Interviews
alexandra.coghlan
Relentlessly energetic, opinionated, and never less than passionate about music-making, Ilan Volkov is a close as you get to a prodigy in the world of conducting. Appointed as Young Conductor in association with the Northern Sinfonia at just 19, at 28 Volkov became the youngest ever chief conductor of a BBC orchestra, and almost 10 years later still continues his relationship with the BBC Scottish Symphony Orchestra as their Principal Guest Conductor. Most recently appointed as Music Director and Chief Conductor of the Iceland Symphony Orchestra, and with a growing schedule of international Read more ...
Kieron Tyler
Explaining the difference between the first series of the uncompromising French policier Braquo and the second, which he has come on board to write, Abdel Raouf Dafri says his take is “even more violent, even more sarcastic. The line between the good guys and the bad guys is even more fluid”. Dafri knows about bad guys. He wrote Mesrine and A Prophet. He also knows series one of Braquo is a tough act to follow.With series two premiering on British TV this Sunday, Braquo joins Saturday night’s The Bridge to fill out the weekend’s foreign-language crime TV schedule. The pacing, shocks and tonal Read more ...
graeme.thomson
Norah Jones is back. New haircut, new sound, new producer. The first of these, while very nice, needn't concern us too much. The second, meanwhile, is largely a result of the presence of the third, the ubiquitous Brian “Danger Mouse” Burton, who is working so hard these days I'm starting to suspect there might actually be two of him: Danger and Mouse. The daughter of legendary Indian musician Ravi Shankar and US concert promoter Sue Jones, Geethali Norah Jones Shankar was born in Brooklyn and raised in Texas. She emerged - seemingly fully formed - in 2002 with Come Away With Me, one of Read more ...
Jasper Rees
It’s not so very rare for actors to be given a shot at directing their own film. It happens slightly less often that they find financial backing to work on their own script. What makes Breathing, which opened this week in the UK, such a collector’s item is that it is so very accomplished.Karl Markovics (b. 1963) has long experience as an actor in Austria. He is best – in fact, solely – known internationally for his extraordinary performance in The Counterfeiters (2007). Stefan Ruzowitzky’s film tells the true story of Salomon 'Sally' Sorowitsch, a Jewish black marketeer who is rounded Read more ...
Ismene Brown
Donatella Flick, one of Britain's most important arts patrons, is furious. "Madness!" she cries in her lush Italian voice. "This is a country that was fantastic, and now there's a demolition going on, bit by bit!" We're sitting in Sir Winston Churchill's old drawing room - now her drawing room - near Kensington Gardens, and I would give a lot to see David Cameron flinching on her huge black sofa as he got a withering dressing-down. Yesterday Cameron's government agreed to delay for further consideration their big new wheeze for getting the rich to pay more tax by cutting the advantages of Read more ...
Graham Fuller
Fifteen years after I first saw Andrew Kötting’s Gallivant (1996), I’m still haunted by its depiction of the pilgrimage Kötting made around the coast of Britain with his 85-year-old grandmother Gladys and his seven-year-old daughter Eden (pictured together below right). Lyrical but not sentimentally scenic, it paid homage to folk customs that contain the spirit of ancient communal life while pointedly spurning the commercial culture that characterises resort towns.The best-known movie by the film-maker and installation/performance artist Kötting, it was a psychographic fin-de-siècle Read more ...
Peter Culshaw
“I guess it's jazz, but it's not what jazz was... if you have to call it something... " Esbjörn Svensson was the leader, pianist and main composer of e.s.t. and at the time of his death in a scuba-diving accident on 14 June, 2008, it would seem the band had the world at its feet.Although the band were formed in Sweden in 1993, it wasn’t until From Gagarin’s Point of View in 1999 that they reached a large international audience, and a series of acclaimed albums such as 2006’s Tuesday Wonderland consolidated them as the archetypal modern jazz band. Partly responsible for shifting jazz's centre Read more ...
Tim Cumming
He has been called “America’s sharpest musical storyteller” by Rolling Stone, and has enough talent to give Bob Dylan’s talking blues a run for their money. The East Nashville-based singer-songwriter, guitarist, yarn-spinner, troubadour and amiably agnostic stoner has 10 new stories on his 14th album, the title of which acts as a pretty accurate calling card for the Snider experience: Agnostic Hymns and Stoner Fables. He’s also got a raw new band behind him, at the same time as strapping on an electric guitar, blowing a mean, distorted harp through a handheld mic, and delivering some of the Read more ...
Ismene Brown
No choreographer so divides American and British critics as Russia's only international dancemaker, Boris Eifman. He's "an amazing magician of the theatre", according to the late, great US critic Clive Barnes. He "flaunts all the worst clichés of psycho-sexo-bio-dance-drama with casual pride," according to the masterly New York Times critic Alastair Macaulay. Both views come from Englishmen working in America, hence a contradictory weathervane as to how his ballets will be received in Britain on this tour. Whichever side one comes down on (and one does, one does) what is undoubtedly Read more ...
Ismene Brown
Critical, urgent, hard - those are the three words used about the challenge to get the rich to pay more for the arts by the new man at the tiller. He should know. Jonathan Moulds, European President at Bank of America Merrill Lynch, is one of the super-successful, super-wealthy financiers to whom the Cameron government is desperately looking to pick up the slack as they cut back public spending. What the government hopes for is modern-day Medicis - arts patrons who use their wealth to back orchestras, performers, theatres and educational projects - and lots of them. The lobby group for this Read more ...
aleks.sierz
Playwright Martin Crimp is one of British theatre’s best-kept secrets. Although his neon-lit name appears in the theatre capitals of Europe, with his work a big hit at festivals all over the continent, here he is better known to students - who love his 1997 masterpiece Attempts on Her Life - than to ordinary theatregoers. The crowds that saw the 2009 West End revival of his present-day version of Molière’s The Misanthrope will remember how Keira Knightley and Damian Lewis spoke the witty text, but would they now recall who wrote it? Likewise, I wouldn’t mind betting that few of those buying Read more ...
Dylan Moore
There is a simple explanation to why Cardiff-born Peter Gill has never directed in his home city, despite the fact that many of his own plays are set in the Catholic, working-class Cardiff of his youth. “I’d never been asked,” states Gill matter-of-factly; “it’s just a trade; it’s not a magical world. You have to ask me to do things.”There is something bracing about the lack of sentimentality with which Gill addresses the question of homecoming. It fits with the setting of our conversation too: a big, airy rehearsal room at the newly-rebuilt Sherman Theatre in the heart of Cardiff’s student- Read more ...