New music
joe.muggs
Miley Cyrus has always been, broadly, A Good Thing. A Top Pop Star. A sassy, funny, puritan-scaring, omnisexual chaos monkey at the heart of pop culture, doing pretty much whatever she fancies when she fancies. Not that this has always meant she’s made good music, mind you. Over her six previous albums, she’s swerved through bubblegum pop, EDM, trap, Broadway showstoppers, raging dubstep, faux-lo-fi psychedelic chillwave (with The Flaming Lips in tow), straight country, and the rest. And while there have been gems at each stage of her career, there have also been quite a few hot messes along Read more ...
Barney Harsent
Gary Barlow’s Music Played By Humans is, in all but name, a Christmas album. Mixing big-band jazz, Latin and pop, it’s an assortment box of bubbly, broad-based business bangers deployed by the Take That veteran with help from a host of showbiz pals. Michael Bublé, Barry Manilow, Chilly Gonzales, Alesha Dixon, Beverley Knight, James Corden… these are big boots to put on the ground.It’s got “Secret Santa” written all over it – and not just because it’s a precision-built, one-size-fits-all, weapons-grade gifting opportunity for work acquaintances and pissed aunties alike. No. It’s Read more ...
Harry Thorfinn-George
During the first lockdown in March, Green Day’s Billie Joe Armstrong took the time to reflect “on the things that matter most in my life: family, friends and, of course, music.” In this sentimental headspace Armstrong began recording covers of songs, releasing them once a week and calling this project No Fun Mondays. This album is the complete collection of these covers, which range from interesting to flat out redundant.The intriguing moments of the album come when it feels like Armstrong is inviting us into his personal record collection. He plays “War Stories” by the obscure Seventies band Read more ...
peter.quinn
EDM bangers? Check. Melancholic ballads? Why certainly. Great vocal arrangements which switch from rap to angelic falsetto in the blink of an eye? Step right this way. You’ll find all this and more on Be, which is no mean feat given that the album – the second collection of 2020 from South Korean septet BTS following their February release Map of the Soul: 7 – clocks in at just a little over 28 minutes. This could never be described as a recording that outstays its welcome.With four singers and three rappers, the BTS vocal palette is impressively varied, with everyone chipping in on lead Read more ...
Tim Cumming
There have been Felabrations, stage musicals, bands featuring his sons Seun and Femi that have continued the legacy. There has been the slew of re-releases from his massive catalogue, and a number of films, including Alex Gibney’s Finding Fela, and the 1982 classic, Music is the Weapon. In his afterlife, the legendary Fela Kuti and his music feels more alive than ever. More than 20 years after his death, and a funeral that attracted a million mourners (police claimed there were no crimes committed in Lagos over its three days) Afrobeat continues to pull dancers onto the floor in order to Read more ...
Kieron Tyler
“During 1975, 1976 and the first half of 1977 punk was the future but, after the highpoint of ‘God Save the Queen’, London punk already seemed spent. By the time that the Sex Pistols ‘Pretty Vacant’ was tumbling out of the charts in early September, there had been two huge hits that changed the way I heard music. Donna Summer’s ‘I Feel Love’ and ‘Magic Fly’ by Space made it clear: electronics were the future. And it didn’t matter whether it was post-punk or the despised disco.”So begins the titular writer’s essay accompanying Do You Have The Force? (Jon Savage’s Alternate History Of Read more ...
Paul Bullock
Producing music programmes for TV with live performance during the past few months has not been without its challenges, but somehow doing so right now feels more important than ever – both for the pleasure it brings audiences and as support for the performing arts. As we entered the first national lockdown, we’d just completed filming the Category Finals of BBC Young Musician – the classical edition. Immediately we had to reconfigure our edit schedule to deliver the series remotely. Everyone agreed it was important to broadcast the programmes as planned in the spring. And that’s Read more ...
Liz Thomson
I really wanted to like this album – indeed, from a short sample, I thought I would love it. But while there are indeed some lovely moments, repeated listenings fail to persuade me of anything other than two good musicians with evident talents who have been too clever by half with a baker’s dozen of traditional and modern folk songs and fatally compromised the qualities that make such music unique – its glorious clarity and simplicity.Sylvia Schmidt has a lovely voice, gossamer-light, and James Kitchman plays a mean jazz guitar. But they are each too tricksy and the sum of their tricksiness Read more ...
Guy Oddy
It’s almost a truism in rock’n’roll that within every padded and bloated double album, there’s a fine single disc waiting to burst out. Among the plethora of tunes on Smashing Pumpkins’ first double album since 1995’s fine Mellon Collie and the Infinite Sadness, however, there’s barely enough to fill a worthwhile EP. In fact, given the joyless musical Mogadon on offer on Cyr, even that might be something of a stretch.Flat and uninspiring tunes follow dreary and unmemorable dirges almost without pause for great swathes of the 70 minutes or so of Smashing Pumpkins’ latest effort. “The colour of Read more ...
Thomas H. Green
Kali Uchis is a superstar in the making. But she’s seemed that way for a few years and, despite making waves in the US, has not crossed over on the scale her talent deserves. Emanating a presence that’s part Gaga, part Winehouse, part Megan Thee Stallion, and part Shakira, the 26 year old American-Columbian delivered one of 2018’s finest albums, Isolation, demonstrating that sexy, chart-friendly pop could also be wildly eclectic and inventive. Her second album is more singular in focus, a Spanish language affair deep-dipped in Uchis’ uniquely woozy brand of easy listening.Uchis has worked Read more ...
joe.muggs
Charles Webster is one of those connecting figures who make the idea of “the underground” seem quite convincing. Originally from the Peak District but coming of musical age in Nottingham, he was inspired by Chicago house and Detroit techno music from their very genesis in the mid 1980s, and went on to make some of the finest British house music ever. Along with Notts locals like the legendary DiY Soundsystem (prime movers of the week long Castlemorton Free Festival) and Martin “AtJazz” Iveson, he pioneered an ultra sophisticated and soulful sound that forged connections with odd Read more ...
Guy Oddy
Almost 30 years since Stephen Mallinder jumped ship from Cabaret Voltaire, it still seems strange to accept that the band is now the solo concern of Richard H Kirk, the final remaining original member of Sheffield’s path-beating electronica experimentalists. This isn’t to suggest, for one minute, that the quality of the Cabs’ work has taken a dip since Mal’s departure. It’s just become a totally instrumental concern with any vocals, such as they are, provided purely by mangled spoken word samples. In fact, if anything Shadow of Fear is a return to the proto-acid house magnificence of the band Read more ...