the title of their third album alludes to the lazy assumption of female-fronted as a musical genre, HAIM’s revenge is to try a little bit of everything, while never sounding anything less than themselves. Women in Music Pt. III elevates the sister trio’s signature harmonies, infectious rhythms and Sunshine Coast melodies with muted saxophones, warped vocal samples, techno beats, good ol’-fashioned soft-rock guitar riffs - and a whole lotta honesty.The band take turns at being giddy, flirtatious and introspective, letting rip equally at 3am booty calls, depressive illness and patronising Read more ...
Kathryn Reilly
Why don’t you have children? Why aren’t you married? Why don’t you own your own home? Why are you a failure? These are the societally enforced questions that, as a 34-year-old woman, Nadine Shah finds inescapable. Much like the rest of us. When talking to friends who also considered themselves “non-achievers”, she realised something was very wrong. And that nothing much has changed in what used to be termed “the battle of the sexes” (hence the Abigail’s Party style artwork). Having covered the refugee crisis, suicide and the state of the nation, now sexual inequality comes under her Read more ...
Thomas H. Green
This morning at 9.00 AM would be when Worthy Farm opened its gates to the hedonistic hordes. The weather is scorchio and Glastonbury 50 would have been such a party. Instead, that will all be Glastonbury 2021. So right now, those who love their annual Pilton pilgrimage need to get inventive: the festival and the BBC have laid on a feast of allsorts. It’s about to kick off. Let’s get amongst it…BBC CoverageThe BBC have devoted a whole new special iPlayer channel to Glastonbury and will be showing old sets from 10.00 AM Thursday morning until after midnight, and doing the same every day, up to Read more ...
Barney Harsent
There’s a moment halfway through Khruangbin’s latest album that succinctly sums up the melting-pot model this band have made their own. It’s “Pelota”, a Spanish-influenced song, based on a Japanese film, played by a Texan three-piece with a Thai name. It’s also very, very good indeed.If Khruangbin is a name new to you, then you’ll need to know that, on their previous three albums (including Hasta el Cielo, 2019’s dub reworking of their second, Con Todo El Mundo), they have dabbled in dub reggae, Middle Eastern psychedelia, 1960s Thai music, funk and soul. For a band who seem to be happy Read more ...
Guy Oddy
Dream Wife started life as an art school project, and while their self-titled debut album was an exhilarating ride that resurrected the ghosts of The Slits, X-Ray Spex and a host of lively riot grrrls, So When You Gonna… is a bit of a disappointment. In fact, with the exception of recent single “Sports!” and the album’s title track, it’s a disc that sees them morph from sparky barbarians into boring conformists.It's the punk-funk opener “Sports!”, with it’s “Fuck sorry / Fuck please” introduction, which sets expectations high with its lively groove, Rakel Mjöll’s squealing vocals and its more Read more ...
Kieron Tyler
Orange Crate Art makes most sense in the context of Van Dyke Parks’s solo career rather than that of Brian Wilson’s. For the former it was preceded by Tokyo Rose, an orchestrated set tackling the intersections of American-Japanese cultural and socio-political relations. All the way back to his debut album, 1967’s Song Cycle, Parks has created albums with American signifiers as their pegs. With Orange Crate Art, the theme is symbols evoking mythic California. The punning title is literal: an inspiration is the graphics on crates of California-grown orangesBefore Song Cycle, when Parks and Read more ...
Nick Hasted
Personal grace and crafted precision underpin John Legend’s neo-soul style, leaving pushing boundaries to others, to stake out the romantic ground we still share. Like Smokey Robinson, he has tireless interest and infinite metaphors for love. “Wild” sees him buy a new car just to drop the top to see the stars, while “Slow Cooker” teases out a simmer’s erotic possibilities, as he lets his groan languidly stretch, rolling words around till his creamy falsetto crests, its vocal takeoff typically effortless. Most Smokey-like in artistic mentality is “Actions”, where the very act of writing love Read more ...
Thomas H. Green
The debut album from one woman outfit [MONRHEA] shows off the seriously impolite electronica that’s blossoming in East Africa. Electronic sounds from Africa are over-represented in Europe by jolly pop and elegantly faceless house music, but there’s a whole lot more going on. Via uber-producer and Killing Joker Martin “Youth” Glover’s Youth Sounds label, this album gives an exciting taste of the wild gumbo of dancefloor-friendly experimentation that’s on the bubble there.[MONRHEA] – and I’m going to lose the square brackets and caps from hereon – hails from Athi River, a town outside Nairobi Read more ...
Thomas H. Green
The lockdown may be loosening but we’re no nearer to gigs and festivals occurring so, for the foreseeable, online is where it’s at. Here, then, is the latest selection of musical happenings that you can wrap your eyes and ears around during the coming week. Dive in!Make Music DayOriginating with France’s Fête de la Musique back in 1982, the idea of Make Music Day is to put as much music in as many public spaces as possible. It has blossomed over the decades, catching on in the UK where, last year, almost 30,000 performed to around 140,000 people. In 2020, of course, the event takes place Read more ...
Barney Harsent
In the series one finale of metal-detecting sitcom Detectorists, Lance fills in a hole he’s dug after unearthing nothing more than a rusted ring-pull. As the camera pans downwards, we see the riches that were hiding beneath. He was looking in the right place, it’s just that the good stuff lay tantalisingly out of reach.And that’s a little bit like Homegrown, Neil Young’s lost album. Scheduled for a 1974 release, it was shelved by the singer/songwriter, who felt the emotion on display was too close to the bone following his split with actress Carrie Snodgress. Finally, some 46 years later, Read more ...
Guy Oddy
It’s over 30 years since Michael Franti entered the public arena, howling “Television – drug of the nation” backed by harsh, industrial sounds and explosive beats, as frontman for the Beatnigs. He then produced the Spare Ass Annie and Other Tales album with William Burroughs, as part of the visionary hip hop duo the Disposable Heroes of Hiphoprisy, before embracing funk, soul and reggae sounds, both as a solo artist and while fronting Spearhead. It is, therefore, something of a shock that the musical influences for his latest album, Work Hard & Be Nice, seem to come from the same place as Read more ...