New music
Guy Oddy
To say that Godspeed You! Black Emperor’s new album is not even remotely commercial would be something of an understatement. However, fans of the obtuse Canadian post-rockers are unlikely to be overly concerned, as there are no significant changes to their experimental proggy bombast, even if there is somewhat less nuance than on their last disc, Luciferian Towers. As before though, the album features two extended workouts and a couple of bite-sized tracks, whose style is also reflected in their titles – which display varying degrees of pretentiousness.Opening track “A Military Alphabet (five Read more ...
Kieron Tyler
Close to the back of Jon Savage’s 1991 book England’s Dreaming, there’s a section titled “Discography.” In this, he goes through the records which fed into and were spawned by punk rock and the Sex Pistols, the book’s subject. The wide-ranging selection begins with Fifties rock ’n roll and Max Bygraves, and ends with the “post-house dance music” of The Justified Ancients Of Mu and Renegade Soundwave.When the mid-Seventies are reached, he says “the Murray Head 45 ‘Say it Ain’t so’ referred to in Chapter Nine is long deleted.” This chapter examines the birth of the Sex Pistols: tracking John Read more ...
joe.muggs
One has to wonder if Hannah Peel ever had a phase, like so many kids, of listening to music under the bedcovers. She certainly has a facility for making things that come to live in the dark, both in her own music and on her late night Radio 3 broadcasts. This was maybe most obviously the case on her 2017 Mary Casio: Journey to Cassiopeia album – a record that was themed as a journey of the imagination, a trip into the head of an elderly stargazer dreaming of interstellar travel. But it applies every bit as much on this record too.Fir Wave is Peel’s eighth? – ninth? tenth? – album: to be Read more ...
Thomas H. Green
Tune-Yards have been much-feted for bringing an original sound to pop. Quite rightly so. Over the last decade the Californian duo, led by singing percussionist Merrill Garbus, have fired out four albums (and a film soundtrack) that amalgamated global roots flavours, electronic freakery, prog rock weirdness, and post-punk attack, all the while remaining lively and engaging rather than pretentious and po. Their last two albums, by no means straight dance music, showed an increasing affection for clubland sensibilities. Their new one, however, is closer in tone to their angular, earliest work. Read more ...
Lisa-Marie Ferla
Over 50 years into her career, Suzi Quatro could be forgiven for taking a break. And yet, last spring, staring down almost one hundred cancelled shows, her first instinct was not to put her feet up but to team up with her son Richard Tuckey on a new collection of songs as a follow-up to their recent collaboration on 2019’s No Control. With songs referencing imprisonment, darkness and solitude, it’s fair to say Quatro had the pandemic on her mind while pulling together 18th album The Devil in Me - but, unsurprisingly, her take on the isolation blues wears a hard rock sheen.The album bursts out Read more ...
Sebastian Scotney
Praise gets heaped on the already well known. And that often leaves others in the shadows. I’m not saying that Abdullah Ibrahim doesn’t deserve the accolades – notably, “our Mozart” from Nelson Mandela – but there have been other genius level South African pianists: one was Moses Molelekwa who died at just 27. The other is the very great Bheki Mseleku (1955-2008).Mseleku’s album Timelessness, recorded with a host of American jazz super-heavyweights in 1993, has been widely hailed as a masterpiece. And this newly-released solo piano album Beyond the Stars (Tapestry Works), recorded in Read more ...
Sebastian Scotney
This week marks a major step in the songwriting collaboration between British/Italian singer-songwriter Georgia Mancio and Alan Broadbent, the Grammy-winning jazz pianist who has played with Woody Herman and Charlie Haden’s Quartet West. Having first started working together eight years ago, they are launching not just their second album of jointly written songs, Quiet Is the Star, but also, The Songs of Alan Broadbent & Georgia Mancio an illustrated book containing 32 songs.Their first album together, Songbook, for quartet, was launched in 2017 at Ronnie Scott’s in London (where Mancio Read more ...
Asya Draganova
My first (conscious) encounter with the music of American jazz saxophone legend Pharoah Sanders was 1970’s “Let Us Go into the House of the Lord”, a nearly 18-minute piece which, right until the end, sounds like it’s only just forming through an explosion of light and layers of sound. Promises has a similar effect – an ever-unfolding spiritual journey, marked by repetition, build-ups and climaxes.Indeed, what brings together Sanders and the lead musical figure in this collaboration – Sam Shepherd, or Floating Points – is their shared dedication to exploring the spiritual qualities of music Read more ...
Kieron Tyler
“I See Your Face” opens with a short burst of Phil Spector-ish tambourine rattling. The sort of thing also employed by the early Jesus & Mary Chain. Then, a cascading folk-rock guitar paves the way for a disembodied voice singing over a spooky one-finger keyboard line and chugging, reverbed guitar. Occasionally, what sounds like a syn drum goes “pff.”“Gorgeous Weather” is equally remarkable, equally other-worldly. A spiralling, distant-sounding creation, its subterranean feel suggests an oncoming storm rather than what’s usually thought of as gorgeous weather.Then there’s “There's A...” “ Read more ...
Kieron Tyler
Track two on Dream Of Independence, the new album from Sweden’s Frida Hyvönen, is titled “A Funeral in Banbridge”. An account of attending a funeral in, indeed, Banbridge, County Down, Northern Ireland, it’s bright, melodically jaunty, piano-driven and moves along at a fair clip.But there’s a disconcerting disparity between the buoyant arrangement and the lyrics. The direct, almost deadpan, voice sings a rolling melody. “A funeral in Banbridge/ I took the train here/ From London/ Through Wales/ Beautiful day/ I had a salad, I had a drink,” it begins. The song is a diary entry recounting Read more ...
Nick Hasted
Lana Del Rey has turned pop’s volume down, returning hushed intimacy to the music’s heart. Her collaborator Jack Antonoff was also heavily involved in Taylor Swift’s Folklore reinvention, but Del Rey’s idea of Americana remains very different. Its emotional thread is again pulled tight by mid-20th century, glamorous iconography, and fame and love met with equal, glassy passion.Del Rey has found a new way to be post-modern, decades after the condition became too total to be mentioned. She is authentically artificial, honestly romantic, a self-conscious construct lit with her voice’s sensual Read more ...
Thomas H. Green
Indie rock has taken a commercial back seat, even if the music press still hasn’t quite caught up. Sure, there have been hit-makers, and bands that sell out stadiums, but overall, indie’s tide is very slowly retreating. Like any genre, it will always be about, like westerns in Hollywood, a classic formula, but the take-up of technologies far beyond the electric guitar renders it a retro curio. Like metal, it offers invigorating rejigs, rendered fresh by each new generation revelling in the classic singer/guitar/bass/drums chemistry. Black Honey from Brighton are just such a case, Read more ...