Interviews
Thomas H. Green
Wim Vandekeybus (b. 1963) is the man behind Ultima Vez, a theatrical-choreographic powerhouse in Brussels. With his guidance they have sped to the forefront of European multi-media performance with such works as Monkey Sandwich, Oedipus/Bêt Noir, NieuwZwart and Booty Looting, each combining music, dance, visual arts and theatre in different ratios to startling effect.After leaving school Vandekeybus took psychology at Leuven University but, finding the discipline’s scientific rationality restrictive and wanting to apply it to more artistic areas, he left and worked with the designer- Read more ...
David Nice
She is now the world’s leading interpreter of Richard Strauss’s Marschallin in Der Rosenkavalier, the aristocratic thirtysomething once forced into marriage with a far from ideal husband and determined not to let it happen to the sweet girl who falls for her own much younger lover on first sight. As a happily married woman, Anne Schwanewilms has no need of 17-year-old boys, and in her vocal prime she can have no regrets about ageing beautifully, but she shares both the Marschallin’s wit, with a wicked line in impersonating certain conductors, and her natural charm.Schwanewilms first beguiled Read more ...
Jasper Rees
You'll recall the scene where the title comes true in Gregory’s Girl. Gregory, a gawky, puzzled teenager played by John Gordon Sinclair, has finally hooked up with a girl. They spend a long evening dreamily kissing and listing their favourite numbers. “A million and nine," suggests Susan, played by Clare Grogan, after a long last smooch on his doorstep. "How come you know all the good numbers?" says Gregory, and you can hear the witty and the quizzical mingling in his voice, as inextricable as jam stirred into rice pudding.The exchange captures all the sweetness and mystery of teenage Read more ...
Mark Sheerin
Yinka Shonibare MBE makes work from a less entrenched position than his many decorations suggest. This Member of the British Empire (he adopted the initials as part of his name after receiving the honour in 2005) is naturally also a Royal Academician, an Honorary Fellow of Goldsmiths, and has an honorary doctorate from the RCA. Shonibare is one of the most celebrated artists around, a fixture as well received as the ship in a bottle which occupied the Fourth Plinth in 2010 and which now has a permanent home outside the National Maritime Museum in Greenwich.Yet his ambitious new work for year’ Read more ...
Matthew Wright
The sophisticated and exquisitely crafted sound of The Hilliard Ensemble has, over the past four decades, become one of the most distinctive pleasures on the choral scene. One of the several pioneers of the medieval and Renaissance repertoire to emerge in the Seventies, The Hilliards have, nonetheless, made this music their own, their glistening sound offering a more contemporary aesthetic than that of historically-specialist period performances. Named after Elizabethan miniaturist Nicholas Hilliard, they share that portraitist’s delicacy, urbanity and intense colouring. Today, they have a Read more ...
emma.simmonds
The Swedish writer-director Lukas Moodysson first burst onto the scene in 1998 with the chaotically romantic Show Me Love (original title Fucking Åmål), a story of a love affair between two teenage girls which shocks a small Swedish town. He followed that with commune comedy Together (2000) before eventually segueing into darker territory with films such as Lilya 4-Ever (2002), A Hole in My Heart (2004) and Mammoth (2009) which focussed on sex trafficking, amateur porn and the ills of globalisation respectively.His latest We Are the Best! revisits Show Me Love's shy-girl-wild-girl dynamic but Read more ...
Thomas H. Green
Dmitry Krymov (b 1954) is one of Russia’s most groundbreaking and celebrated contemporary theatre directors and set designers. Performances by his “Theatre Laboratory” are renowned for combining multimedia with art installation techniques to surprise and thrill audiences across Europe and as far afield as New York.The son of writer Natalia Krymova and theatre director Anatoly Efros, Krymov worked in set design during the Eighties but turned to art the following decade, forging a successful career as a painter and exhibiting all over the world. He returned to theatre in 2002 and two Read more ...
Tom Birchenough
This April is proving the kindest month for cinephiles. Hot on the heels of Mark Cousins’ engrossing A Story of Children and Film comes another documentary about cinema of captivating, encyclopaedic interest, Shivendra Singh Dungarpur’s Celluloid Man. The director’s immediate subject is PK Nair, the man who created India’s National Film Archive (NFA). It’s thanks to Nair that many early classics of that nation’s film heritage – India is as cinema-centred a country as any in the world, with many of its national languages giving rise to distinct branches of the industry – have been preserved at Read more ...
Ismene Brown
Last night the Olivier Awards handed their top honour for dance not to a dancer but to the man who shines the lights on the dancers. Michael Hulls, winner of the Outstanding Achievement in Dance award, paints the dancing of Sylvie Guillem, Akram Khan, Russell Maliphant and the Ballet Boyz with atmospheres and illuminations that seem to reach beyond the visual and into some paranormal place.Lighting designers are either wizards or useful pedants. They scrupulously light the action or they make light speak its own language, activating space, time, illusion, imagination - inventing effects that Read more ...
Matthew Wright
Drummer Billy Cobham has been an innovative and influential figure since the 1960s across jazz, Latin, funk and the areas of fusion between. He has played with Horace Silver, Miles Davis, Randy and Michael Brecker, and in 1971 was a founder-member of John McLaughlin’s Mahavishnu Orchestra, widely considered to have been the greatest jazz-rock fusion group of all. The sensitivity and thoroughness with which the drumming was integrated into the Mahavishnu Orchestra ensemble, and Cobham’s management of the new and unbalanced rhythms and structures of that orchestra is usually considered to have Read more ...
Russ Coffey
Mark Oliver Everett, AKA Mr E, is the voice and brain behind US alt-rock heroes, Eels - a band that has been described as "frank, thunderous, and unusually uplifting”. That's some achievement given their overriding themes of loss and angst. But this band's unique approach to life's set-backs gives them a very wide appeal - their fans range from arthouse hipsters to the audience of Shrek (whose soundtrack interprets “My Beloved Monster” rather literally). On April 21st the band release The Cautionary Tales of Mark Oliver Everett, their 11th, and quietest, album.Mr E was Read more ...
Jasper Rees
Nina Conti is a postmodern visitor from a previous era. Ventriloquism, the remarkable skill of vocal misdirection, was a staple of yesteryear’s mainstream. Its practitioners were odd men pedalling flaccid Saturday-night humour. And indeed she inherited her skill from a much older man. Ken Campbell, the polymathic entertainer who for a time was her lover, introduced her as a young actress to ventriloquism and devised a play called Let Me Out!!! for her which she took to the Edinburgh Fringe in 2001. When he died in 2008, Conti inherited his collection of puppets.Conti has built her act around Read more ...