New music
Kieron Tyler
The premise driving Lenny Kaye Presents Lightning Striking is the idea that, as it’s put here, “transformative moments in rock ’n’ roll” not only happen at a particular time but in particular places too. Somewhere struck by that lightning at a certain point becomes pivotal, influential and a node from which influences ripple outward – impacting on the next such strike. It might take a little while for this to be seen – early rumblings precede the lightning, but there’s usually a year which becomes fundamental.Lenny Kaye may be best known as Patti Smith’s foil, but there’s a whole lot more – Read more ...
Nick Hasted
Miles Davis stole Charles Lloyd’s band, and much else. It was Lloyd’s classic quartet with Keith Jarrett on piano, drummer Jack DeJohnette and bassist Cecil McBee, not Miles, who were the first jazz act to play San Francisco’s Fillmore and gain an avid rock audience; their album Forest Flower: Live In Monterey (1967) sold a million, making Lloyd, with his Afro and hippie threads and exploratory, spiritually balmy sound a star. Playing acoustically, he built jazz’s bridge to rock, only for Miles to lure Jarrett and DeJohnette away, and Lloyd himself to seemingly vanish into the Californian Read more ...
Sebastian Scotney
“Take Jazz Seriously,” wrote Maurice Ravel after his American trip in 1928. This past week of the 2021 EFG London Jazz Festival has seen that advice itself being taken seriously, with a bunching of projects and premieres. Jazz musicians have been welcomed in to work with London orchestras. The fruition of months of preparatory work has been on show.Soweto Kinch’s White Juju is a 75-minute “artistic response to a year of pandemic, racial animus and culture wars”, consisting of 10 pieces. It received a loud, prolonged, vociferous and very enthusiastic reception in a nearly-full Barbican Hall. Read more ...
Katie Colombus
For those of you who didn’t think it was possible for Adele to up her stakes in the game of soul-baring, think again. Her first album in six years is here and it is as raw as it is rowdy, as searing as it is silk, as relatable as it is enjoyably escapist.30 begins with warm-up song “Strangers By Nature”, a retro kitsch drift with dreamy strings and the melancholic caress of Karen Carpenter, ending with a spoken word line in that distinct Tottenham accent, “Alright then I'm ready”. Deep breath.The first single, as you will know given the abundance of radio play in the feverish anticipation of Read more ...
Kieron Tyler
After its mid-September release Low’s 13th studio album Hey What hit 23 on the UK’s Official Charts, their highest ranking to date. Back in early 2001, Things We Lost in the Fire topped out at number 81. Despite the increasing profile, Mimi Parker and Alan Sparhawk remain largely autonomous. There’s the odd change of bass player, label or producer, but their work together as Low is self-determined. They do what they want, and they define Low.They live in Duluth, Minnesota – where Bob Dylan was born – are married, have children and are Mormons. During the pandemic, they opened the door to Read more ...
Barney Harsent
A poet I know once went to a boarding school to deliver an open class on poetry. Part of the day consisted of the children producing poems of their own, which their guest teacher then looked over and discussed with them. Almost every one was about flight, or escape into vast, open swathes of nature. These weren’t poems, he realised, these were the yearning, silent screams of perpetual prisoners.I was reminded of this when listening to Flying Dream 1, the ninth studio album from big-hearted rock band Elbow. Even pop stars with a nifty niche in singalong anthems couldn’t escape a pandemic- Read more ...
peter.quinn
A fascinating song list that juxtaposed originals with musical theatre, pop songs, Brazilian music and more. An inventive, listening band – take a bow Glenn Zaleski (piano), Alexa Tarantino (flute), Marvin Sewell (guitar), Yasushi Nakamura (bass) and Keito Ogawa (percussion) – who supported singer and song in the most empathetic way possible. And a central performance that combined strength and vulnerability, humour and irony, a strikingly beautiful timbre, and an absolute focus on the lyrics and the story.Vocalist, composer and three-time Grammy winner Cécile McLorin Salvant, together with Read more ...
Thomas H. Green
A persistent moan of this writer in recent years, about gigs attended by those his own age (54) and up, is that, however good the band is, the audience are stationary, staring, semi-catatonic. They don’t twitch or move, facing stage-wards earnestly, silent, as if watching Chekov at the theatre. Their joy, if it exists, is internalised, unreleased. Dancing something forgotten long ago. Such gigs are flat, disappointing, like the airless, staid classical concerts I was taken to as a boy, contemplative and half-asleep. It is, then, a blissful surprise to find Eighties synth-pop outfit OMD’s Read more ...
Guy Oddy
Deap Vally’s debut album, Sistrionix was a breath of fresh air for the heavy blues rock end of the musical spectrum when it was released in 2013. Feminist anthems, like “Gonna Make My Own Money” and “Creeplife” blasted out like artillery salvos and rightfully grabbed plenty of people’s attention. Since then, however, Lindsay Troy and Julie Edwards have never really lived up their initial promise.A second album just revisited old ground and a collaboration with the Flaming Lips didn’t give the impression that they were anymore than hired hands. Their new long-player, Marriage is something else Read more ...
Liz Thomson
The Outlaw meets Jesus, at least on CD. The Willie Nelson Family finds The Red Headed Stranger singing some of country-gospel’s most celebrated songs, including Hank Williams’ “I Saw the Light”. It’s his second album of 2021 – the first, That’s Life, released in February, was a beguiling collection of Frank Sinatra covers.Willie Nelson will turn 90 next April, and doubtless like most folks his age his thoughts turn to the day he will meet his Maker. But whatever your age, God is never far away from country music – sung about as one of the family. And that easy relationship is what gives Read more ...
Jonathan Geddes
There is unquestionably a more mellow side to the Jesus and Mary Chain these days, even when reviving their most ferocious glories from the past. Prior to launching this two-halved set, comprising their 1987 classic Darklands to begin with and a mixture of singles, B-sides and obscurities for after, vocalist Jim Reid took time out to politely explain the format.He even mentioned that the fivesome would be having a cup of tea between the two portions, suggesting a surprising tranquillity. Yet the following 90 minutes was, at its best, a bracing, jarring reminder of the power of the East Read more ...
mark.kidel
The collaboration of Robert Plant, Alison Krauss and producer T-Bone Burnett produced a masterpiece Raising Sand in 2011. Once again, and in spite of rumours about the artists falling out, they have returned with the same winning formula.With impeccable taste and a posse of some of the best musicians in the USA, they sail their way through a gloriously varied selection of country and blues classics. Plant and Krauss have voices that match: each of them capable of switching from raucous to soulful, from seductively sentimental to energetic calls to the dance. The best harmony singing has Read more ...