New music
Guy Oddy
“If I was a better dreamer, you’d be a dream come true” sings Kristin Hersh over the opening bars of Throwing Muses’ new album, Sun Racket. It sets the tone for a distorted and woozy disc that could easily be the soundtrack to a folk-horror tale set in the woods of the band’s native New England. Floaty and ethereal melodies blend and twist around the raw and the primal to produce something truly magnificent, as Throwing Muses cast a disorientating but wholly satisfying spell with their first album in seven years.Opening track “Dark Blue” is strident with a dark and enchanting vibe that is Read more ...
Kieron Tyler
The Turnamat is a type of washing machine made by AEG. In the composition titled “Turnamat”, Seventies-type synths, wobbly keyboard lines and hard-grooving drums give way to a brass-led interlude suggesting an acquaintance with the compositions of Lalo Schifrin. It’s as if a jazz-inflected soundtrack from 45 years ago has been shoved into a blender rather than a washing machine, then reconstituted and given a major buff-up. “Turnamat” is by Skarbø Skulekorps, an oddball Norwegian jazz outfit.“Surrender” is as impactful. On this, over just-short of five minutes, the sax player Bendik Read more ...
Tim Cumming
"The gateway to the invisible must be visible." So intones Patti Smith on the third and final journey in sound with Stephan Crasneanscki and Simone Merli, AKA Soundwalk Collective, musical psychogeographers and field recorders whose journey for this evocation of French spiritual-surrealist writer Rene Daumal’s posthumous 1952 cult classic Mount Analog took him to the peak of Nanda Devi in the Himalayas, the former Beatle hangout of Rishikesh, India’s "spiritual capital" of Varanasi, and Upper Mustang, once known as the Kingdom of Lo, which only admitted its first foreign visitors in 1992 Read more ...
Nick Hasted
Ellie Goulding steps coolly out of the Medieval and Renaissance gallery, in amongst monster-slaying Greek statuary, where a string section waits. Deprived of audiences for now, she has opted for an elegantly filmed showcase at the Victoria & Albert Museum, her red dress the sensually bright centrepiece of blue-lit tableaus.Fourth album Brightest Blue is a similarly graceful mix of classical and hip-hop influences, confidently leaving space around her trademark voice, and partitioning off the sort of hit-chasing collaborations favoured on her previous, self-consciously big LA pop album, Read more ...
joe.muggs
Katy Perry occupies an odd position. By some measure the biggest pop star in the world over the last decade, with streams in the billions, she’s always been an awkward mix of old-school razzle-dazzle showbiz hucksterism, knowing sass and awkward vulnerability.And while she often appears likeable and self-aware, there’s a piercing desperation – lyrically and sonically – to so much of her work that clearly assists it in cutting through the noise and babble of information overload culture, but all too often makes it not actually that pleasant to listen to. Her songs tend to embody the sad cycle Read more ...
Thomas H. Green
When Disclosure appeared a decade ago, they were a necessary antidote to the rank gorgonzola of EDM, which was turning club music into a garish mire of musical infantilism. These two deliberately faceless Surrey brothers, Guy and Howard Lawrence, doffed their caps to the classic house sound but updated it to the 21st century, splashed it with garage and R&B, and never wandered too far from the party. Their third album, with assistance from impressively well-chosen collaborators, attempts the same but is too often trapped by its own tastefulness.The short of it is that the first half of Read more ...
Sebastian Scotney
It’s not all just about that great voice. Gregory Porter also has a mighty generosity of spirit, plus empathy, warmth and optimism. And he has gathered a superb team around him to make a strong album with plenty of scale and depth.All Rise (Blue Note/Decca) is deliberately a very different album from Nat King Cole & Me. The 2017 album was mostly covers, with arranger Vince Mendoza ensuring a creation of luxuriant spaciousness. Songs on the new album are all written or co-written by Porter who brings satisfying variety, both emotional and stylistic.There are gentle, thoughtful, Read more ...
Guy Oddy
AK/DK’s third album, Shared Particles is a lo-fi electro-punk monster with a psychedelic splatter that has the dancefloor clearly within its crosshairs and the muscle to deliver on its intentions. These punchy, relentless grooves with distorted, half-heard vocals from Brighton’s synths and drums duo are more than enough to spin any minds while getting hips swinging and working up a sweat. In fact, in this festival-free summer, it is an emphatic reminder of just what we are all missing while Covid-19 stalks the globe.As with on their previous discs, Synths+Drums+Noise+Space and Patterns/ Read more ...
Kieron Tyler
A skim though the track listing confirms that this is no typical soul compilation. Actress and some-time pop singer Connie Stevens crops up. So does Johnny Mathis. Such seeming quirks are fitting as Thom Bell was never a typical arranger, producer or songwriter. There’s much more to the story than the timeless O’Jays and Stylistics hits he created for Gamble and Huff’s label Philadelphia International Records.Ready Or Not – Thom Bell's Philly Soul Arrangements & Productions 1965–1978 collects 23 tracks which Bell arranged, produced or wrote, or any combination first two and the last. The Read more ...
Peter Culshaw
This episode of Peter Culshaw’s episodic global music radio show is a celebration of the life and times of Malcolm McLaren, visionary and provocateur, who died 10 years ago. The two hours is more podcast than radio show and is spent mainly spent in discussion with Paul Gorman, who has spent much of the last five years writing an epic 800-plus-page biography The Life and Times of Malcolm McLaren, a towering tome that brilliantly tracks the waterfront of the politics, art, fashion and music of an era. As Gorman says, “I wanted to break McLaren out of either the style press view of him or the Read more ...
joe.muggs
Some of the greatest acts of all time are the ones which find a sound and never need to alter it. Motörhead, Dinosaur Jr, Status Quo... and in the electronic world, Switzerland’s finest, Yello. It’s over 40 years since they first set millionaire playboy and conceptual artist Dieter Meier’s maniacal cackle to music, and 36 since he and former truck driver Boris Blank settled into their status as a duo, codifying their formula of Meier’s dada scatting over zippy electropop with their first hit “Bostich”. Their louche and high tech style would become a foundational influence on global club music Read more ...
Lisa-Marie Ferla
The title, translated from the Portuguese, is “now” – an immediacy that, on first listen, seems apt for Bebel Gilberto’s lush and loose Agora. Originally scheduled for a May release, the Brazilian singer’s first album in six years sings with a creative freedom one imagines slowly returning to Rio as it emerges, tentatively, from coronavirus lockdown: in interviews, Gilberto has spoken of quarantining in the city through the worst of the pandemic.If the release isn’t quite what Gilberto was imagining, neither was the album itself. Much of it was recorded in 2017 and 2018 with indie producer Read more ...