New music
Kieron Tyler
Whether explicitly or indirectly, what’s written on a master tape box can tantalise. Revealing part of a picture creates a desire to want to know more. Take the example seen above. It’s for an album by South African alto saxist Dudu Pukwana. The annotation gives a date of July 1968 and the client is Witchseason, the company run by manager/producer Joe Boyd. The recording took place at Sound Techniques, the independent Chelsea studio favoured by Boyd for his other clients. He’d worked there with Pink Floyd in 1967. Around the time of this session, Boyd had brought Fairport Convention and The Read more ...
joe.muggs
This documentary is bittersweet viewing on quite a number of levels. First, it’s got all the glory and tragedy of the most compelling music stories: a Liverpool band struggling from humble beginnings, trying to find an identity, fraternity and fallings-out, coping with huge success and its aftermath – not to mention sex, drugs, mental illness and death. On top of that there’s a constant layer of narrative about the endless pressures of racism on black British musicians, told brilliantly both explicitly and in the micro-details of 1960s and '70s life.Maybe most devastating thing of all, though Read more ...
Barney Harsent
After 2016’s A Shot in the Light, DJ, producer and Disco Halal labelrunner Chen Moscovici has leaned full-tilt into synth-pop and, with Time Slips Away, has created a collection that’s both carefully placed and cleverly paced. Alternating between solo tracks and collaborative songs, the album is stuffed full of vocal hooks and earworm moments that have long been hinted at in the producer’s past work but never been this fully realised.That’s not to say that fans of Moscoman’s more four-to-the-floor outings need to look elsewhere for their fix, there’s plenty here that fits the bill. Read more ...
Thomas H. Green
New Heavy Sounds is one of Britain’s most exciting and undersung labels. Founded in 2011, they have consistently released music that boasts innovation, imagination and a strong female presence. The added sweetener is that this comes attached to sheer guitar-slingin’ power of the kind heavy rockers, from the 1970s to the present, have always relished. Styling themselves in favour of “anything with dirty, big riffs and attitude,” their output has one foot in the metal camp but aspirations beyond it. The two men behind New Heavy Sounds, Ged Murphy and Paul Cox, avoid gimmicks and hype and let Read more ...
Nick Hasted
Mike Skinner got out just in time, pulling the plug on The Streets at the point of exhaustion. After Original Pirate Material’s hopeful bedroom dream of English rap came true in 2002, four further albums wearily analysed fame and self-destruction, and ended in 2011 when Skinner saw only dead ends ahead. The garage laureate of clubland and kebabs had set his own template too well, and was too gloomily self-aware to fake progress.Subsequent work has suited his discursive mind, from rock band The D.O.T. to DJing. The Streets’ 2017 return for a Greatest Hits tour still protectively distanced them Read more ...
Guy Oddy
That Deep Purple are still putting out albums over 50 years since they first got together and still have three members of their early Seventies classic line-up on the payroll is quite a feat. That they are also still looking for new ways to express themselves and have resisted the temptation to spend their time knocking out pale imitations of “Highway Star” and “Smoke on the Water” is even more impressive. To some extent, this is inevitable. Singer Ian Gillan is now 74 years old and is probably unable to scream like a banshee anymore. However, he has reinvented his singing style since the Read more ...
joe.muggs
When does the avant-garde become folk? Both of the participants in this album have certainly been on the very cutting edge of sound-making, on multiple occasions. Conrad Schnitzler was a student of radical artist Joseph Beuys and leading light in the utopian thinking and radical soundmaking of 1970s West Germany as a member of Tangerine Dream and Kluster. Frank Bretschneider was, bravely, an underground musician in East Germany in the 1980s, in partnership with Olaf Bender – and, again with Bender and later with Carsten Nicolai, in unified Germany in the 1990s and on was responsible for some Read more ...
Thomas H. Green
This week would have been peak summer event antics but not in 2020. However, the game is far from up; the punks and the metallers are making a strong show in full virtual festival force this weekend, and there's another chance to time travel to a classic Glastonbury set from 20 years ago, and a brand new show from the revitalised Mike Skinner. Dive in!Rebellion: The Online FestivalBlackpool Rebellion Festival has been celebrating punk rock for almost quarter of a century. It has played host to many of the genre’s biggest names, from The Damned to Public Image Ltd to Toyah Willcox. This year Read more ...
Owen Richards
It’s been a hell of a four years for Glass Animals since their last album How to Be a Human Being, from a well-deserved Mercury nomination to drummer Joe Seaward requiring neurosurgery after a near-fatal bicycle accident. But while Human Being was leap forward in writing and production, new release Dreamland is a more subtle development. This is music designed to float on a sunlit pool to, though given lockdown restrictions, you may need to get creative with an air bed and your home lighting.It’s an album that takes its title to heart, building hazy soundscapes punctuated with drum machines Read more ...
Guy Oddy
Like Fantastic Negrito’s previous, Grammy-winning albums, Last Days of Oakland and Please Don’t be Dead, Have You Lost Your Mind Yet? holds up a critical mirror to life in the USA in the same way that What’s Goin’ On, Sign of the Times and There’s a Riot Goin’ On did in previous periods of social upheaval. This disc is also no pale imitation of those monumental classics, and Fantastic Negrito stands unashamedly shoulder to shoulder in the company of Marvin Gaye, Prince and Sly Stone. There’s also more than a splash of George Clinton’s mighty Parliament-Funkadelic mob about Have You Lost Your Read more ...
Kieron Tyler
The feather in this particular cap is a DVD of director John T. Davis’ 1979 film Shellshock Rock. Filmed from October 1978 to April 1979, its 50 minutes thrillingly catch the Troubles-era Ulster getting to grips with punk rock. Vox pops from disgusted Belfast shoppers vie with live footage of Stiff Little Fingers, The Undertones, Protex, Victim, the thoroughly unvarnished Parasites and more in a gritty verité portrait of a scene which, due to its contemporary context, was beyond being a pose for the region’s punks. A nervy Stiff Little Fingers are seen admitting they were scared that the Read more ...
Thomas H. Green
A couple of years ago a vinyl white label appeared of a track called “Crumbling Down”. It was a breath of fresh air. Warmly crafted Afro-centric percussion, pared back but persuasive, it dragged the ears in, emanating a heads-down beachside vibe. Once the listener/dancer was fully ensconced, a gentle plinking tune led into the melancholic lyric loop, “As it all starts crumbling down”, before echoing bleeps sent things into space. Like much of the best dance music, it was beautifully simple but effective. By an artist called Zapatilla, it now appears at the end of his debut album, the rest of Read more ...